Category Archives: horror

Sep17

September 16, 2018 – Martha Wreaks Havoc, Dwayne, a Little Talking, a Bit of 90, a Beauty’s Secret & Monday Feels

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What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

 

Fear the Walking Dead

A dude is trapped in a car; he’s impaled on something. The driver tells him just stay with her; someone will stop and help. The driver is Crazy Lady. I guess this is her backstory. She yells for a car to stop, but they just keep moving. As does the next one. A third goes around her.  Crazy Lady cries, and sits next to the car. A zombie toddles out of the woods. She starts telling him that her husband needs help, and realizes this guy is not right. She slams him a rake. Don’t ask me where she got that from.

Back in the car, she tells her husband someone will help them; someone will come. He wants her to go, but she won’t. She holds his hand and kisses it. It’s nighttime, and she cries on the hood of the car. The next morning, she’s still saying, someone will come. We hear zombie noises, but this time it’s her husband from inside the car. She wraps her hand, and picks up a piece of broken glass. All is quiet.

Crazy Lady buries her husband in a field nearby, digging the grave with her hands, and crying. When it’s done, she builds a fire, talks to herself, and slowly goes crazy. She sleeps on the grave.

A truck stops by the broken down car. A woman takes a box out of the back, and places it at the nearest sign. She sees Crazy Lady, and asks if she needs something. They make a drop about every ten miles. Crazy Lady looks at what she’s written on the box, and tells her, it’s farther not further. Further denotes degree; farther denotes distance. She was an English teacher, and drives people crazy, but words matter. It’s all we leave behind. The woman introduces herself as Stevie, and Crazy Lady says she’s Martha. Stevie thanks Martha for helping her. Martha says she doesn’t help, then kills Stevie, saying neither does she.

With Stevie at the end of a pole, Martha nails the next delivery person, and with that guy, the next, and so on. She tells the last guy, when you help people, they never learn to take care of themselves. She says one of them told her the man who started this calls himself Polar Bear. The guy won’t talk, and she lets the latest pole zombie loose on him. She gets on the radio in the truck, and she asks if Polar Bear copies. A voice says he thinks he hitched ride accidentally in the back of a semi. I think it’s Morgan. She half-smiles.

In the back of Sarah’s truck, Morgan and June stir. In the cab, Sarah’s belt is jammed. Jim gets her free, just as Martha comes back around in Al’s tank. The tank stops. Morgan looks through a bullet hole in the door. He wonders what she’s waiting for, and Al says she probably used up all her ammo. Sarah’s been hit, and Wen tells Jim to keep the pressure on; he’s got this. Morgan says they can’t stay, and helps Luci up. Wen says, sh*t in a sandbox, seeing there’s a gas leak.

They get out of the truck. Al runs to her tank, and opens the back. Martha comes out with her Quinn zombie kabob. Morgan tells her not to do this, and Martha says she didn’t; he did. He says, then make him pay. She tells him that he has potential. He says she’s stuck; he was too. Martha says she is, and Wen shoots her in the shoulder. Quinn is in the process of trying to eat June’s face, and Morgan stabs him in the head. Wen tells Martha not to move; he’s going to lay her down with the next one. A fire starts in the engine of the truck, and Jim tells Sarah, that’s not good. She and Jim ditch the truck, and it blows up. Morgan says, the boxes, but it’s too late. The whole thing goes up in flames.

Jim says his yeast cake was in there. A small crowd of zombies has arrived, and Luci says they don’t have enough ammo. Martha takes off in the tank.

Alicia and Charlie arrive at the remains of the truck. Charlie wonders where they are, and Alicia tells her, stay in the car. Alicia calls Morgan’s name. Charlie approaches Alicia, and says, the woman on the walkie. Why would she do this? Alicia borderline cries.

They look at a map. Charlie says, they could still be out there. Alicia says, they could be anywhere. She’s thinking east. They get back in the car.

Sarah says, sh*t in a sandbox, which is apparently the phrase of the night. A load of zombies is coming up the road behind them. Morgan says it’s going to keep building. Jim is pulling Wen, and Al has a ruptured ear drum. Jim says at least she’s mobile. Wen wants to know why Jim got through it without a scratch, and Jim says he’s good. Sarah says, at ducking, and Jim says, no; at living. We find out Sarah was a Marine. June wants to check everyone out, but Jim says they can’t slow down. Morgan sees shelter, and says maybe they can. Sarah tells him, good eye, Momo. Jim wonders why wait them out when they can keep moving away from things that want to eat them. Morgan says Jim thinks they can get ahead of them, but they won’t. Jim says he’ll take his chances. Sarah says he wouldn’t be there if Momo hadn’t saved him. Jim owes him. Jim asks, for what? She got shot because Morgan brought them back and wouldn’t listen. The woman wants him, not them. She tells him to go, and tosses his bag at him. Jim asks if Morgan really thinks they’ll be safe. He does. Jim looks at the zombies coming up the road, and joins the others. I wonder why he didn’t pick up the bag.

They hole up inside a hospital. Zombies scrabble at the windows. June says she stitched up Wen, Al has a mild concussion, and Jim is Jim. Morgan says they can’t stay for long, and June says they got medical supplies, and a chance to catch their breath.

They move deeper into the building. Sarah finds a radio. She says if that woman is still alive, she’d like to light her up like a pinball machine. Wen says he got her pretty good, but June says she shot him. Al gets where he’s coming from. She asks how he got into the chair. Wen explains that when he was ten, a kid kicked a ball into the street. He didn’t see a car coming, and Wen pushed him. The kid got up; Wen didn’t. Al asks if that’s what changed him. He says it made him help people even more. He had to work harder for things. After graduation he went to register for the Marines, but the recruiting officer laughed, and wouldn’t file the application. Al says, bad sh*t happens when you try to help people. Wen says now she’s getting it.

Alicia and Charlie looks for gas in other cars. Charlie thinks they should turn back, but Alicia says they have to keep moving. Alicia tries a truck, and gets nothing. Charlie asks how they could have gotten this far, and Alicia says they’re not looking for them. They’re going to Galveston; that’s where the beach is. Charlie has never been to the beach, so Alicia is taking her. It’s one thing she knows she can do.

Morgan blocks the windows with hospital equipment. Jim tells Morgan that earlier, when he said this was Morgan’s fault… The zombies finally push in the window, and Morgan grabs Jim. They run, and the zombies pour in.

Morgan says they need to get out. Okay, Captain Obvious. Jim says Morgan claimed they’d be safe there. Sarah tells Jim to shut up, but Jim says he got them into this. He had the answer; what now, Sherlock Holmes? They listened to him, now he needs to get them out. Everyone waits, and Morgan finally says they go up.

They bypass the first floor, where zombies clamor at the door window. Morgan says, keep going. The zombies below begin to follow. The next floor’s door window is shatter, and a zombie grabs for them as they go by. Morgan makes noise at the next door, but there’s nothing. He tells them to come in. Zombies clutter the stairwell, and they block the door behind them.

Morgan tells them to make sure the stairwells are secure. Sarah and Al check the floor. Al asks Sarah about the Marines, and Sarah says she quit. She didn’t agree with their code of conduct. Al bangs at a door, and radios Morgan that those stairs can’t be used; they dumped the dead there. Morgan suggests the west stairs, and June tells him the roof has caved in on the landing, and the barricade isn’t holding. Morgan says, the roof; they’ll take the elevators. June says the generators were kept high up because of flooding. Sarah tells Al, let’s stir some beef.

Jim tells Morgan, if they get out alive, they’re driving directly to Virginia. Morgan says he can’t get there soon enough. Two zombies back Morgan against the wall, while another one attacks Jim. Jim calls for Morgan, who’s a little busy, but grabs a pair of surgical scissors and stabs the zombie in the neck. The zombie gets Jim down on the floor, and when he grabs at it, it’s scalp comes off. Yuk, He manages to get ahold of the scissors again, and spikes it in the head. Morgan runs in, and Jim says, it wasn’t so hard. June finds the generators. She says she’ll get them working, and to meet at the elevators. Luci tells her to hurry; they can’t hold on much longer.

Al tells Sarah to leave with her brother. Trust her. Go. Al closes the door.

Luci. Wen, and June dash for the elevator, and Morgan and Jim come around the other way. Sarah tells them, Al has gone solo. The zombies are there, and Morgan says, ready? Sarah pries the elevator door open, and they run in, the door closing just before any zombies get inside. It’s so effing close, my heart is pounding.

They go onto the roof. Morgan says, it’s clear. Sarah radios Al, but gets nothing. Luci says, she’s smart, she’s resourceful, and she’ll find a way up. Jim looks down to the street, and doesn’t think they want to go down there, even if they could. His hand is bleeding, and June asks what happened. He says he put his hand through a window, and she wants to clean it up before it gets infected. He lifts his shirt, and she doesn’t look happy. She says he didn’t get cut by glass. He has a bite. He tells her, do something. She’s sorry, but there’s nothing she can do. He says, no, no, no, no, no, and everyone looks sick. He asks how long it takes, but June doesn’t know. He stands by himself. I’m wondering if he’s going to jump off the roof.

Morgan tells June that Jim asked for his help. He asked Morgan to save him. June says he did, as long as he could. She says, Al will make it back. They made it there; what’s next? Morgan laughs, and says, she’s asking him? She says he got them there, and he says, that’s right; he did. She asks if he can he get them out. He says he can’t, but she says he will.

Alicia tells Charlie that it’s a little farther. Charlie says they’re hundreds of miles from the coast. They should have kept looking. Alicia says it wouldn’t have made a difference, but Charlie says, they need help. Alicia says, they could be dead. They could find them, find them dead, or die tying to find them. She’s trying to take Charlie to Galveston. She though if could get Charlie there, that would be good. Getting her to the beach; she knows that would be good. Alicia needs something to be good. I can identify. Charlie says she does too. She asks if Alicia hears that. It sounds like water.

Alicia says, it’s not on the map. They come out near John’s lagoon. Charlie says, it’s a beach, and walks to the water. Be careful of that crocodile. Charlie picks up John’s hat. She says, look, and they look across the water. Alicia laughs, and says, holy sh*t.

Next time, Martha shoots at Charlie and Alicia, June says they’ll find a way down, and Wen isn’t sure if they’re all right, but they’re still kicking.

🎥 The episode was dedicated to Dwayne Haevischer. He worked in the transportation department of many films, including three of my favorites, Planet Terror, Death Proof and Machete. You can read more about him here:

https://cartermatt.com/327935/who-is-dwayne-haevischer-subject-of-fear-the-walking-dead-title-card/

📣 Tonight’s Talking Dead guests were the mega talented Tonya Pinkins (Martha, FWD), Lou Diamond Phillips (who has been directing FWD this season), and Sinbad (!), who apparently is a super fan. It was a lively discussion, but I mentioned it just to say that Ms. Pinkins cleans up well. She would be unrecognizable as being the Crazy Lady aka Martha. She was just gorgeous.

💍 A Couple of Couples…

A quickie about 90 Day Fiancé: Before the 90 Days (where the delusional meet), since I can’t contain myself. Jesse paid a visit to Darcey in the US, and it was a bickering hell. Remember Fantasy Island? This was just the opposite. It boggles my mind that these two are still together, albeit off again/on again. Their anger is palpable during the interviews they do together. They spent a couple of days in NYC, which neither one of them enjoyed, then stayed at an Airbnb in Connecticut. Darcey’s girls met Jesse in Manhattan, and also spent time at the rental. Jesse insisted on calling Connecticut CT, which is fine if you’re addressing something, but normal people don’t talk like that. Darcey said their chemistry is magnetic, and Jesse said something about a connection, so I can only assume it’s the sex. Or they get some weird S&M satisfaction out of it. These two just do not get along. It was pretty funny when she threw a Louboutin at him though.

The other couple I’d like to touch on is Ricky and Melissa, who is now Ximena. No, she’s not a trans person, but Ricky came to Columbia looking for Melissa’s love, and ended up finding it with second choice, Ximena, when Melissa ghosted him. Ricky is totally out of touch with reality, since Melissa was freezing him out before he even left the States. She did show up for dinner – three hours late – but what he said was having chemistry, was basically a mercy date. Ximena on the other hand, seems to be an open, lovely person, attractive, but not in the bombshell way Melissa is. Ricky’s first mistake, thinking he was in Melissa’s league, and an explanation as to why Ximena was second string. Which led to his second mistake, calling Ximena Melissa in what, no doubt, was an intimate moment. But instead of doing the hard, but noble thing, by explaining things to her – hint: she will see the show anyway – he told her it was a member of the crew. He made a couple of feeble attempts to tell her, all of them ending in him making something else up. I just kept thinking, what an idiot. All the things she’s thinking whenever he says, I have something difficult to tell you, are so much worse than what it is. But since he waited so long, he did make it worse. Tonight, he finally told Ximena that he’d originally come there to meet Melissa. To her credit, Ximena didn’t crack him one across the face. Although she did call him a bullsh*t artist, and said she never wanted to see him again. I do kind of feel sorry for him, since he seems to care for her, but sorrier for her. Then again, it’s hard to feel sorry for people who think they can fall in love in five minutes, especially when they can barely communicate.

