March 2, 2023 – Laura Sends Eileen To the Morgue, Poem, Bill’s Band, Through the Years, Please Go, Fakey McFake, Monstrous Loss, Everything SAG & Good

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What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

General Hospital

Sasha puts a single rose on Brando’s grave, and says, it’s finally over. Heather Webber will never hurt anyone again. Soon they will lock her up. She hopes Heather suffers. He’s too kind to wish that on anyone, but he’s not here, so she gets to wish for what she wants. Of course (🍷) the one thing she wishes, she can’t have. Everybody talks about moving on and living her life. Easier said. She starts to cry, and says she misses him.

Maxie meets Brook at Kelly’s, and Brook asks, how’s her mom? Maxie says, hanging in there. Ryan really put her mom and Mac through the wringer. Brook says, look on the bright side. Ryan is dead, and Heather is being put away until she rots. Good riddance to the lunatics. Maxie says she’s still reeling though. Heather’s last victim was Austin. Brook asks if Maxie’s talked to him, and Maxie says she left a message, but didn’t want to push. Brook says, it’s hard to know where to draw that line with an ex, and Maxie says, now they’re talking about Brook and Chase. Is she right?

Dante comes into the steam room to find Chase rubbing his shoulder. Dante says he told Chase to take it easy. What did that punching bag ever do to him anyway? Chase says he was overcompensating. He’s sick of being in limbo. He wants to be a cop again.

Gregory reads out loud to Alexis, when the sounds of choppers faded from the air above Spoon Island, one notorious criminal was dead, another was in custody, and their legacies were cemented with the birth of their grandson and the trail of devastation each left in their wake. She takes it he has notes, but he says, just one; masterful. Congratulations. She’s nabbed the scoop of the year.

As they approach Sam’s apartment, TJ asks if Molly is up to this, but she says she’s fine. It’s probably just a touch of the bug that’s going around. She hasn’t seen her sisters in ages, and there’s no way she’s missing this brunch. Um… I guess she misses them so much, she wants them sick too? They knock at the door, and Sam tells Kristina, they’re here. Kristina comes out with a cake that has one candle on it, and Sam opens the door. They yell, happy anniversary!🎉

At the MetroCourt restaurant, Diane tells Robert, it’s so lovely, and he says, it’s been a long time coming. He really owes her, and she says, for wasting her time in court with a case that should never have been brought to trial? He says he was thinking more of a moment they shall call the elevator incident, and she says she was only doing what anyone would do when they figured out a colleague had been drugged and swindled. He says, regardless, this is an expression of his gratitude, and she asks if that’s all this is. He says, she’s got him. There was something else he wanted to talk to her about today.

Laura thanks Eileen for meeting her at the hospital, and Eileen says, of course (🍷). Laura says she’s been given a task that feels impossible to her, and she realized that Eileen is the best person to help her with it.

TJ says now he understands why Sam insisted he escort her to this so-called sister’s brunch, and Kristina says, they know TJ and Molly celebrated their anniversary at Curtis and Portia’s wedding. Sam says, the first year of domestic partnership deserves a celebration, and Kristina says, they’re borrowing from birthday tradition, lighting the candle. Sam says, make a wish, and Kristina tells them, then blow out the candle. They do, and everyone laughs.

Alexis says, right place, right time, and Gregory says, thanks to the tip from Smoltz. She says, when he’s right, it reminds her that he’d actually be good at his job if he had integrity. He says, Smoltz may have given her information, but it was her deductive reasoning that unmasked The Hook, and she says, a major get. He says, one she should be proud of, but she says, the glory isn’t all hers. She couldn’t have done it without him.

Dante says he knows Chase hates not being on the force, and Chase says, especially after an operation like the one on Spoon Island. They caught The Hook. Ryan Chamberlain is dead, Esme Prince has been recaptured, and where was he? Dante says he missed out too, but Chase says, because he was in England with Sam working on another case. Dante says, they were tracking down Esme’s nanny. She told them that Ryan was Esme’s biological father. Chase says, see? Dante’s proven his point. It was good work. Dante says, work Chase can do too when he gets reinstated. Chase says, if he gets reinstated, but Dante says he has every reason to believe the Board will reinstate Chase. Will he have some faith? Chase says he’ll try, but in the meantime, there’s another bad guy he can take down.