👓 Beauty Advice…

For beautiful eyes, look for the good in others; for beautiful lips, speak only words of kindness; and for poise, walk with the knowledge that you are never alone. – Audrey Hepburn

☁ It’s Ba-a-ack…

WeekendPuppy

MondayGarfield

MondayBlues

 

 

Sep15

September 14, 2018 – Happy Birthday to Drew, Where’s Z Nation, Talented Neal, Quotes with a Purpose & Weekend

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What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

 

 

General Hospital

Curtis is having a drink with Drew at the MetroCourt, but has to leave for a meeting. Drew says he’s not in the mood to celebrate. Curtis asks how he found out; was he snooping? Drew says, not snooping. He was hungry, went to the kitchen, and saw the cake, It’s a great cake; three layers. Curtis says a three-layer cake would piss him off too. Drew says he appreciates it, but doesn’t like to be the center of attention. Curtis tells him, suck it up, and let those who love him, love on him. He’s worth it. Curtis says, happy birthday. Have fun and act surprised.

Monica and Kim are on the patio, where Monica is putting last minute touches on the party. She’s sorry Ned and Olivia can’t be there, but glad the rest of them will be. Kim thanks Monica for inviting her and Oscar. Sam arrives.

In the elevator, Maxie tells Peter that she’ll talk to Olivia. She’d talk to Carly, but she’s distracted. She’s surprised Olivia didn’t notice. The elevators are slow during peak hours. They should take that into consideration and add more elevators. The elevator jerks to a stop.

Valentin thanks Curtis for meeting him; he’s eager for an update. Curtis doesn’t want to waste Valentin’s time. If he gets something concrete, he’ll tell him. Valentin says they need to find Nina’s daughter as soon as possible. Curtis says not them, him. Then Valentin can deliver the information to Nina in hopes of saving his marriage.

Nina meets a man named Amit at the MetroCourt. He understands she wants an appraisal. She asks what he can tell her whatever he knows about this, and shows him the necklace. I just have to say it, they couldn’t have found something that looked more expensive? This was bought at Target for sure.

Margaux asks if Jordan found something to identify the body, and Jordan says, not quite, but it will put them on the right trail. Forensics got the remains of a bullet out of a bone. Margaux isn’t sure that will shed light on the body, but it might get them closer to identifying the killer.

Sonny asks Carly how his dad is. Carly says, like him, pretending everything is fine when it’s not. She doesn’t want to have the conversation any more than Sonny, but she loves him, and has to be straight with him. Things are adding up. When Mike took off with Avery; what happened with the alarm; and now Charlie’s. All of them could have ended in a tragedy. She thinks they’re running out of time. They can’t keep it up. She knows that Mike knows, and she thinks Sonny knows too.

Nina asks what he can tell her, and he says there’s no signature marking; at least nothing familiar. Nina asks if it was made to look like it was divided, or is it part of a whole piece. Amit says, it appears to be half of a larger piece; an original heart pendant divided. Nina says she has to find who has the other half.

Valentin tells Curtis, it’s a win-win. Curtis will find Nina’s daughter for her, and be paid handsomely. If it’s too much, he can find someone else do it. Curtis says he’ll do it for Nina, but Valentin had better not hold any of the information against her. He says there’s been a development. He’s been working a new angle, and his forensics accountant’s trace on the transfer worked. There’s no telling what will come of it. It’s twenty years old; it still may end up going nowhere. That’s why Curtis was waiting to tell him. Valentin says he’s anxious to let Nina know. In that soap way of how things work, Nina is suddenly there and says, let me know what?

Jordan says she’ll get an answer from ballistics soon. Margaux says she’s optimistic. Jordan can’t promise anything, but she’s got a good team. They can see if the bullet matches anything used in another crime. Margaux says tell her more about Charlie’s. Jordan says it’s connected loosely to Frank Smith Margaux says maybe they can connect him to the history of the body, and Jordan calls for his file to be pulled.

Sonny asks if Carly really wants to do this right now. She asks if he honestly believes this is working. He says he just has to figure it out; he needs more time. Carly asks, how much? Mike has been with them for months. They keep making arrangements, but things happen; big things. Now Julian is involved. Sonny says Julian isn’t going to say anything. He understands Sonny would do anything to keep his father safe. Carly asks if he really thinks he is.

Monica asks Sam where the kids are. Sam says Danny is at a breakfast, and wonders where Michael is. Monica says he wasn’t feeling it, and Sam tells her Scout is upstairs napping. Monica leaves to peek in. Kim says she feels bad for what Michael is going through. Sam says they just need to be there for him and listen. It’s unimaginable. Kim says it sounds like she’s speaking from experience, and Sam says she is. She tells her about Lila being stillborn, and says a foolish woman said she was lucky to never have known her. It would have been worse if she’d started a relationship. Kim says, that’s horrible. Sam says the words came back in her head when Danny was diagnosed with leukemia. She tells Kim that he’s fine now, with no traces of the disease; miracles happen. Sam says, she’s sorry. She didn’t mean to… Kims says, didn’t mean to what? and Sam says, nothing. Kim says she knows, doesn’t she? Sam says Drew told her. She’s so sorry. Kim does not look happy.

Sonny says everything he does is to protect his father, and Carly says he’s gone above and beyond, but she doesn’t think it’s working. Sonny says when he makes a mistake, he tries to fix it. Carly says he can’t fix what’s wrong with Mike. She loves him too, and wants what’s best for him. Sonny needs to decide while Mike still can. Sonny tells her Mike has already said he doesn’t want to be a burden, and Carly says he’s been clear about that. Sonny is wonderful with his dad, but he’s missing something important. He needs to take Mike at his word, and let him go. Mike hears the conversation.

Sam tells Kim that she could tell something was wrong. Drew didn’t want to, but finally told her Oscar’s prognosis. Kim says it’s none of her business. Sam says Drew was a wreck; he needed to talk to someone, and he trusts her. Kim can too. She’s sorry. They’re a family; their kids are siblings. If they need anything, Sam is there for her. Kim says they’re fine. Monica runs in, saying Drew is early.

Drew comes toward the patio. Monica, Sam, and Kim grab balloons and yell, surprise! He fake smiles.

On the phone, Maxie tells Olivia, tell the elevator guys to hurry. She has a meeting, and they’re stuck between eight and nine. She tells Peter the elevator company is on the way; there’s no need to freak out. She isn’t. He starts hyperventilating. He hits some buttons, and she says they shut the elevator down. They need to work on it for an hour – or less.

Nina tells Valentin, keeping secrets as usual. She doesn’t care. She needs to talk to Curtis about a pressing matter. Curtis leaves with Nina.

Nina describes a man in the bar to Curtis, and says he’s following her. (He bumped into her earlier.) She asks if Curtis thinks she’s paranoid, and he says no, judging from what appears to be a firearm in his jacket. He tells Nina, stay cool; he’s got it. He throws the guy against the bar, and the guy says he has a permit to conceal. Nina says she calls it being stalked. She’s calling the police. Curtis looks at his ID, and tells her, hold on. He’s a bodyguard. Nina asks, for who? and the guy says her. Nina says she didn’t hire a bodyguard, and Valentin says he did.

Maxie asks Peter if he’s okay; he seems a little not okay. Does he have a thing about being confined? Usually he’s so in control. He says this is new for him, and continues hyperventilating. Maxie wonders if him being tied to a bed for weeks has something to do with it, and he says, could be. He unbuttons hi shirt, saying he doesn’t feel like he can breathe. Maxie tells him the air is fine; it’s not hermetically sealed. She suggests they sit and try breathing; in through the nose, out through the mouth. She says the last time they were breathing together, she was on the side of the road in labor. This should be a piece of cake. He says it’s embarrassing, and she begins a breathing exercise.

Curtis tells the guy, his bad, and Valentin tells him to go. Curtis tells the patrons, everything is fine; pardon the interruption. His phone rings, and he steps away to take the call. Nina asks why Valentin hired someone to spy on her. He says he’s protecting her. It’s been brought to his attention that she has an enemy. Nina says, you can’t run a fashion magazine without occasionally stepping on Erica Kane’s toes. Valentin tells her Cassandra is on the loose.

Monica tells Drew to trust her. He might think a family birthday is a big ordeal, but he’s going to be happy looking back on the memories. Kim leaves to check on Oscar, and Sam says Scout should just be finishing her nap, so they should go. I wonder where everyone else is. Drew asks why Sam is leaving, and she says she was just planning to drop by; she didn’t think he’d want her to stay. He asks her to stick around.

Inside the Quartermaine’s, Kim leaves Oscar a message, saying she doesn’t like going to voicemail. He’s supposed to have his phone on at all times. His father showed up early, and they had to start without him. She tells him to text her, and hurry up. Drew walks in, and she asks if he was really surprised. He says he picked up on a clue or two, but didn’t want to put a damper on things. She asks if they can meet later and talk about Oscar. Nothing has changed, but they need to figure out how to communicate better. She had no idea he was going to tell Sam.

Oscar strolls on to the patio. He asks Monica if Drew was surprised. She says, yes, but it was fake. Sam asks about his hand, and he says he bumped into something. She says it looks like he was in a fight.

Margaux asks about Luke and Laura, and Jordan explains that Luke was Frank Smith’s guy. He ran a club, and did money laundering. He and Laura eventually turned Frank in for racketeering. Margaux would like to talk to them, but Jordan says they’re both out of town. She might have more success with Laura. She says she can speak with Laura’s husband; he testified for Carly. Margaux says that Sonny is on the list of Frank Smith’s known associates. Wouldn’t they have known this already? Oh, never mind.

Sonny says he’s not abandoning his father, but Carly says he’ll be honoring his father’s wishes, and taking a step to him from himself. He’s terrified he’ll hurt someone he loves. He can’t say it straight out. Mike doesn’t want to abandon Sonny. Sonny says he doesn’t know how to send Mike out of sight; it’s painful. There are a lot of options; they can come up with a plan. Carly says it’s not about him, it’s about Mike, and what he needs and wants. Sonny says what if Mike doesn’t know? Mike comes out, and says he’s wondering that right now. He has a full deck and a sound mind. Carly is right. He has to go. It’s what he wants, and it’s time.

Sonny asks how long he’s been there, and Mike says, long enough. Carly says they didn’t mean for him to hear, but he says, everything needed to be said. It’s not like it isn’t true. Sonny says, nothing is settled, but Mike says he and Carly are in agreement. He gave it his best shot; it’s time to rethink things. Sonny says he’s open to other arrangements. They could get live-in help, make him more secure. Staying there is better. He has family who love him. Mike isn’t so sure that’s a selling point. He says right now, every day, he’s losing himself, bit by bit. A little more; a little faster. Avery told Carly that her other name is Courtney, because that’s what he calls her sometimes. He wonders about the day he doesn’t recognize her. He can’t bear to think about it, and doesn’t want to cause more worry in Sonny’s own home. Carly says it’s his home too; it always will be. Sonny says he’ll always do everything keep Mike. Mike asks, at what point does a home stop being a home, and become a prison?

Kim tells Drew, the more people who know, the better the chance of Oscar finding out from the wrong person or the wrong way. Drew says that’s easily remedied by telling him the truth. She says he needs to pull it together; it’s all over his face. Sam interrupts, saying Oscar is there; they might want to come out. Don’t worry, but it looks like he’s been in a fight.

Nina says Valentin is making this up, and he tells her, ask Anna. She wanted to tell Nina, but he asked her to let him do it. Nina says, Cassandra is in custody, and he says, someone broke her out. She says, Cassandra is in a coma, and Valentin says, now she’s not. Thanks to Finn. The same people who held him and Anna in captivity, forced him to treat her. Nina wonders who would help Cassandra, and Valentin says he’d like to know himself. She says, the WSB must be on it, and he says, they lost her in the first place. Nina isn’t happy that the bodyguard reports to Valentin, so he can monitor her every move. Valentin suggests she move back to Windemere. She can have her own wing; he won’t bother her. I’m in. He needs to know she’s safe. Nina says she feels safer on the mainland. If she needs a bodyguard, she’ll hire one herself. Here he is now. Curtis returns.

Peter asks Maxie, how much longer, and she says, they’re working on it right now. She suggests they play game. Would You Rather. She asks if he’d rather lose all his money and valuables, or all his photos. He says, it’s a draw. He’s already lost all his money, and he lived; and he has no pictures. She asks why, and he says he’d need to have someone to be in the pictures. She asks if he’d rather lose short or long term memory, and he says short. Maxie says she’d be the opposite, and he says if he forgot the bad things he’s done, he couldn’t make up for them.

Curtis joins Nina and Valentin. He asks what Cassandra has against Valentin, and Valentin says they worked together long ago. She’s obsessed with him. She’s violent, and has it out for Nina. Curtis says he can hook her up with some protection, but Nina says she can take care of herself. Cassandra had better steer clear of her, or she’ll heed protection.

Peter says, there are some things in life you can’t atone for, and Maxie says, people throw that word around easily. They say it like it’s difficult to accomplish. She’s not aiming that at him, but her own experience. She’s made mistakes and hurt people. He says, way back in her horrible days? and she says it wasn’t that long ago. He says she’s come a long way. A lot of people hold her in high regard. Maybe there’s hope for him yet. She asks if he’d rather wear his shirts too big or too small, and he says, too big. She says, and hide his muscles? If you’ve got them, flaunt them. Oh brother. The elevator starts moving. Peter thanks her, and when it stops, the doors open and they fall out. Nina is like, wha-a-at?

Oscar tells Kim and Drew that they need to chill. They’re making way too much of this. Kim says he was in a fight, and Oscar says, barely. Monica says it’s not bad, and Oscar points out she does open heart surgery. Someone said something he didn’t like, and it was over in seconds. If Drew hadn’t taught him how to throw a punch, he would have gotten his ass kicked. Drew says he taught him how to defend himself, not throw a punch at whoever pisses him off. Oscar says, it’s not like anyone died. Kim says he just got out of the hospital. Monica is surprised.

Jordan says Sonny worked for Frank Smith; he ran Franks strip club, but there’s no connection. Sonny wasn’t in Port Charles at the time the body was buried. Margaux says, then their best lead is to learn who knew the pub owner and locate them. She knows where to start.

Sonny tells Mike it’s not a prison. Mike says Sonny has to listen, now, while he’s having a good moment. It’s no fun see people watching him from the edge of their seats or hovering, being totally confused about who he is. This is his reality, and he can’t stand them seeing him like this. Sonny says it’s just his pride talking, and Mike says, so what if it is? Isn’t he allowed to have some pride and dignity? Sonny asks if he thinks he’d be better off with strangers. Mike asks what happens the day he wakes up and they’re strangers? Will he understand then? Sonny says he doesn’t know how to do this. Mike says he left Sonny before, to his everlasting regret. He’d do anything if he didn’t have to leave him again, but it will happen one way or another. This way, they leave with good feelings instead of Mike just disappearing before his eyes. They’re both crying, and making me cry. Not only is Mike killing me, I’ll be very sad to see Max Gail go.

Nina doesn’t want to know. Maxie says she has the wrong idea, and follows her down the hall.

Curtis asks Valentin how much of the Cassandra situation he left out, and Valentin says he’ll worry about Cassandra. He wants Curtis to focus on Nina’s daughter. Curtis says the phone call was from his forensic accountant. The trace went through. Officially, it’s a single mother with a daughter the same age as Nina’s would be today. Well that sure narrows it down.

Monica says, you don’t go to the hospital for a headache, but Oscar says he didn’t eat, passes out, and Jason overreacted. Kim says, he acted with an abundance of caution, and she’s glad he did. Oscar suggests they cut the cake, and Monica asks him to do it. He says he’s bad at it, and doesn’t like being the center of attention (like his dad). Monica says she’ll keep that in mind when it’s his birthday – and throw an even bigger party. Do five people, including the guest, even qualify as a party? I ask again, where is everyone?

Sonny tells Mike there are places that have all-day activities, and you come home at night. He can ease into it, and they can ease into it. Mike says it sounds like a plan, but he’d still like to check out the residential facilities while he still can. He wants to have a say before he can’t. He and Sonny shake on it.

The house phone rings, and someone is at the door. Sonny tells Max to have them go away, but Carly says it’s too late. Margaux and Jordan walk in. They have questions related to the body found under Charlie’s. Sonny tells them that he’s said everything he has to say. Margaux says they’re not there to speak to him. They’re here to talk to his father.

On Monday, Oscar tells Josslyn about the fight, Robin says a hideous injustice has been done, and Cameron wants to know why Elizabeth is so interested in Oscar.

👹 The Sy – we can’t spell – Fy channel has been showing mini marathons of Z Nation on Friday mornings. Today they had one of my favorite episodes, Day One, where we see the backstories of the major characters; where they were when the apocalypse broke out. My main question was, how did Doc know what was going on so quickly? He just grabbed a bag of drugs and ran. It also unearthed (pun intended) a great quote from Addy’s story:

Zombie night? ** No. That’s next Thursday. – one hockey player to another when zombies appear at a game.

I’m hoping this is paving the way for the new season. And when will that be? Who knows? This was the latest I could find…

https://deadline.com/2018/08/z-nation-walking-dead-katy-obrian-season-5-cast-series-regular-1202448769/

🍗 And For the Ravenous Fan…

Neal McDonough will be in both the new season of Yellowstone and Sonic the Hedgehog.

http://www.denofgeek.com/us/tv/yellowstone/275163/yellowstone-season-2-adds-neal-mcdonough-to-play-a-villain

📚 Quotes of the Week

Five for the literary, and three for the fun.

Fear is only your enemy if you allow it to be. – from An Ember in the Ashes by Sabaa Tahir

I don’t believe in fashion. I believe in costume. Life is too short to be the same person every day. – from Lola and the Boy Next Door by Stephanie Perkins

We are all anthologies. We are each thousands of pages long, filled with fairy tales and poetry, mysteries and tragedy, forgotten stories in the back no one will ever read. – from Neverworld Wake by Marisha Pessl

When in doubt, go to the library. – from Harry Potter and the Chamber of Secrets by J. K. Rowling

Libraries were full of ideas – perhaps the most dangerous and powerful of all weapons. – from Throne of Glass by Sarah J. Maas

I just ate a duck fetus out of the shell. – Tarik, 90 Day Fiancé: Before the 90 Days

The only thing that separates us from animals is out ability to accessorize. – Claire (Shirley Maclaine), Steel Magnolias

Damn. There’s all kinds of gravity in here. – GG, Shahs of Sunset

🏇 Until Next Time…

WeekendInappropriate

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Sep13

September 12, 2018 – A Body Under Charlie’s, a Dallas Rodeo, Mentors of Mentors, Viva Apocalypse, NYC Travels, Charleston & Keep Goin’

Posted on by
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What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

 

General Hospital

Anna’s doorbell rings. It’s Robert. He says Cassandra has been gone three days (!), and they still don’t know who’s behind her kidnapping or where they took her. She wouldn’t be giving them so much trouble if the good doctor hadn’t revived her. Finn comes stairs looking for his other sock, and tells Robert, good morning.

Sonny tells Carly that Kristina has no more headache or ringing in her ears. Carly says that’s good news, but Sonny can’t get it out of his head. He can’t believe Mike blew up Charlie’s to cover up what he did. Carly is surprised Julian chose to keep quiet, but Sonny thinks sooner or later he’ll want to collect.

Ava asks Julian, what the hell happened? He tells her a gas leak led to an explosion. Just another day at the office. She asks what the yellow tape is all about, when Chase comes upstairs. He says forensics is done, and the evidence has been gathered from the crime scene. Ava says she thought it was a gas leak.

Elizabeth tells Cameron that he’s going to be late. He tells her to chill; the first class is gym. She asks if he still doesn’t get a grade for that, and he asks if he’s grounded for life or gets time off for good behavior. Franco says if he shows some good behavior. Cameron asks if Franco just said that, and Elizabeth makes him apologize. She asks why he doesn’t invite Oscar over; they can do homework together. Cameron asks why she suddenly wants him to be besties with Oscar?

On the way to school, Oscar asks Drew what’s up with raiding the fridge at midnight. Drew says Monica is between cooks, so everyone is enjoying the kitchen in the meantime. He hopes Oscar stays over more often. Oscar never thought he’d say this, but he needs space from his mom. Whenever he leaves the house, she acts like she’ll never see him again. It was just one blackout, and he keeps telling her not worry. Drew says that’s what parents do. He’s worried too. Right now, he’s worried that Oscar thinks it’s not cool that Drew is walking to school with him, but he’s too nice to say it. Oscar says he’s glad they’re doing it. They might not be able to for much longer, since there’s no future to look forward to.

Finn tells Robert they were up all night, exhausting every possibility. Robert says Cassandra wouldn’t have vanished if Finn hadn’t woken her up. Anna says it was their best chance to find out who the people were, and if Finn hadn’t treated her, they would have shot him. Robert says he knew the risks, but Anna says Robert didn’t tell him. The doorbell rings. It’s Robin. She asks if it’s a bad time.

Robin tells them that the kids are growing up too fast. Anna asks what brings her to town. She says she was coming back from a medical conference in Vienna, and thought she’d check in after Anna and Finn’s latest adventure. She asks how Finn is. He says he’s still getting used to the kidnapping thing, but he’s getting the hang of it. She tells him to stick around. He thinks he will.

Drew asks Oscar why there’s no future, and Oscar says an asteroid is heading for earth. Some scientists are predicting it will crash early next year. Drew says, is that all? Oscar says the chances are one in 75,000. The odds could be better, but it’s close enough to get a good view; it would make a good news story. He’s thinking a father and son field trip to Tanzania and Mount Kilimanjaro to see it. Drew says, cool. Oscar has to get to PE; they’re doing cross country. Drew says it will be great training for Kilimanjaro. Oscar asks if they’re doing it, and Drew says, yes. Oscar says, awesome, and hugs Drew.

Elizabeth tells Cameron that he and Oscar don’t need be besties, but when Oscar was in the hospital, Cameron seemed concerned. He says he was, for Josslyn. Elizabeth suggest he invite them both, but he says so he can be a third wheel? No thanks. He’d rather do his time in solitary. He leaves, and she asks Franco if she’s going overboard. He says, maybe a little. She says things change fast. One minute, everything is fine, and the next, the person you love with all your heart is gone. Franco says, he just went to gym class. She’ll have to make due with him. They kiss, and the doorbell rings. Franco asks what kind of monster shows up at this hour? It’s Kim. She sees Franco, and Elizabeth says, it’s cool. They tell each other everything.

Chase asks Julian how long he’s owned the pub. Julian says, a year, and Chase asks why he bought it. Ava asks what that has to with anything. Julian says he’d just gotten out of prison, and sold his previous business to his daughter and son-in-law. He wanted a fresh start. Chase asks, why Charlie’s? it’s not exactly new. Julian says he walked in, and it spoke to him. Chase asks if the place was in good shape or did he have to renovate? Ava says it seems like an unusually real estate related third degree. Why? Chase says they found human remains in the basement.

Sonny tells Carly that Julian will probably gouge him with a huge repair bill. Carly says his silence is worth it. Sonny can’t believe his dad decoyed him and slipped away. He insisted Sonny stay with Jason, said he was going with the nurse, then slipped away from the hospital. Mike comes in, telling them that they don’t have to stop talking when he shows up. Carly says they stopped talking because he looks terrible. Sonny asks how he’s feeling, and he says apparently the way he looks. He knows what they’re thinking. Carly says, that they’re worried about him and love him? He says that he tried to make things better, but only made them worse.

Finn says he’s going to spend some time with Roxie, and leaves. Robert asks if Robin wants to go to the airport together, but she’s not headed back right away. She has unfinished business. He asks if he should he be there for it, but Robin says they’ll be okay. He tells her go easy on mom. When he’s gone, Anna asks if Robin wants to talk about the unfinished business now.

Elizabeth tells Franco that they have to talk about patient. Franco says he has art therapy patients to tend to, so he’s going to the hospital. He asks Kim if, as a doctor, she can suggests a how to parent manual. She wishes, and says if he finds a good one, can she borrow it? He tells her that she could write it. When he leaves, Kim asks if Elizabeth told him. Elizabeth says, no. They agreed not to keep secrets, but if he asks a direct question, she’ll have to tell him the truth. H hopefully don’t ask more people know better chance he’ll find out

Cameron sees Oscar. They’re both ditching gym, and Cameron tells Oscar that the coach is only interested in varsity, He won’t notice they’re gone, Oscar asks if Cameron wants to explain what went down between him and Josslyn while he was in the hospital. Cameron says it’s totally on him. He shouldn’t have kissed her. Oscar says, what?!

Julian asks if a body was found, and Chase says a skeleton. He asks if Julian knew about it, and Julian says, of course not. Chase says he had to ask, given Julian’s criminal record. Julian says he just gave plans to city for renovation. Why would he bring in jackhammers if he knew a body was in the basement? Chase asks him to call if he remembers anything. Julian wonders how long the basement will be off-limits, and Chase says he’ll let Julian know.