Brook tells Maxie, soon enough she and Chase won’t have a professional relationship, and Chase will be free of her completely. Maxie asks if he fired Brook as his manager, and Brook says, music was never Chase’s dream; it was hers. He loves police work, and he’s probably going to be reinstated in the next few months. Maxie asks how she feels about that, and Brook says, it makes him happy, and she’s happy for him. Maxie asks how she really feels, but Brook says she’s actually happy for him. He deserves to follow his passion. Maxie says, so does Brook, and Brook says she is. Aside from the ones he already sold, Linc gave her back her catalog. She can shop those around, build her slate of artists… Maxie asks why she still doesn’t seem happy, and Brook says, because she still doesn’t get what she wants.

Eileen says, whatever Laura needs, she’s at her service, and Laura says, she looks tired. Is she sick? Eileen says she hasn’t been sleeping well. Her alarm clock must have a short; it’s been waking her up at all hours. On top of which, the heat stopped working. Laura suggests she stay somewhere else until she can sort out the heat and the wiring, but Eileen says, that won’t help with the nightmares, and Laura says, what? but Eileen says, it’s nothing. Laura tells her, Anna Devane’s body has been recovered… or what the French authorities believe are her remains. Eileen says, her condolences, and Laura gets all teary and thanks her. Eileen says she hopes this gives Laura and Anna’s loved ones the closure they need. When will the body arrive? Laura says, it’s already here. Anna’s body is down in the morgue, and she’s the one who’s supposed to… identify it. She breaks down in tears.

Alexis tells Gregory, spitballing, bouncing theories off each other, that’s what led to her eureka moment with Heather. After that, it was just a matter of confirming her hunch. He says he might have helped get the wheels turning, but this was all her, and she says, take the win. Come on. They’re good together. Why bust it all up? He says he’s sensing a return to a conversation they put to bed, and she says she doesn’t understand why PCU won’t let him work at The Invader. He says he told her; a conflict of interest. (BTW, I think he’s lying to her; I don’t think he even asked.) She says she’s researched six publications, and all of them have professors working in their editorial department. So why does PCU set a different standard for their faculty specifically? He asks why she can’t let this go.

Chase tells Dante that he’s going to stop Linc Brown and his career as a music manager. Maybe get him charged just for good measure. Dante suggests Chase remember Linc was one of the reasons he was suspended in the first place. He adds harassment to assault, he’s not getting back on the force. Chase says, Brown gets handsy with his clients – he means, really handsy. He’s abusive, controlling, and manipulative, and that’s all they know about. There’s probably so much more. Dante says he knew the guy was a sleaze, but didn’t know he was doing that. That’s no good and he needs to be stopped. Why doesn’t he have a chat with Linc? Chase says, that won’t do any good, and Dante asks how working for him is going to change his behavior. Chase says, proximity gives him opportunity. Sooner or later, he’s going to slip up in a way that’s verifiable. Dante says, when he does, Chase better be far, far away from him.

Brook tells Maxie that she and Chase are over. He made that abundantly clear. In fact, she thinks he’s moved on. Maxie says, Chase is interested in someone else? Who? Brook says, Sasha, startling me, since I expected her to say Blaze. She’s not sure sure, but they’ve been spending a lot of time together lately. Maxie says, well, they’re friends, and she’s sure they’re just being supportive, and Brook says, how sure? grabbing Maxie’s hand. Maxie says, 98% sure, prying Brook’s hand off hers. She says, Brook needs to talk to Sasha, and Brook says, why? Whatever’s going on between them is none of her business. She and Chase are over. She doesn’t have him, but she does have her music back. Maxie says, she doesn’t seem that pleased, and Brook says, it came with strings. She had to sign a non-disclosure agreement. One of her main goals when she started was to nail Linc to the wall for sexual harassment, coercion, and all of the other sleazy stuff he does. Maxie says, and she persuaded Chase to help her? and Brook says she did, and he was totally into it. So when he finds out she signed an NDA and can no longer speak publicly about what Linc did to her, he could think she prioritized her career over doing what’s right. Maxie says she doesn’t think the NDA is going to be Brook’s problem. She should talk to a lawyer, but Brook needs to look into the Speak Out Act. An NDA can prevent you from talking about work product, like intellectual property… Brook says, lyrics, contracts, deals, and Maxi says, exactly, but a contract that restricts your talking about how you’ve been treated, misconduct in the workplace, or sexual harassment, those can’t be enforced anymore. Brook should look into it. Brook says she will, but that still doesn’t change what she did, and Maxie says, Chase is understanding. She’s sure he’ll forgive her. Sasha is suddenly there, and asks what Chase has to forgive Brook for. Um… none of your business?

Diane asks how offended she should be that the pleasure of her company wasn’t enough for her and Robert to meet, but he says, the pleasure of her company is reward enough, and she says, stop. He says he wanted to bring her up to speed on some recent events, and she says, he means Heather Webber being identified as the person who stabbed her with a hook. He says, she’s confessed, which means they’re removed from having to go through a trial, and Diane says, which means she doesn’t have to testify. She wasn’t looking forward to reliving that. She puts her clients on the stand every day, but it’s different… He says, when you’re the one being attacked. He gets it. She says, of course (🍷) he would. He was the victim of an attack recently.

Eileen says, shouldn’t one of Miss Devane’s relatives make the identification? but Laura says, her daughter lives all the way across the country. Eileen says, what about DA Scorpio? They were married. Laura says, they were, but the French authorities have made it clear that… the body… there’s been some decomposition. She’s sure Eileen understands why she wouldn’t want to expose one of Anna’s loved ones to a visual like that unless it was absolutely necessary. Eileen says, of course (🍷), and Laura says, unfortunately, it’s her job as city official to assist the gendarmerie, but she’s been here for hours, and she just can’t do it. Eileen says, Laura needs support, and Laura says she needs Eileen to do it.

Chase says he knows Dante isn’t telling him to look the other way while Linc manhandles his female clients, and Dante says, no, but he is telling Chase to maybe report him. He knows it’s difficult, but maybe Chase could convince some of these women to come forward. Chase says, Dante knows as well as he does, these types of allegations are hard to prove. Either everyone comes forward or no one does. Dante says he gets direct involvement, but for Chase, it’s a bad idea, and Chase says, why? These women endure this because they think if they don’t, Linc will end their music career. He doesn’t care if his music career ends; he can’t wait. He’s the perfect person to take Linc down. Dante says, Chase takes Linc down, Linc is liable to take Chase own with him. Then what happens? The CCRB gets wind of his little one-man operation, and there go his chances of reinstatement. Chase says he knows there are risks, but he doesn’t feel right leaving these women in Linc’s orbit to do this alone. Dante says, nor should he, but to be clear, are they talking women plural, or one woman in particular?

Sasha asks if everything is okay with Brook and Chase, and Brook says, nothing major; just music business stuff. Maxie stares at Brook, and Sasha sits down, saying, she admires Brook. She’s juggling two careers. Sasha crumbled under the pressure of just one. Maxie says, Sasha didn’t. What she went through wasn’t a reflection of her capabilities or professionalism. Don’t sell herself short. Maxie tells them that she left her phone in her coat pocket; talk amongst themselves. She stands behind Sasha and eavesdrops, as Sasha says she thinks it’s incredible what Brook has done with Chase’s music career. Is she taking on other clients? Brook says, actually, she thinks it’s time to explore new horizons.

Alexis asks why Gregory is willing to let this go, and he says he knows his limits. She says, the only limits he has are the ones PCU has shackled him with. He should just quit. He says, she finds journalism gratifying? and she says, certainly more than she thought. He says, when she was practicing law, if someone had told her to quit and run The Invader, or just be on the staff… She says she’d refuse, and he says, being an attorney was her first love, was it not? She admits it was, and says, and teaching is his. He says, this may sound flowery or pretentious, but he feels the knowledge he’s imparted is his bequest to a better world. If anyone should understand how hard it is to give up a career you’ve poured your heart and soul into… She says she gets it, and he says, besides, just because he’s not officially working here doesn’t mean they can’t continue to collaborate. She said herself, why bust up a good thing? He’s thinking, there must be a way to build on the momentum of this story, and his ideas are hers, free of charge.

Kristina asks, who’s ready for a toast? and Sam asks for sparkling water. She thinks she got a bit of food poisoning in England. TJ says, sparkling water for him too; he’s due at work. Kristina says, they’re both squares. Molly won’t let her drink alone, will she? Molly says, maybe just a small glass, and TJ says, his dad called to wish them a happy anniversary. Sam asks how Shawn is, and TJ says, great, and not at all surprised Alexis cracked The Hook case. Kristina hopes Heather’s capture brings Gladys and Sasha some peace, and Sam says, that’s why it’s so important for them to celebrate these milestones. To the people we love, and all of the milestones. Kristina says, to TJ and Molly, and they clink glasses.