Carly says Mike gave them a scare yesterday, but everyone is okay. Mike says, Kristina almost got blown up. Sonny says, she’s doing fine. Mike says, he’s getting worse, isn’t he? The things he wants remember, he forgets, and the things he wants to forget… Sonny tells Mike that he knows it’s hard; it’s hard for him too, but Mike can’t wander off on his own. Mike says he didn’t wander off; he snuck off. The reason he went with the nurse is that he knew he could give him the slip. Sonny is going to make sure it never happens again. Mike says he just wanted to help Sonny and help fix what happened in the field. Where was It? Sonny says it doesn’t matter. Mike says maybe it’s better he doesn’t remember where it was, and only remembers what he took and what he did with it. He was trying to help and he screwed up again. Sonny says it will be fine. He’s paying for the damages, and Charlie’s will be good as new. Mike says if he’d blown himself to smithereens, they’d all be better off. Sonny tells him, don’t say that, and Mike says, even if they both know it’s true.

Anna tells Robin that she knows she dropped a bomb on everything Robin believed. She can’t imagine how difficult it was. Robin says, it was a shock, especially finding out her brother was Faison’s son. Anna says, no one is happy about that, least of all Peter. But despite all that, Robin is there. She just wants to know if Robin forgives her.

Kim tells Elizabeth that she told Drew. She’ll never forget the look in his eyes, when he found out he was going to lose the son he only just met.

At the hospital, Drew leaves a message for Kim, saying he was hoping to run into her. Franco approaches, and tells Drew that Kim is at the house talking to Elizabeth. Drew asks if he knows what about. Franco says they’re consulting about patient, but if true that’s true, why wouldn’t they do it there? He’s kept secrets, so if Elizabeth wants to not tell him something, it’s okay. Drew thinks it’s eating him up, but Franco says that’s what he looks like when he’s coping. He asks if he can he pick Drew’s brain about something – Oscar.

Oscar says, Cameron kissed Josslyn? Cameron thought that’s what he wanted to talk about. Oscar asks what happened, and Cameron says Josslyn wanted to surprise him, and he was helping her decorate the bench. When Oscar didn’t show up – Oscar interrupts, saying he was in the hospital. Cameron says Josslyn didn’t know that and blamed herself for pushing him away. She thought she’d pushed too far. Oscar says Cameron didn’t do anything stop it, and Cameron asks why he should. He knows her better than Oscar. Oscar says he knows her better than anyone. Cameron says he and Josslyn will still be friends long after she forgets who Oscar is. Oscar shoves Cameron.

Mike says Kristina got hurt because of him, but Sonny says she made her own choice. She went back in to pick up the wrench Mike left. Mike says, like he said, it’s his fault. Sonny tells him that Kristina took a chance on her own life because she loves him. Carly says, like they all do. Mike asks what about his life is worth saving? He’d gladly give up his own life for Kristina, or any of them. Carly says he proved he would do anything for his family; now it’s their turn. Let them help him. Mike says he’d like to see the brochures for the places that take care of people like him. That stomping sound is Mike jumping on my heart.

Robin tells Anna she gave it a lot of thought, and realized there’s nothing to forgive. Anna made the right choice for herself at the time, and she has no right to judge. Anna says she’s had a lot of time to think too, and keeps coming back to the same question. Should she have told Robin sooner? Robin says she’s lost sleep too. Patrick knows when she’s not there. She spent so much time way because of Faison, maybe it’s better she didn’t know; it might have been too much to handle when she was younger. She can see there was no real right time to tall her – until the truth came out. It was her secret to keep. Anna wishes felt as sure as Robin seems to be.

Finn sees Chase at the hospital. Chase tells him remains were found in a local business, and he’s waiting for test results. Finn says, good work. Chase says it freaked him out. He might need to borrow Roxie. Finn says he has to take it up with her. He’s a poor substitute, but Chase can tell him more over coffee. Chase is surprised, and Finn says when he was being held captive, Chase came to the rescue. Chase says he was just doing his job. He knows he’s been pushing Finn, but has come to accept that what he wants might be more than Finn is willing to give. Finn doesn’t owe him. Finn asks if he can’t just have a cup of coffee with his damn brother. Chase says, damn half-brother.

Kim tells Elizabeth that Drew is Oscar’s hero. Elizabeth says, the feeling is mutual. He won’t give up without a fight. Kim says she’s already scheduled a meeting with Terry to discuss options. Elizabeth asks about the prognosis, and Kim says if she can only give Oscar a little more time; just a few months. She starts to cry, and Elizabeth hugs her.

Cameron can’t believe Oscar pushed him. Oscar says his dad is a Navy SEAL, and showed him some things. He asks if Cameron is scared. Cameron says, hell no, and Oscar punches him in the eye. Cameron leaps on him.

Franco tells Drew that he’s good with Jake; Cameron, not so much. Everything he does is wrong. He knows Cameron is a teenager, and will grow out of it, but Drew is obviously there for Oscar. Drew tells him to shut up for a minute.

Robin wonders what it was like when Anna first realized Peter was her son. Anna says he was so full of pain and anger, blaming her for abandoning him. Robin says, but she found him after all this time; that was something. Anna says he’s still in town, and Robin says he can’t hate her that much. Anna says he’s not there for her. He’s there for Maxie and her little boy. It’s an uphill battle. Robin isn’t so sure. Maxie has a forgiving spirit. She knows what it’s like to make mistakes, and makes allowances. Anna hopes she’s right. It would mean a lot to Peter. Robin thinks there’s hope for Peter and Maxie, and Peter and Anna.

Drew apologizes to Franco; he’s been stressed lately. Franco says for most of his life, when someone apologized, he felt great joy. Now he feels concern, and it’s new for him. Maybe they can explore that. No pressure, but if Drew wants to talk… He asks Drew to tell him about Cameron. Drew says Cameron needs him. He doesn’t realize it, but he does. He was with Elizabeth when the kids were younger, an it was easier for him. He doesn’t think he’d know what do with Oscar if he hadn’t taken Parenting 101 from Elizabeth. She’s the best, and deserves the best. He tells Franco not to forget that, and leaves. Franco looks puzzled.

Cameron asks how Oscar’s hand is. Oscar says it hurts; how’s Cameron’s eye? He wonders if Cameron should go to the nurse. Cameron says she’ll just ask questions. If anyone asks, he tried to hurdle the bench, and face planted. Oscar is surprised Cameron is covering for him, but Cameron says it’s for himself. He doesn’t want anyone to know he was punched by Oscar Nero.

Chase says it’s a damn fine half-cup of coffee. Finn says the less you drink, the better it is. They can work up to a full cup Robert comes in, and says he’d like to talk to the doctor. It’s federal agent business. Finn would like his brother to stick around. It was Chase’s work that figured out where he and Anna were. Chase tells Robert that he’s the official liaison between the PCPD and the WSB. Robert asks Finn what he was going to say before Robin showed up. Finn says the medications Cassandra was given is hard to find, and some are illegal. He’ll give Robert a list. Chase says, trace the drugs, trace Cassandra. Nicely done.

Ava tells Julian, bodies don’t appear in the earth like truffles. Someone plants them. He’s up to something, and this is just another piece of the puzzle he intends to profit from. Julian says his days of taking advantage of other’s misfortune are over. She’s impressed he’s keeping a straight face. He says whoever the bones belong to, he hopes they get a proper burial and mystery gets buried with them.

Mike says some of the places look not bad, and Sonny says he doesn’t have to go there. Brick made it easier for him to stay there. Mike says he’ll think about it. Sonny tells him, no rush, and Carly says they just want him to be happy. Mike says he’ll be happy if he does right by his family.

Kim tells Elizabeth, if all goes well, she’ll be delivering triplets. Elizabeth tells Kim to call her if she needs her, and Kim thanks her for being a good friend. Drew sees Elizabeth, and asks what’s wrong.

Oscar tells Cameron they should head back. Cameron says if they’re stragglers at the end, the coach won’t recruit them. What said about Josslyn, he was just getting in Oscar’s face. Oscar is it for her; the only it. Oscar says he knows.

Elizabeth tells Drew that she’s so sorry about Oscar. Kim told her. He figured that, and he’s glad Kim has her to turn to. They’re both torn up. He’s glad that person is her, and she says she’s here for him too. She hugs him, and Franco sees.

Anna tells Robin that she can’t stay in a hotel. Robin says, good, because she didn’t make a reservation. They hug, and Anna asks how long she’s staying. Robin says, long enough to figure out what to do about her brother.

Robert looks forward to seeing Finn’s list. It’s just possible the two of them aren’t as useless as they present themselves. Finn says, hilarious; he’s welcome. Chase says Robert is like an angry Australian. Finn says he and Chase share more than DNA. Chase says that guy really does not like them.

On the phone, Sonny says let him through. Carly says, trouble? Nothing he can’t handle. Carly suggests she and Mike check out the brochures over a cup of tea. He says one place has a swimming pool and a pool table. All pool all the time. Carly says she’ll visit all the time.

Sonny opens the door, and it’s Julian. Sonny says it’s too soon to be billing him for damages. Why is he there? Julian says he knows why Sonny pushed so hard to buy Charlie’s. He didn’t want the pub. He wanted what was buried beneath it.

Tomorrow, Maxie asks where she fits in, Julian tells Sonny the body was found, and Peter asks Lulu if she wants the Ryan Chamberlain story.

The Real Housewives of Dallas

Kameron has photos taken. Cord asks if she was badgering them with questions. She freaks because he used the word badger.

Brandy is back from Beaver Creek and back to reality. When Bryan is out of town, juggling three kids is a lot. She was on an emotional high when they got Bruin, and now she’s exhausted. The girls are a little jealous of the baby, and there’s only so much of her to go around. The girls suggest renaming the baby Booka. She feels like if she got help, it would be like she failed. Doing it all is taking its toll. The girls eat chips and candy for dinner.

LeeAnne and Rich go out to dinner. He wants more details about the trip. She says, when they left, D’Andra and Brandi were at opposite ends of the spectrum, and now they’re best friends. Rich asks, based on what? and LeeAnne says, tequila. Rich thinks that works.

LeeAnne says Rick told her he wanted to set a date to set a date for the wedding. He says, let the ambush begin. She says it made her feel like he didn’t want to set the date, and therefore, doesn’t want to get married. He says it was a joke, but she wants an adult conversation. She doesn’t know why she’s afraid to make him set a date, and he adultly says she can’t make him do anything. She says they don’t talk about it. Does he think they’re not discussing it because they don’t want to do it? They went from a magical moment to a desert. She wants to know if he wants to be married. He says he didn’t ask just to ask. She’s afraid to push, because he might say he doesn’t want it. Rich says it’s a communication issue, and admits to avoiding her because he doesn’t want to piss her off. He says they have a lot going on, but LeeAnne thinks that’s an excuse. In her interview, LeeAnne says her abandonment and avoidance issues stem from her mother, who told her if her mother doesn’t want her, no one else will. She says, if someone doesn’t want you at three-years-old, in your cutest phase, who would want a fifty-year-old bitch? Rich says he loves her and wants to take care of her. She says she’s scared. Her grandparents were together through thick and thin; they never left each other’s side. She wants that commitment from him. In her interview, LeeAnne says it makes her uncomfortable that Rich was divorced more than once. She wants someone who understands commitment. Rich asks if has to ask again, and she thinks he needs to re-encourage her. He asks if she’ll marry him, and she asks if she can move forward with plans. For some bizarre reason, Rich says the date will be set organically by them starting plans. Um… what about invitations? He kisses her, and says he has a little romance in him.

Kameron tells her kids that she has get her stuff together for a global pet expo, explaining it’s a trade show for animal products. She asks if they can help put things together. In her interview, she says most of the exhibitors will be billion-dollar companies. This is her best shot at getting a distributor. She’ll be mortified if she can’t pull it off. The kids think the display rack is a jungle gym. Kameron says she wants to get the kids involved, instead of them always being with the nanny. The kids tell her the product is dumb. In her interview, Kameron says marrying into Cord’s family has it’s perks, like vacation spots and a private plane. The women in the family are involved in the community, and she took on that role, but wants a career now. She thinks it will be a struggle for the family to adapt to it. She tells the kids they’re the most important thing, and don’t ever think Sparkle Dog is.

LeeAnne visits D’Andra. She tells D’Andra she’s exhausted from the trip. In her interview, LeeAnne says these bitches don’t sleep. They stay up drinking all night, get four hours sleep, then start drinking again. She doesn’t know who can live like that, but she can’t. D’Andra says starting over is a big pill to swallow. Her new company will be the first time she has the opportunity to start something from the ground up, and make it successful on her own. LeeAnne tells her about the conversation with Rich. She says she needed reassurance, and it felt like they got engaged again last night. He asked her again. D’Andra asks what the date is. In her interview, D’Andra has heard of renewing vows, but this sounds like he’s buying time. How does LeeAnne know he’s not just saying what she wants to hear? LeeAnne says she knows him, and D’Andra says that’s not a real answer. They argue over what D’Andra’s age is, and talk about going to the rodeo.

LeeAnne doesn’t get it. D’Andra didn’t want to be around Brandi. LeeAnne slept, and when she woke up, they were sh*tfaced shopping. She says she knows what Brandi is capable of; she’s been Brandi’s victim, and had her heart shredded. D’Andra tells LeeAnne that her grandma always said the proof is in the pudding. LeeAnne doesn’t want D’Andra to think she has ulterior motives. She’s concerned Brandi will use the foundation she has with D’Andra to get to her, and she doesn’t want to get hurt. In her interview, D’Andra says if Brandi and LeeAnne made up, why does she care. D’Andra says she’s a big girl. She and Brandi had a great time and made a breakthrough. In her interview, LeeAnne says she can sweep things under the rug and still be cautious. D’Andra saw Brandi stab her in the back. We flash back to the brunch where Brandi went off on LeeAnne. LeeAnne says she’s forgiven Brandi, but she’s not forgetting. D’Andra hears her, and says she’ll proceed with caution.

it’s D’Andra’s birthday. She greets her guests with tequila shots. In her interview, she explains that the rodeo is part of Texas culture. If a Texas girl’s family has a ranch or farm, you know the rodeo. Kameron tells us her dad was a professional polo player, but she’s never been in an environment where people are screaming on bucking bulls. Brandi is thrilled that mom Jana steps in so she can have a life.

Only Cary and Stephanie are absent. In her interview, Brandi thinks Stephanie is missing out, but it’s not boushy enough for Cary. Kameron pronounces bull like bowl, and no one knows what she’s talking about. LeeAnne wants to see Brandi country western dancing. Brandi says she did that last week, and we flash back to her and D’Andra dancing around in the store. Kameron says Brandi is a bad influence on D’Andra. D’Andra says she has a silly side. Brandi loves when D’Andra is herself and doesn’t care.

The first thing is a bull parade. Kameron thinks they’re adorable, and they’re not even on leashes. At the bar, Brandi brings out a beer bong, and drinks one down. Kameron doesn’t like beer, but in college did a champagne bong. LeeAnne thinks public beer bonging is a no, but does it anyway. Brandi doesn’t know if it’s cute or depressing, but thinks it’s sad to feel left out at fifty… one. D’Andra says LeeAnne might as well hang up her hat if she thinks she can keep up. LeeAnne says like waterboarding, and makes a huge burp. She hates beer.

Next is the mechanical bull. Brandi goes first to show them how it’s done. It’s not her first rodeo. LeeAnne vaults on via the back end. In her interview, she says, if you can’t break a man’s ribcage with your thighs, don’t have sex or ride a bull. Alrighty then. Kameron is afraid to get hurt. In her interview, she says she doesn’t want to be a party pooper, so she’s getting on – Rodeo Barbie. She’s wearing a dress (!), and LeeAnne helps her up. D’Andra says she looks great, which of course is the most important thing. The bull is so slow, I could ride it, but Kameron is frightened. She manages to get through it, and in her interview, says being on a wild moving animal makes her feel at one with the rodeo. I guess no one has the heart to tell her it’s not real.

The ladies go to Bill Bob’s Panhandle Arena where the real bull riders are. it’s amazing to watch, but I think it’s mean to the animals. D’Andra thinks step up from watching Kameron.

Cary stops by her house renovation. Builder Susan tells her they’re getting the mechanical inspections done, then doing insulation. In her interview, Cary says there was no Michelin star restaurant at the rodeo, so it’s not her. It wasn’t boushy enough. So, Brandi was right. Susan maps out Cary’s ginormous closet. In her interview, Cary says it’s modeled after the Fendi store. It’s costing a gazillion dollars, but it will be fantastic. Mark says he’ll probably end up with the hall closet. They discuss the Molteni stove Mark is getting. Oooh, it is nice. In her interview, Cary says it’s going to be her sister wife, and she’ll have to vie for Mark’s attention. Her parents are back in three months, and they have to get out. She says the positive thing about staying there is that she realized she wants to fix the strained relationship with her father. It will never be perfect, but it’s something she wants.

Brandi says, Kameron is redefining slow ride. In her interview, Kameron says the members of her family hold each other to a high standard. LeeAnne explains to Brandi, when have a family name, you’re watched closer, and can’t let your hair down. In her interview, Brandi says LeeAnne has the perception that she’s high in Dallas society, but has a police report. D’Andra asks Kameron how she feels about the pressure, and Kameron says you’re more under a microscope, but she surrounds herself with people who are like her. In her interview, Kameron says she’s conservative anyway, and fits right in. D’Andra feels like she’s not being true to herself. In her interview, D’Andra is sick of being judged on what’s acceptable by Dallas society. She wants to do what makes her happy in the next phase of her life. Brandi thinks if they can’t accept her for who she is, screw that. At the end of the day, D’Andra needs to be happy. D’Andra says it’s her year to figure things out. Her dad told her be the fun person she is. When he passed away, she felt the freedom to be that. In her interview, D’Andra aspires to be freewheeling like Brandi. Brandi says she understands and they should celebrate that. Brandi loves D’Andra when she’s herself. It’s sad that she feels the need to apologize for it. In her interview, LeeAnne says she’s not spreading her ass cheeks and dropping out a quarter into a K-cup.

Brandi gives D’Andra the necklace she wanted in Beaver Creek. Wow. That was very thoughtful. And expensive. LeeAnne says Kameron is good at basketball, and suggests they go for a game. In her interview, Kameron thinks Brandi is investing in the friendship, and trying to buy D’Andra. Kameron and LeeAnne play basketball, but it’s not like a regular game. More like something you’d see in an arcade. LeeAnne says she told D’Andra that she could get hurt. Kameron doesn’t trust Brandi with D’Andra. Brandi can be classless. We flash back to Brandi’s dog poop hat, and also Sexual Chocolate. Kameron says if D’Andra continues to hang out with Brandi, what next?

D’Andra tells Brandi that she didn’t expect to like her so much. D’Andra says she understood that LeeAnne was protecting her, but she has to make her own decisions. She tears up, and Brandi says she appreciates what D’Andra is saying.  In her interview, Brandi is annoyed that LeeAnne is encouraging other people not be friends with her. It’s a slap in the face. D’Andra says she has to figure out her own path. She needs to do what feels right. She and Brandi hug.

We move on to the World’s Largest Honky Tonk. D’Andra thanks everyone for the great birthday, and they do shots. Leanne rides D’Andra like she rode the mechanical bull, then does some weird dance moves, many of which involve full contact with the floor. Brandi says LeeAnne talks about acting a certain way in society, but she’s giving a lap dance, and mopping the floor with her hair. LeeAnne says D’Andra is her bitch. Brandi thinks she’s jealous.

Back from Italy, Stephanie visits Brandi. In her interview, Stephanie says they haven’t seen each other in ten days. It’s like forever, and she wants the scoop. It should be entertaining. She tells Brandi and Jana about the trip, and we see pictures. She says Travis bought himself a Ferrari for his 50th birthday, but he’s not even forty-nine. Brandi tells her about LeeAnne’s lap dance. Stephanie asks if D’Andra was bruised. Brandi says she had good time, but there were some intense moments. D’Andra said she needed to start making decisions for herself, and LeeAnne is trying to influence D’Andra into not being friends with her. In her interview, Stephanie says she sees LeeAnne as wanting to change, but she’s her own worst enemy. She can’t judge LeeAnne by other people’s experiences. Brandi doesn’t think she can be friends with LeeAnne.

Next time, Brandi prepares for the social worker’s visit, LeeAnne and Rich start planning the wedding, and the ladies do some demolition.

MasterChef

Cesar, Bowen, Samantha, and Gerron (my man!) were left. The first challenge was for the cooks to conquer a colossal protein; what America was built on, still devours, and chef’s worship. If you guessed beef, as I did, you were right. They were told to make a MasterChef worthy masterpiece of a kabob in thirty minutes. The judges agreed it would come down to the tiny details. Bowen changed the dish, garnishing it with peppers underneath, which Joe wasn’t pleased with, especially since the peppers were raw. Samantha omitted the peppers entirely, going for a Mediterranean flair. Joe said it tasted okay, but her minimalist strategy didn’t work. Gerron used jerk seasoning and was told he did a good job. Ashley was praised for her generous seasoning. Casar used red wine vinegar, and although Gordon said it was perfectly cooked, it didn’t need that kick. Gerron was the first to be safe, and the other three (all Gordon’s people) had the challenge of making meatballs – or as Joe said, soft pillows of deliciously seasoned beef – in marinara sauce. Since Bowen cannot possibly listen, instead of putting the breadcrumbs in the meatball mixture, which Joe explained gives it lightness, he breaded them like cutlets. He insisted it was a Chinese thing, but Joe suggested he follow the rules at this point. Samantha put the frying pan in the oven for some reason, causing the middle of her meatballs to be raw. Since they contained pork as well as beef, Gordon bravely ate around it. He told her they had to sit in the sauce to be evenly cooked. The flavor of Ashley’s meatballs was divine, but Aaron wanted more sauce. Still, it was enough to keep her safe.

In the next round, the remaining contestants had to cook a MasterChef classic – filet mignon. Three of them – well done, medium and rare. To keep their MasterChef dream alive, the cooks had to nail all three temperatures. Cesar said it was trying to get three darts make a bullseye. Gerron was glad he wasn’t in their shoes. Bowen is a pilot? I guess I don’t always pay attention to the text. It’s enough to remember their names. Samantha won the save, and Bowen was out. Gordon told him that the MasterChef door might have closed, but he’d love to have Bowen in his brigade anywhere. Bowen said it was the best moment of his life, and he hasn’t lost his dream of opening a restaurant. He didn’t feel so well at this moment, but learned a lot, and felt it was a big step toward his future.

Next, the remaining four divided up, with Cesar pairing with Ashley, and Gerron with Samantha. They were going to be cooking for the mentors of their mentors. Aaron introduced the pioneer of California cuisine, Jonathan Waxman; Joe introduced his Emmy winning mother, Lidia Bastianich; and Gordon’s mentor was master of French cuisine, Daniel Boulud. The challenge was to make three identical plates of whatever dish they liked in sixty minutes. Cesar and Ashley decided on pork chops, and Gerron and Samantha made lamb with a rhubarb glaze. Lidia’s advice was to taste everything, which sounds obvious, but I can’t count the times on Kitchen Nightmares when Gordon asks, did you taste it? and they say, no. Cesar and Ashley’s pork chops were deemed complex, intriguing, and not overly done. They said they were going for a culmination of their talents and journey, while representing their culture in a beautiful and respectful way. Samantha had been so jazzed, she ran into the counter, and we learned to use white, not brown, sugar to give more depth of flavor. Lidia said both dishes were great, and there was a professional level on both sides.

It was Cesar and Ashley for the win, and for the next challenge, the cooks had to replicate a three-course dinner. Joe presented one of his favorite appetizers, spring risotto. He said it was so hard to nail, it’s rarely seen in restaurants. Aaron offered pan-seared salmon, with he said involved many techniques and flavors. Last was a signature dish of Gordon’s, sticky toffee pudding. I’m not so sure I would like it, but it was fun to hear Gordon say it repeatedly. The requirements were for it to be flavorful, but not too sweet, and if it was dry, game over. The cooks had ninety minutes

Samantha was a wreck, and most worried about the pudding. She forgot the gelatin and had to start over. Wine was the ingredient for something, and had I been her, I would have been drinking it. I also have to note, that although Gerron is a teacher, he used the non-word mines. Samantha’s pudding was as much of a mess as she was. The caramel sunk into it, and she burned the butter. Gerron wisely told us that, it’s not the mistakes you make, but how you bounce back from them. The mentors were proud, and in the end, Gerron had the best appetizer, and Samantha the best salmon. The dessert was the tie-breaker, and I breathed a sigh of relief that Gerron was safe. Twenty-year-old Samantha said she was going to enroll in culinary school, and Gordon offered to pay for her tuition. The MasterChef door might have closed, but she said she was opening a door to her future in the industry, and she was excited.

Next time, the 2-hour finale with a live audience. The face-off for a quarter of a million dollars, and the title of MasterChef.

💥 I happened to notice an ad in the digital guide reminding me that American Horror Story: Apocalypse began tonight. Miracles still happen, since it doesn’t look like it will interfere with anything else I watch. I didn’t even bother with the last season, since if I want to look at political rhetoric, I can go to Facebook. Or pretty much anywhere. I’ve enjoyed past seasons though. Lady Gaga can do no wrong, the dinner with the serial killer guests was superb, and I adored AHS: Freak Show. It’s fun to see what new roles the regulars assume, and this season, I was pleased to see both Billy Eichner and Joan Collins in the cast. So far, it’s exciting, and I’m in.

🗽 The Real Housewives of NYC showed an episode called Passport Edition tonight. I didn’t see it, but would assume it’s a rehash of their trips.