Eileen says, Laura wants her to identify Anna Devane’s remains? and Laura says, there aren’t many people she could trust with this. Eileen says, forgive her, but she doesn’t have the impression Laura trusts her. Laura rarely calls on her for assistance, and Laura’s often dismissive of her efforts. Laura admits she was short with Eileen when Eileen talked with Warden Brewster about the Spring Ridge escapes. Eileen says, it wasn’t the first time Laura kept her out of the loop, and it was important she stay informed. Laura says, being informed isn’t necessarily being involved. Okay, she admits it. She’s been keeping Eileen at arm’s length. Eileen asks, why? and as they walk down the hallway, Laura says she owes Eileen an apology. She let her personal sensibilities cloud her judgement. They don’t have to be adversaries. Eileen is a strong administrator, and will be a great successor when Laura decides not to seek reelection, but she needs to know she can count on Eileen when it matters. Eileen says, understood. She’ll go to the morgue and make the identification. Laura presses the elevator button, and says she can’t tell Eileen how grateful she is for her stepping up in this way. It’s something she’ll never forget. Eileen gets in the elevator, the doors close, and Laura gets out her phone. She says, she’s on her way.

Diane apologizes for bringing up a sore subject, but Robert says, it’s public knowledge. Holly played him; he fell for it. Diane says she’s assuming Holly is still recovering from her burns in Europe, and he says, Holly has some challenges ahead of her. Regardless of what’s happened, he wishes her well. Diane says she may not know Holly well, but she knows this second chance meant a lot to him. She’s sorry. He asks, why? and she says, because he is. Deep as first love, and wild with all regret. He says, o death in life, the days that are no more, and she says, to Tennyson. They clink coffee cups, and she says, she was hoping Tennyson was getting him through during that time, and he says, not just Tennyson.

Sasha says she hopes Brook finds the perfect singer for every song, and make superstars out of all of them, and Brook says, that’s the dream. Sasha says, it’s hard to make many moves under this guardianship, but she’s starting to think about her future, and Brook asks if there’s anyone else in that future. Maxie jets back to her seat, babbling that her phone was in her purse the whole time, and Sasha wonders if Brook is asking her something specific. Maxie asks what she missed.

Dante says, Chase and Brook teamed up to take down Linc. Is Chase worried about his feelings for Brook coming back? Chase says, maybe they will, maybe they won’t. Either way, it’s worth it to see this through. Does Dante remember how aimless he felt when he was first suspended? For a guy who’s wanted to be a cop longer than he can remember, it didn’t feel good to lose his purpose. Dante asks, what about singing? but Chase says, that’s a paycheck, not a purpose. He wants to help people and if he can’t do it as a cop, he’ll do it this way.

Gregory says, Doc would add a good point of view to a think piece, and Alexis says, Doc is not only Ryan’s brother, he’s his twin, and his victim. Gregory says, to share your exact DNA with someone who’s both you physiological and moral opposite? It’s a great angle. She says she likes it, and he asks if Doc would be willing to talk about it. She says, there’s only one way to find out. She’d also like to interview Esme, even though she’s got some problems of her own right now. Gregory says he forgot. Congratulations are in order; Alexis is an aunt again. She says, that’s mean. She knows Nikolas is having another son, but she doesn’t know where he is. Gregory gets up, and says, it’s a good thing she’s good at solving mysteries, and she says, about the job. He says, just when they were having such a nice chat, and she says, humor her. If PCU hadn’t gotten in the way of taking the job, would he have accepted it? He says, he would have liked nothing more, and leaves.

TJ thanks Sam and Kristina for this very thoughtful surprise. Growing up, he never knew what he was missing, but through Molly, he has sisters. He thanks them for always making him feel like family, and Sam says, he is family. Kristina says, he’s trapped and there’s no escape, but it’s only because they love him. He says he loves them too, and Molly walks him to the door. He says he’ll see her tonight, and leaves. She goes back inside, and says, as they know, TJ is traditional and she’s not, but she appreciates them celebrating the commitment she and TJ made. Sam says, love should always be celebrated, and Molly says, right back at her and Dante. Kristina says, her sisters are happily in love. It almost gives a girl a complex. Sam says, when Kristina meets someone – and she will – they won’t know what hit them. Kristina says, because she’s a wrecking ball, but Sam says, she’s fantastic and smart and beautiful, and Molly says, face it, they’re magnificent. They deserve only the best, and that includes Kristina. Only good things for the Davis girls.