🌀 Hoping All Stays Well…

Most of the Southern Charm cast left town, but Patricia stayed.

https://www.eonline.com/news/967817/southern-charm-cast-evacuates-charleston-as-hurricane-florence-approaches?cmpid=emn-091218-enewsletter-button-latest-14

🌈 Nostalgically Moving Toward the Weekend…

KeepOnTruckin

Sep10

September 9, 2018 – To Help or Not to Help, Reality Rebirths, Lotsa Lala, Some Wives, a Break-Up & Monday

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What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

 

Fear the Walking Dead

June, Morgan, and Al look for Quinn. June asks if Quinn copies, but gets dead air. Morgan thinks they should go back, but June wants to keep looking. Al agrees. At the truck, Sarah radios that they got a goose egg. Morgan says they’re going to keep looking, Jim asks Sarah why they kidnapped him, and she says they just borrowed him. They need beer. Jim says she might be capable of making swill after a year, but she wants the best beer; and that is in his mind, experience, fingers, and soul.

We hear zombie noises, and Sarah goes to check it out. Jim wants a gun, but Wen says, what about a rock? Jim sees a zombie coming toward Wen from behind, and Wen checks it out in his rearview mirror. Jim calls for Sarah, but Wen lets the zombie come closer, and impales it one his James Bond wheelchair gadgets. As it thrashes around on some spikes, Wen asks if Jim wants his first kill; he’ll get a point. Too late. Sarah pikes it in the head, and says, whoever gets the kill wins the bill. Sarah tells Momo to get his ass back there.

Al examines a dead Purvis. Sarah wonders what kind of sicko sh*tto does that? June radios Quinn. Jim wants to leave now, and Sarah thinks he has a has a point. June asks if Quinn copies, and gets zombie noises in reply.

Crazy Lady tells her that’s Quinn, and June asks, who is this? Crazy Lady says she let him become what he was meant to be, and Quinn makes more noises into the radio. She says, he’s not weak anymore. Morgan knows the voice, and says she was by one of the boxes. She asks if that’s Morgan, and he wonders how she knows his name. She says she knows a lot about him. Al says bitch has her van, and isn’t giving it back. Morgan asks what she wants, and Crazy Lady says she shouldn’t be leaving things by the side of the road. She tells Morgan that he shouldn’t be doing what he’s doing. Leaving the boxes makes people weak, and he’s not weak. At least he didn’t used to be. He asks what she wants again. What she wants is for him to stop trying to help people. If he becomes strong again, she won’t have to make him that way. It’s better for both of them. She knows who he really is, and what he’s capable of. She says, it’s still there.

Victor wakes up, and rifles through a pantry. He reads Moby Dick for a moment, and goes outside. He surveys the property with binoculars. He’s in a ranger station surrounded by what looks like a lagoon. We see the tops of street signs sticking out of the water, so it must have been flooded during the hurricane.

John chops wood to make a raft. He takes a wrapped piece of candy from his pocket and kisses it. A zombie comes out of the water. John says he hates the wet ones, and whacks it with an ax. Victor says his morning reading was interrupted. John tells him that he saw a lone crane. He never saw a crane fly solo; the world has turned upside down. He says he could use another pair of hands, but Victor says he’s lost his taste for boating. He tells John these aren’t friendly waters, but John says he’s not going for swim. He’s going to get as far as he can. He says there’s room for two, but Victor passes. He’s got apple rations; it’s practically paradise, and he’s not going on another fool’s errand. He’s learned, if you have God’s wine cellar, keep it. He’s not getting in or on whatever that is. He thinks it’s time to stop being foolish. John says when he finds June and Charlie, he’ll come back on something less handmade. Victor could run out of food soon. Victor hopes when the raft falls apart, it’s toward shore.

Luci finds the library where Charlie got the book she left. She goes inside, and calls for Charlie. She looks around outside and sees a zombie scrabbling at a car. She pikes it in the head. It’s not Charlie inside, but an older dude whose bottom half is wedged under the dashboard and bleeding out. She tells him that she can help, and asks how long he’s been there. He tells her since the storm hit, an she says she’ll get him out of there. He introduces himself as Clayton, and wonders why she’d want to help a stranger.

John asks if Victor is sure he doesn’t want to come. Of this, Victor is most certain, but he’ll watch. John gets on the raft – which is a few logs tied together – and it sinks a little. A crocodile swims toward John, who shoots at it, and jumps off the raft/ Victor says they’ve had the fear taken out of them, but you’d think she’d be full. John says it looks like they’re still roomies. Victor laughs. I love Victor.

Morgan buries Purvis. Jim asks what difference it makes. Al looks at the truck owner’s journal, and we find out he was called Polar Bear. Wen says he had many memorable sayings, but Al doesn’t think he’d like them written on the faces of the dead. Morgan says they’re going to find Victor and the others, including the guy who owned the truck. Jim says they don’t even know if he’s alive. Sarah says they wouldn’t have stolen the truck if he couldn’t have taken care of himself. June says Quinn looked like he could too. Jim wonders about what that nut job said; she knows what Morgan is capable of. He asks Morgan what that means, and Morgan says, it doesn’t matter. Jim tells Morgan they agreed to come with him; they deserve to know. Sarah says this makes twice today she agreed with him. Morgan says he has things he needs to make up for; the same as everyone else. He suggests they hit the road. Sarah asks, what if they say no? Morgan says he’ll take the truck and keep doing what he’s doing. Wen asks if he knows how to drive eighty-thousand pounds of steel at eight miles an hour. Al says she does. She wants to talk to the guy who set this up. Sarah takes out a knife, but Morgan knocks it out of her hand with a shovel. She says they’re going with him.

A zombie starts to walk across the water, and the crocodile grabs him. Victor says he’s not going anywhere, but John says there’s got to be a way to them. Victor asks if he really thinks he’s going to find June. He says he found her before; he thought she was dead. Victor says look what that got him. John says he knows there are no happy endings, but they have to fight every day, and he found someone to fight with him. He takes out the piece of candy, and says it’s her favorite. He’s not changing his mind, and when he sees her, he’s giving it to her. If they don’t fight every day, they’re no better than the past. Victor says, the only difference between them and the past, is one day’s rations.

Commercial break with an interesting Walking Dead ad, announcing Rick Grimes’s final episodes – beginning October 7th. Ya’ll know he’s leaving, right? At this point, I can’t even make myself care. That show would be totally depressing without Negan. They had their chance to balance things out several times, and blew it. And we’re back.

John sees a zombie stuck in a truck toward the top of a cliff.

Luci tells Clayton that she’s getting him out. He says it’s nice thinking that she’s willing to help, but she can’t. The car is the only thing keeping him together. She says there has to be something she can do. She asks if there’s anyone he wants her to find; anyone looking for him? He says, one, but it’s the only person he doesn’t want to see; the rest are gone. He says he never thought he’d go out like this, and laughs. He’d love to have one last beer. Luci says he’s going to get one. She gives him a radio, and says keep talking to her. He tells her no one uses channel 17.

John and Victor look up at the truck. It has a square, plastic cover over the bed. Victor says, it will never work, but John says, it will float better than wood. Victor assumes John wants him to retrieve it. John says the only reason he can’t is because of the injury Victor and his friends gave him.

Morgan puts a box along the road. Sarah says Polar Bear should have changed up his route. Al asks if she thinks them stealing his truck is his fault. Sarah says she couldn’t help it if he left his keys in his rig. Morgan says, if they’re lucky, he’s still around. Jim says, or walking around with things written in Sharpie on his face. They decide to get going, and Morgan writes on the box, if you need help, vhf channel 4. June wonders if John will see it, and Morgan says they’ll find him. One way or another, they’ll find them all.

Victor gets on top of the side of the car. John tells him, release the latch, and gravity will do the rest. Victor says he knows what he’s doing. He looks inside and sees a bottle of primo whiskey on the floor of the car. He reaches in, trying to dodge the zombie, and John is like, what the hell? Victor grabs the bottle, but the zombie grabs him – I say, oh, sh*t! – and pulls him into the car – I say, oh sh*t! The car tumbles down the cliff – I say, oh sh*t! – and into the water – I say, oh sh*t! John runs to the car. The zombie has been impaled by a branch, and Victor has the whiskey. And it’s not even Pappy van Winkle.

John tells Victor that he could have gotten himself killed, and Victor says, but he didn’t. John can’t believe he almost killed himself, so he can tie one on. Victor says good luck with raft two. He’ll be a noisemaker when John needs him. John works on the raft.

Luci checks a beer truck, but no surprise, it’s empty.

John loads the raft with some supplies.

Luci opens a garage. Over the radio, Clayton asks how it’s going. She says she’s getting close; she knows it. She looks in a fridge, and it looks like mine when I first moved to NYC – empty.

John prepares the new raft, reinforcing the seams, and making some kind of flotation thing to attach.

Luci finds a six pack, but it’s root beer.

Victor drinks. John asks if he drank before. Victor says he was an amateur; now he’s gone pro. John asks, what for? and Victor says he drinks to forget. John says, forget what? and Victor says, that he has no one to drink with anymore. John has things to look forward to. He only has things to look back on. John tells him that he’s not trying. He can have someone, just not here. Victor asks what about the distraction, and John says he’s got it.

John shows Victor how he’s rigged up an alarm. He asks if Victor doesn’t think it will work, and Victor say he didn’t think John would survive a bullet to the gut, but here they are. John says he’s just got to believe. Is he coming? Victor says, yeah.

Clayton asks Luci if she’s okay. She says she’s sorry. She thought she had it. Clayton says there’s nothing to be sorry about. She tried to help. Not a lot of people are still willing to do that, especially for a stranger. She says, it doesn’t matter; she failed. Clayton tells her there was a time when he didn’t want to be around anyone. He found a job that took him away from the world. Away from everyone he ever knew or cared about. Then when the world changed, everyone went away, and he realized he’d made the biggest mistake of his life. Luci asks what he did, and he says he couldn’t help the people he ran away from, so he helped the people still around. Luci doesn’t understand, and he says just because she couldn’t help him, doesn’t mean she can’t help someone else.

John starts the alarm. He asks Victor if he really needs a drink before they reach the other side. The zombies start to come. John and Victor put the raft in the water, and start to paddle.

Luci sees one of the boxes. I knew it! I knew that’s where the beer would come from. She sees Morgan’s message about channel 4, and finds the beer.

Victor and John continue to paddle. The zombies gravitate toward the noise. It starts to lose steam, and I say, nooo. John says, that’s a pickle. They’re almost halfway across, and John says, fiberglass is strong. The raft suddenly moves, and John loses his oar. Another, oh sh*t. It’s the crocodile, going under them and circling. John shoots at it. It’s that quiet moment before something happens, and the crocodile bumps the raft again. The raft begins to take on water through a crack. John thinks they can make it, but Victor is like, no. They can’t fight if they’re dead. It didn’t work, and it’s never going to. The only reason Victor went along is because he felt sorry for John, but he won’t die for him. He tells John to fire his gun, and they’ll swim back. John shoots the gun, and the zombies start to come in to the water, where the crocodile picks them off. Victor says he can’t. He’s going to live, even if only for a while longer. They swim back.

Luci comes back to the car. Clayton says she doesn’t give up. She says she watched someone die, and couldn’t do anything to make it better. She’s not letting it happen again. She gives him the beer, and he can’t believe it’s cold. She tell him the first aid kit had ice. He drinks deep, and smiles. He thanks her, and asks if he can give her something; a couple of notebooks in the back. They list places he left supplies; things that will help her. She’ll read about it. She says his job that took him away, what was it? He takes her hand and says he drove trucks. It’s him! It’s Polar Bear!

Luci puts the empty bottle on Clayton’s grave. She turns the radio to channel 4, and says, whoever left the box, if they’re listening, thank you. What they left helped more then they’ll ever know. Morgan says, Luciana, is that you? and Luci says, Morgan?

Victor leaves John sitting on the ground, and watching the water. He seems pissed, and goes inside. John takes the candy out. It says black licorice on the wrapper (like that’s anyone’s favorite candy in this century). He unwraps it. I’m very distracted that it looks like a caramel, and I wonder why. Because it’s old? How does black licorice change color? Or is it not really black licorice? He eats it, and it no longer matters.

Sarah’s truck barrels down the road. In the back, Morgan looks at the notebooks. Luci says, he said they were important, and could help. Morgan asks if he knew where she found the beer, and she says she didn’t get the chance to tell him. She thinks he’d like what they’re doing. The radio comes on. Charlie asks if someone is there, and we see her with Alicia by one of the boxes.

Morgan asks if they need help, and where are they. Alicia tells Charlie, it could be trap, but realizes it’s Morgan. She tells him that they’re all right, and by mile marker 84; they just found the box. He says they’re just north of there; they’re coming back. Crazy Lady breaks in and says, she needs him to be strong. Morgan says he knows her, and to listen to him. She’s wrong. What she said about helping people, it doesn’t make them weak; it makes all of them strong. He’s been where she is – stuck. She thinks what she’s doing is the right thing; the only thing, but it’s not. So they’re going to keep finding the people they’re looking for. It’s working already. They’re going to find them and help them, and then they’re going to help her.

Sarah says, that van Al was talking about – Al says, it’s a tank. Sarah thinks they found it. It’s at their back door. They all look, and see Al’s tank heading toward them. Jim says, holy sh*t! and Al says, it’s sluggish as hell. Sarah asks what they think the truck is. She tries to speed up, and Wen says it’s gaining on them. Sarah presses the gas harder.

Morgan gets on the radio, and asks what Crazy Lady is doing. Crazy Lady gets near them and opens the top where the artillery is. She says she told him that she was making him strong. Morgan tells everyone to get down.

Alicia and Charlie hear gunfire on the radio. Alicia says, Morgan? and gets silence.

Next time, Crazy Lady hooks herself another zombie, Alicia wants to keep moving, Jim wants to move away from things that want to eat them, and June asks what’s next?

👄 Bad Girls Gone Good…

Nothing is better than a fabulous comeback. Whether it’s to a guy who wants to hey mama you on the street, or it’s a reality show villain.

https://www.eonline.com/news/964739/the-art-of-the-reality-tv-rebound?cmpid=emn-090318-enewsletter-button-latest-5

👠 Lots of Lala…

One of the comeback kids.

https://www.eonline.com/news/931791/vanderpump-rules-cast-supports-lala-kent-at-her-father-s-funeral

https://pagesix.com/2018/09/02/vanderpump-rules-star-lala-kent-engaged-to-randall-emmett/

https://pagesix.com/2018/06/22/randall-emmett-asked-for-permission-to-marry-lala-kent/

https://www.eonline.com/news/965114/lala-kent-had-a-very-vanderpump-filled-engagement-celebration-in-las-vegas

https://pagesix.com/2018/09/03/lala-and-randall-toast-engagement-with-vanderpump-pals-in-vegas/

👓 New NYC Wife?

Could this by Carole’s replacement? Frankly, after the reunion, I’m glad to see the back of Carole. I liked her until she found “her voice.” Apparently, that voice is pretty nasty. This is an interesting turn of events, since the last time Barbara was on the show, she tried to keep it from happening.

https://pagesix.com/2018/09/05/barbara-kavovit-may-be-joining-the-cast-of-rhony/

👰 The Latest Wife is a Wife…

Two words – the dress. I’m also thinking, I guess the so-called bad blood between Denise and LVP isn’t that bad, since LVP was at the wedding.

https://radaronline.com/photos/denise-richards-aaron-phypers-get-married-malibu-wedding/?utm_source=email&em_hash=72048a93bc8188334dc1071a32fe8f3b

😞 This is Just Sad…

It’s strange, but when you watch these people for years, they sort of become like one of the family. Albeit, a lot of the time they’re those cousins you love, but at a distance. It always makes me sad when there’s a rift that can’t be mended, and this one is a heart-breaker.

https://www.eonline.com/news/966389/jeff-lewis-claims-jenni-pulos-reported-him-for-abuse

https://people.com/home/flipping-outs-jeff-lewis-jenni-pulos-part-ways-its-over-says-source/

😲 Yep, It’s Back…

Sep8

September 7, 2018 – Nina Inherits a Half-Necklace, Purging, New from Bravo, Goodbye Jack, QuaterQuotes & Last Weekend

Posted on by
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What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

 

General Hospital

On the phone, Sonny tells someone to let him know what they find out. Mike approaches Sonny, and says he needs to know how much trouble he made, referring to the body in the basement at Charlie’s.

Kristina tells Julian it’s a shame she can’t hang out at Charlie’s. He asks, why not? and she says, the owner. She thinks it’s a clever mob front, and he says he’s out of that. She tells him that he’s said that before. He says it’s a legit business. Like it or not, he’s here stay. If not, there’s the door.

Jordan tells someone on the phone she appreciates their assistance. Let her know if the PCPD can help in the future. She tells Curtis that Carter is being remanded to his adult children, but he’s being brought to Port Charles as they speak. In the interim, he needs a place to stay, and she arranged for it to be there. Curtis thanks her, saying it means a lot, and more to Nina if it leads to the daughter she didn’t know she has.

Maxie wonders what the homeless lady was doing at the church, and tells Nina that she felt bad. The woman really smelled, and she wanted to take her for a spa day. There’s a delivery for Nina. Nina says it’s from her mother’s lawyers.

Sam tells Jason sorry she didn’t give him notice she was going to Oregon; her sister needed her support. Jason says Sonny told him that Kristina is moving back, and Sam says Kristina is staying with her. Their mother offered, but she doesn’t want friction. Jason asks if she’s playing peacemaker, and Sam says she’s giving Kristina space. It’s hard getting over a relationship, after giving up time and emotions. She needs to take a step back to rebuild her life, and figure out what she wants and needs without pressure. She was lucky to have support, so she’s giving Kristina the same. Jason says she’s a good sister. There’s a knock at the door. It’s Drew. He wants to see Scout, but thinks it might be a bad time. Jason says he was just leaving, and asks how Oscar is.

Josslyn tells Oscar to keep his eyes closed, and they approach her decorated bench. She says she’s shocked his mom let him come out after being released from the hospital. She notices the balloons are deflated and the crepe paper isn’t looking so great. She tells him it looked less depressing yesterday. He loves that she did it; it’s not her fault. He’ll try his best not pass out next anniversary. Josslyn says waking up in the ER must be scary, even though it turned out to not be serious.

Carter Buckley is brought to Curtis’s room. Curtis and Jordan introduce themselves. Carter says he’d shake hands, but… and shows them the cuffs. Curtis says before they start, condolences on his recent prognosis. Carter appreciates it, and wonders what the meeting is about. Curtis knows he was arrested for brokering illegal adoptions, and has a question about one of his clients. Carter was advised not to discuss that, and Curtis says he doesn’t want to make trouble. He just has a question about one client. What can Carter tell him about Madeline Reeves?

Maxie asks if Nina wants her to get rid of the box, but Nina rips it open. She looks inside, and says it’s a box of stuff from her childhood. She takes out some scarves, her first running gloves, and a framed picture of her and Nathan when he was a baby. Maxie looks at it.

Kristina tells Julian that she needs a job, and asks if he’s hiring. He says he needs a bartender, and she tells him she’s an expert, but not in an obnoxious mixologist way. He wonders how much it would piss her father off if he hired her, and says he’s not interested in making waves, especially with Sonny. Kristina says Julian sells Sonny’s coffee, so he obviously has a stake in the business; he should be on board.

Mike is concerned about what happens if Julian get the go-ahead for renovation. Sonny says they don’t know the extent of what he’s doing, and so far, he’s been able to block him getting a permit; it’s a non-issue. Mike says what if the next one isn’t rejected? What is he going to do? Mike says he thought he was watching Sonny’s back when he moved the body, but he created more problems. Sonny says he’ll take care of it. Mike says he created the mess; he’s cleaning it up for good this time.

Sam asks if something happened to Oscar, and Jason says he collapsed and ended up in the ER, but he seemed okay. He leaves, and Sam asks Drew, what’s going on? He says he just wanted to see his favorite girl.

Josslyn says she and Oscar still have a lot to learn about each other. He asks if she means the low blood sugar thing, and says it’s nothing to worry about. She says it sounds silly, and bringing it up is trivial in the grand scheme of things, but something is bothering her. She found out the riddle he texted to her wasn’t from him.

Sonny tells Mike there’s nothing to fix, and Mike says don’t treat him like that. Sonny understands Mike was trying to protect him, but he was eighteen, and he’s not that kid anymore; he has resources. Julian, he can handle. He tells Mike the less he knows, the better. If he really wants to help, then let it go. it’s not good for him to be stressed.

Julian tells Kristina, if Sonny has a problem, he’s the one who will hear about it. Why doesn’t she try somewhere else? He has some business to take care of, and Kristina says she’ll help with the garnishes, and gets behind the bar. Valerie comes in, and tells Julian that she has a message from the city council. They’ve reached a decision about his permit.

Sonny says it’s time to take Mike for his checkup. Jason comes in, and Sonny suggests he come along so they can talk. Mike says it’s ridiculous. Sonny has better things to do than babysit him. He has a nurse, and one of Sonny’s guys can drive. He tells Sonny to focus on his business, and he’ll feel like less of a burden. Sonny agrees.

Valerie tells Julian that his renovation plans were approved. Kristina tells him that he’s low on vermouth. Valerie is excited to see her, and Kristina apologizes for not texting. She tells Valerie that she’s moving back, and Valerie says she missed hanging out with her. Kristina says she just started working at Charlie’s, and Julian says he hasn’t offered her a job. Valerie says she can vouch for Kristina’s classic cocktails. Kristina starts rattling off cocktail recipes. Julian says he has to make some calls; they’ll talk later. Valerie says if she keeps reciting recipes, he’ll hire her just to shut her up. She wonders why Kristina is back when she’s living with Parker.

Drew holds Scout, and Sam says he has the magic touch. Usually when she needs a nap, she’s all kinds of fussy. He says, it’s crazy. Kids grow so quickly, and change so fast. It’s like a lifetime in a few months. He wishes he could slow it down. Sam suggest she put Scout down for her nap, so they can talk. Drew says he could use it.

Oscar says he should have told Josslyn that Cameron helped. He’s not best the at romantic gestures. She says, he is; he put the video together. He put a lot of thought into it. He says, the point is, there is a lot they don’t know, even after a year. She says the good news is, they’re young and have plenty of time to figure each other out. Geez. Not trying to tug at the audience’s heartstrings too hard or anything.

Carter says he never heard of Madeline. Curtis shows him her picture. He says Carter looks pale. Carter says he’s fine. He’s sorry, but he has an obligation to protect the identity of his clients. Jordan says, here’s the deal. They’re sorry he has a terminal illness, but compassionate release can be revoked as soon as he aids and abets another crime. Carter says, fine; he’ll talk.

Nina takes out a note from the executor. It’s what Madeline left her. She lifts a jewelry box out. Inside is a note from her mom. In the envelope is a necklace, and a note that says, this will mend a broken heart. Nina says, this means something.

Sonny tells Jason that Mike is on his way to the hospital. Mike feels good and focused today. Jason wonders what happens if Julian gets the permit to renovate; if they find the body and gun. Sonny says they can find a contractor they can control, and put a person on the crew. Jason says he can inspect after hours. If anything turns up, he’ll make sure they’re the only ones who know.

Julian calls Kim, and leaves a message asking about Oscar, and telling her that he’s there if she needs him. Kristina tells Valerie that she and Parker broke up. They’re lives were going in opposite directions, and if she stayed, she’d be fading further into the background. She needed to find her own path. Valerie is all for it, especially if it keeps her there. She’s missed Kristina. Are you thinking what I’m thinking?

Sam asks Drew, what’s going on with Oscar? Drew says Oscar stayed the night at the hospital, and Drew stayed there until he was discharged. Sam asks if something serious is going on, and Drew tells her. Oscar has a brain tumor. It’s malignant and inoperable. She’s so sorry; Drew is too. She says Oscar must be so scared, and Drew says, that’s the thing, Oscar has no clue. He was already so sick when Kim found out, she chose to keep it from him. She doesn’t want him worrying about dying, and wants him to enjoy living, and being a regular teenager. Sam asks if he agrees.

Josslyn tells Oscar it will be their goal for this year. He says they’re setting goals now. He says they don’t know a lot about each other, and should start finding out. What is something Josslyn has wanted to do, but hasn’t? She says make out with her boyfriend in the woods. He thinks he can help her with that, and takes her hand.

Nina can’t believe her mom remembered. She holds up the necklace, a jade half-heart. Nina says Annie was her first Broadway show when she was little. She loved it. Maxie did too, and gets all excited. Nina says she was obsessed. She used to run around singing every song, then go to her mom’s bedroom and take out the necklace, pretending it was a locket like Annie’s. Maxie asks, where’s the other half?

Carter tells Curtis that he’d recognize Madeline anywhere. She was one of his clients. He was hired to find parents for a baby. It was unusual. Her daughter was in a coma, and gave birth to a baby girl. Madeline thought her son-in-law had something to do with her daughter’s condition. She kept the pregnancy under wraps, so he wouldn’t find out. When the time came, he arranged for the baby to be sent somewhere he couldn’t find her. Curtis asks who he ended up giving baby to.

Maxie tells Nina, way of making peace. Nina says, it’s kind of late, but Maxie says maybe she found it hard to ask forgiveness. Nina wonders what the significance is of the missing half.

Carter couldn’t tell Curtis who it was. Curtis says he must have records. Carter says if he did, they’re long gone. Keeping records in his business is a giant liability. He’s sorry he’s not more help. Jordan thanks him, and say they’re done there. Carter says, for what it’s worth (the phrase of the week), he wishes he could do more. The officers take him away. Jordan tells Curtis that she’s sorry it didn’t pan out the way he wanted it to. At least they know the child survived. Curtis says they know more than that.