Robert says he’s grateful to have friends, old and new, and Diane says he’d better be calling her new. Alexis approaches the table, and says, if it isn’t her two favorite members of her former profession. Can she join them? Diane asks if it matters, and Robert says he has another appointment. My how time flies. Diane thanks him for breakfast, Alexis takes his seat, and he leaves. Alexis asks if it was business or discovery, and Diane says, it was breakfast. She thanks Alexis for alerting her before the identity of The Hook went to print, and Alexis says, it’s the least she could do. How is Diane feeling? Diane says, like she no longer has any excuses not to go out and live her life, and take a breath. And Alexis? Is she deciding what shelf to dust off for her Pulitzer? Alexis says, that’s a bit of a stretch, but Diane says, she’s on her way. Alexis says she’d be more on her way if PCU weren’t being obstructionist. The school’s administration won’t allow Gregory to join the editorial board. Conflict of interest. Diane asks, how? and Alexis says, exactly. Diane asks what Gregory has to say about this, and Alexis says, nothing. He doesn’t want to give up teaching, so he’s accepting it. Diane says she’s guessing Alexis isn’t, and Alexis says, no. Diane knows how she is.

TJ sees Laura, and says he didn’t get a chance to thank her for stepping in to officiate at his uncle’s wedding. She was incredible. She thanks him, and says, it was her honor. How’s his Aunt Stella doing? He says, on the mend. He asks what brings her by GH, and she says, closure.

Gregory asks the reception nurse to direct him to exam room 3, and she says she remembers him; he’s Dr. Finn’s dad. He says he hadn’t realized he was famous, when TJ comes by and says hello. Gregory says he’s looking for exam room 3, and TJ says he can show Gregory. Don’t tell him Gregory has caught this bug making the rounds. Gregory says, if only.

Eileen goes into the morgue. It’s empty, and she looks at the instruments on the table and shudders. She flashes back to hearing Anna say, you’re next, Eileen. You’re next. The attendant comes in, and she jumps a mile. He says he didn’t mean to startle her. Is she Deputy Mayor Ashby? She says, yes, and he says, he’s Moe (or maybe Mel); he’s been expecting her. He holds out his hand, but she doesn’t take it. She says she’s sorry; she’s just a little jumpy. He says, they get that a lot down here. Mayor Collins said she’d be identifying the Jane Doe from France. She says, that’s why she’s here, and he slides out a drawer holding a body in a body bag. He says he has to step out for a minute. Why doesn’t she take a look, and he’ll be back with the form she has to sign. He leaves, and I don’t think that’s how any of this works.

Dante says, it sounds like Chase is going to go after Linc no matter what, and Chase says, yeah. Dante says, promise if he gets into any trouble, Chase will call him, and Chase thanks him. He suggests Chase get his bum shoulder checked out, but Chase says, Dante knows how he feels about hospitals. Dante says, speaking of hospitals, he heard Willow was released, and Chase asks if that means she’s doing better. Dante says he doesn’t know, and suggests Chase stop by and see her. Chase says he has to meet little Amelia, and Dante says, his mother has fierce baby fever right now. She keeps hinting, and trying to find out if he and Sam are having kids. Chase asks if he wants them, but Dante says, they haven’t discussed it. I’m thinking either Sam, Molly, or both are pregnant.

Sam says she notices Molly switched to the sparkling water. Is everything okay? Molly says she just feels under the weather, and Kristina says she already opened the bottle. It’s a sin to let it go flat. Molly says she doesn’t want any more, but she could use something sweet. Is there any dessert? Didn’t they just have cake? Sam says, in the bag over there, and Kristina goes to get it. Molly says she wants to hear all about finding Esme’s nanny, and Sam says, it was insane. It was beautiful and rural, and they found her in this little place in Devon. She tells Molly about the crazy driving, when Kristina takes a pregnancy test out of the bag. Molly excuses herself, and Sam asks what’s taking Kristina so long. Kristina puts the test behind her back, and Sam says, she had one job. Kristina asks if there’s something Sam wants to tell her, and shows her the test. Dante comes in, and Kristina turns around, putting the test behind her back again. He asks if it’s over.

Diane says, do not meddle, and Alexis says she’s not meddling. She’s doing Gregory a favor. Diane wonders if he asked for this favor, and Alexis says, no. Diane says, then don’t do it, but Alexis says, he wants this job. Diane should have seen him. He just doesn’t want to give up teaching. Diane says, the professor is a big boy. If he wants it so badly, he’ll find a way to get it – on his own. Alexis says, not necessarily. He’s a cerebral guy. He doesn’t like to make waves. She does. She’s action oriented. Diane says, that’s Latin for meddling, and Alexis says, he wants the job, and she’s going to do something about it.

Brook says, sorry to bolt, but she has a full day, and Maxie says, stay. Sasha says, there’s been this really weird tension between them these last few weeks, but Brook says, no. Sasha says she’s sober, she’s calm, she thinks she’s rational. So she’ll be really disappointed if Brook tells her that she’s imagining this. Brook says, she brought out the big guns right away, and Sasha says, something has clearly changed between them, and she thinks it has to do with Chase.

TJ asks what Gregory means by if only, and Gregory says, nothing. It’s just a wonder he hasn’t picked it up from one of his students. Chase comes in, and Gregory asks if he’s there to see his brother, but Chase says, Finn’s off this morning. He tweaked a muscle in his shoulder, and he’s getting it checked out. What is Gregory doing here?

Robert sees Laura, and asks if Ashby went for the bait. She says, hook, line, and sinker, and he says, well done. She says, now let’s just hope it all goes according to plan.

Eileen hesitates, then remembers Laura saying how grateful she is, and it’s something she’ll never forget. She slowly goes over to the drawer, and zips open the bag enough to reveal Anna’s beat up, bluish face. The lights flicker, then go out, and Eileen says, hello? Is Moe (or Mel) there? The lights went out. Hello? The lights come back on, and she sees a ghostly Anna standing in front of her. She looks back at the table, where Anna’s body is still lying, and says, this isn’t real. This isn’t real. Anna floats toward her, looking like a demon.

Tomorrow, Chase asks if there’s a reason Gregory won’t tell him why he’s at the hospital; Kristina says she just found out Dante and Sam have been holding out on her; Laura says, Victor has no one to blame but himself; and Eileen says, please. I’ll do anything.

📜 Poets In Law…

If you want to read the whole poem.

https://www.poetryfoundation.org/poems/45384/the-princess-tears-idle-tears

🎸 Rock On…

Good for him. I thought he did a wonderful job on GH, and certainly better than the Most Extras’ first song on Vanderpump Rules last night.

🎊 Another 50th

The Y&R Memory Lane. It’s comforting to know some of the soaps we grew up with are still there.

💎 Here’s Your Hat…

Isn’t she gone yet? Please, take Kyle with you.

Well, we agree on LisaR’s exit, but no Housewife is bigger than the franchise? I present Queen LVP. She’s still got it going on elsewhere, and the show began its slippery slope downhill after her departure.

🍊 Phonier Than a Three Dollar Bill…

I’m ambivalent to Kelly – although she does let fly some amusing bon mots – but I agree Tamra is fake. The worst thing was when she decided to become a Christian, made a big production out of it, then never gave a Christian hoot again. I cringe just thinking of it. The loudest wheel gets the screen time.

🦐 Farewell Creature…

He was my favorite monster as a kid. My sister went through a model building phase for a hot minute, and did several classic monsters. I loved him.

https://ew.com/movies/ricou-browning-monster-creature-from-black-lagoon-dies-93/

🏆 And the Not Loser Is…

The winners.

https://ew.com/awards/sag-awards/sag-awards-2023-winners-list/

The best moments. I would usually say, these are debatable, but they’re pretty spot-on.

https://ew.com/awards/sag-awards/best-moments-sag-awards-2023/

The fashion.

https://ew.com/sag-awards/sag-awards-2023-red-carpet-photos/

Afterwards.

https://ew.com/sag-awards/see-all-the-stars-at-the-2023-sag-awards-after-parties/

My personal favorite.

https://ew.com/awards/sag-awards/james-hong-2023-sag-awards-speech-producer-said-asians-not-good-enough/

Do Not Pass Go, Do Not Collect $200…

Come to my window tomorrow for soap, tea spillage, what might pass as wisdom, and music celebrating women. Until then, stay safe, stay raising your own bar, and stay celebrating milestones, big and small.

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