Kristina asks Valerie what’s new, and Valerie says she’s taking a detective exam. Kristina says they have to celebrate, but Valerie says not until she passes. Kristina says she’ll miss seeing Valerie in her uniform. She rocks it.

Sonny tells Jason if they could control how the body is found, it would be a weight off his shoulders, and his dad’s. Jason asks if Mike has said any more, but Sonny doesn’t want to ask. Mike gets agitated and confused, and needs to stay calm. On a day like today, he seems like his old self, and it’s tempting to ask, but he doesn’t want to take the risk.

Mike looks in the window at Charlie’s. Inside, Kristina makes Valerie promise they’ll hang out after she slays the exam. Valerie says, deal, and tells Kristina, welcome home. She leaves, and Mike hides around a corner.

Drew tells Sam that he thinks Oscar has the right to know what he’s facing, but up until a year ago, Kim was raising him alone. Who is he to contradict, if she thinks letting him live his best life in the time he’s got is the best thing? Sam sees the point. Sometimes ignorance really is bliss. Once you know the truth, it’s hard to unknow. Drew says they’re just starting to get to know and understand each other. Oscar is starting to trust him as a father, and now he’s keeping a secret. Unless a miracle happens, he’s going to lose his son. Sam says, miracles happen every day. She’s seen them for herself, and hopes for a miracle for Oscar. She tells Drew to love him as best he can, and spend as much time as possible with him now.

As the come out of the woods, Josslyn tells Oscar, it was a worthwhile experience. They almost kiss, and Oscar’s phone dings. He says his mom is picking him up, and asks if she wants a ride. She says she needs to clean up, and he says he’ll help. His phone dings again, and he figures he’d better go before she freaks. He has an idea. Between now and their next anniversary, they should keep this up. She says, making out? and he says, that too, but doing stuff they’ve always wanted to do, but together. She says, like a bucket list for people with lots of time. She likes it.

Nina tells Maxie, hypothetically, maybe her mother felt something other than greed; maybe affection or guilt. She knew Nina loved the necklace, but dividing it in half might have meaning. In the musical, Annie thinks finding her parents will mend her broken heart. Maybe her mom meant it literally. Maybe she’s sending a message from the grave that Nina didn’t miscarry; that her child is alive somewhere.

Jordan asks Curtis, how is this not a dead end? Curtis says, she heard him. Madeline hired a private nurse, not to mention a doctor. Where there’s money, there’s a trail.

Sonny tells Jason that his dad overheard when he was talking to Carly. He was upset, but not disoriented. He knew what happened, and that if the body was uncovered, Sonny could be implicated. Jason says Mike seemed okay when he got there. Sonny says he told Mike that he has resources to handle it. Jason says, that’s true, but Sonny says, a lot could still go wrong.

Kristina congratulates Julian. She bets the renovation is going to keep him busy. He might need help. He says he’ll be busy managing the contractor, and won’t have time to do interviews. She can have a job on one condition – that she start now.

Mike sneaks downstairs in Charlie’s, and looks around with a flashlight. He sees some pipes, and takes out a wrench.

On Monday, Valentin says Madeline was telling the truth, Michael gets a letter from Nelle, And Mike tells Kristina that she’s not supposed to be there.

💀 I saw the first episode of The Purge (USA), and thought it was pretty good. Part of it focused on a group that was working on purge night, and I thought, that would be my luck. Stuck at the office. I liked the second and third movie (haven’t seen the fourth), but I wasn’t crazy about the first one. I think it’s a very scary concept, but that blond guy talked so much, I thought I could have killed him ten times while he was going on and on. This is a good choice for a series, since there’s a wealth of stories that can be pried out of it.

🏈 On September 24th, Bravo will premiere it’s new show, Bravo Play by Play hosted by Jerry O’Connell. Originally, it was supposed to be called Real Men Watch Bravo, which I thought was brilliant, but since we’re living in a super-sensitive society now, it was changed. Enough already. They showed a snippet on Wednesday’s Watch What Happens Live, and it looked great. It’s not The People’s Couch (what happened to that?), but I’ll take it. Jerry was a guest that night, along with LuAnn (The Real Housewives of NYC), who wore the outfit she would have worn had she attended the reunion. It was fabulous and sparkly. Andy took a poll on the best NYC reunion outfit, and I was pleased that everyone agreed with me that it was Bethenny. I wouldn’t mind a dress-up box with all of the reunion outfits in it.

😥 Sad News…

I only saw this guy smile once, when Dr. Phil made a funny, but he was still awesome.

https://www.drphil.com/videos/his-absence-will-be-felt-deeply-says-dr-phil-on-death-of-friend-former-fbi-special-agent-jack-trimarco/

🏁 Quotes of the Week

Do you have a horseshoe up your ass? You’re the luckiest bastard alive. – Ben (Charlie O’Connell), Obsessed

We see things not as they are, but as we are. – H. M. Tomlinson

For most of history, Anonymous was a woman. — Virginia Woolf

The nicest thing I can say about her is all her tattoos are spelled correctly. – Truvy (Dolly Parton), Steel Magnolias.

🏇 And We’re Off…

While I wish you an entertaining weekend, I thought I’d also share my entertainment from last weekend.

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Sep3

September 2, 2018 – Morgan Has a Reunion, Jenna Talks, Lala Gets a Ring On It, Going Downton & Long Weekend

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What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

 

Fear the Walking Dead

June watches a video of John talking about finding her. She gets out of the tank and surveys the damage the storm has wrought. She tries to get a radio signal. She says she never should have left John at the bus, and talks about seeing the video. She says he knew; he believed. But if Al had asked June that question today, she doesn’t think she could answer like he did. He knows her. When the going gets tough, she runs – or worse. She says things are pretty tough right now. She wants to know how he believed. Al comes back and asks if she’s trying to raise John. She can’t find diesel and tells June to conserve the battery. They can’t recharge.

The next day, Al whittles, while June pikes a zombie in the head. They sit and watch nothing. June says they can’t keep going out just far enough to make it back before sundown. They have to keep going. They’re almost out of water. The radio crackles. June asks if it’s John, but the voice isn’t clear.

A half zombie is attached to the front of Sarah’s truck. She stops, telling Wen it’s a clean hit. She takes a look, and pikes it in the head. She asks if Wen remembers when dad hit the seagull; it was a one in a million shot. She tells him that she still gets the point. He says, half. Morgan tries the radio, and gives their location. He says they’re headed west. He’s got help.

June thinks they should go to higher ground and find the signal. Al asks if she killed the camera. June says she killed the battery watching the tape. Al isn’t looking well, and says it’s low blood sugar. June tells her to stay. She feels Al’s forehead and says she’s warm. She wonders if whoever was on the radio has food. They should find them, then come back and fix the van.

Morgan says he’s leaving the channel open, and will be listening. Sarah asks if he really thinks he’ll find his people. He says he has to try. Someone did that for him for as long as they could. She asks if it worked. Morgan is silent, and she says it didn’t. He says, it will work, and repeats the location.

June hears static. Al walks behind her. June asks if Al’s vision is okay. Al says she’s fine; it’s just been a while since she’s eaten. We hear zombie noises. June says they might be done walking. Are they going to ride a zombie? They see a car, kill the zombie inside, and drive. June keeps trying the radio, but gets nothing. She says they need to find higher ground, and apologizes for using up the battery. Al understands. It’s the next best thing to talking to him. June asks if Al has ever found someone, but Al says, when you’re collecting other people’s stories, you stop having your own.

June asks if anyone can hear her. Crazy Lady is listening in, and tells her zombie, Purvis, that he made them weak.

Sarah calls Morgan Momo. He asks her to stop, but she says she can’t’ She likes it. Morgan hears June for a moment and responds. He tells Wen that he’s taking stroll. He’s going to try and get a stronger signal. Wen asks what they do, and he says, wait. Sarah says it looks like they’re tailgating. Morgan walks, and says he hears them; hold on.

June tells Al to keep driving, but Al throws up. She says maybe it’s not her blood sugar. June says it’s a bug. The van suddenly drives past, and Al takes off after it, saying she’s stopping that SOB. June tells her to slow down, but that’s a no. They speed along behind the van, crash into something, and go into a spin. June says Al is sick; screw the van. She needs antibiotics. Al says she has them – in the van. They have to get it back.

Morgan sees Crazy Lady at one of the boxes. He tells her, what’s written is the truth; you can take what you need. Things are tough out here. What’s in the box helped him, and could help her. She says she doesn’t need any help; she’s not weak. Morgan tells her that he didn’t say she was. He tells her again to take what she needs, and he keeps walking. She watches him. She says, he’s right. Things are tough out there. He should be careful.

Crazy lady fills a bottle with puddle water.

A zombie toddles toward the car. June tells al to stay with her; keep talking. She asks where Al got the van, but Al doesn’t want to get into it right now. June says she hasn’t seen many reporters with hardware like that, and Al asks how many did she know? They hear gunfire, and Al says those are hers; it’s close. She says June can go; she can do this. It’s the only way to get the meds she needs. June doesn’t want to leave, but gives Al the radio. She says if she doesn’t’ come back, to get in touch with the people they heard.

June sees an overturned bus, and hears zombie noises coming from it. She sneaks around the bus, and sees the van with the door open, and a pile of zombie bodies nearby. She slides around the other side, and peaks in the bus, where a trapped zombie is flailing around. A man tells her, drop the gun, while he has one pointed at her head. She does what he asks, and says she just needs some medicine. He tells her, hands behind her head; move.

On her knees in the road, June tells him that he doesn’t have to do this. He continues to hold the gun on her, and asks where her friend is; she must need medicine for someone. She says she doesn’t need the van, just the medicine, and he says, this isn’t a conversation. June says, what he’s doing, she’s been there, but someone showed her that she didn’t have to live like that. Neither does he. They can work together; help each other. He says, no, they can’t. We’re all the same, doing what they can to protect who they care about, know, and love. That’s where it stops. June says she can’t let her friend die. He says if he comes, he’ll be the first to go when things go south. June jumps up and knocks him down.

Al hears a gunshot. She gets out of the truck, and tries to remove the tire that’s blown.

June struggles with the man. She gets the better of him, and gets the gun. She makes him lie on the ground, and tries to start the van. He says, it’s out of gas. He thought there was diesel in the bus, but there wasn’t. She tells him, get up. Inside the van, she asks him where the cipro is. What did he do with it? He says he pulled over, and killed the dead who broke out of the bus. It’s not his fault if it’s not there. He says, you can’t help people, and June tells him to go. He says she knows what it’s like out there, and she says he didn’t believe her. He admits he didn’t. He jumps down, and she locks the van.

June goes through everything. She finds a radio, and calls Al. She asks where the medicine is. Al can’t even stand, and falls when she tries. A zombie struggles up from the mud, and its leg breaks at the ankle. It still manages to grab Al, who holds it back just barely. She has a knife strapped to her leg, and works to get it. On the radio, June says she can’t find it. Al finally get the knife, but she’s not strong enough to stab the zombie in the head. She kicks it under the car, and kick’s the jack down, crushing the zombie’s head. June asks if she copies. Al grabs the radio, and June asks, where’s the medicine? Al says, there isn’t any. She needed to get the van back. June sits in the middle of a mess, and throws the radio into it.

Al thanks June. June says she was lucky there were meds on the bus. She could have died. Al says June could have died too, but they didn’t. The van will keep them breathing; they just have to get diesel. June says she almost killed to get medicine that wasn’t there. Al says, someone who stole the van; June doesn’t get it. June says she does, but it almost got them killed. Al says, almost did. June says she’s trying not to be that person. She’s been running from who she was and what she did, and almost became that person again. Why is the van so important? Al says it will keep them alive. June tells Al that she says the truth matters; is she telling the whole truth? Al says the tapes are all that’s left of dreamers. June says, people she barely knew, and Al says, not all of them. June saw one of them. June says, you can’t help people if you’re dead. Al says it’s not just other people’s stories on the tapes; it’s her story. The people she knew; the people she loves, and she’s not leaving them behind. June ponders this, and nods. She sits down on the ground next to Al.

Morgan climbs a water tower. Ha-ha! That sounds like a children’s book. He radios, asking if she still hears him. He doesn’t think he can stick around. Al hears him talking.

June grabs the radio. Morgan says they’re packing up to leave, but wanted to give their location once more. June says, it’s her; she’s with Al, but the only reply is dead air. Al says, the battery is dead. June looks at a map, and says, he’s fifty miles away, and they have enough gas. Al says they need the van, but June says they’ll miss him if they don’t leave now. Al says they’ll catch up.

Al gets out of the car, and tells June to go. June says, Morgan is out there. That means John and the others might be too. They’re alive. It doesn’t have to be this way for her. Al closes the door, and starts heading to the van. That medicine worked fast. June starts the car. Al stops, and shoots in the air. She turns toward the car, as June backs up toward her. Al gets in, and they drive off.

Wen doesn’t think they’re coming. Morgan says, it don’t look that way. Wen suggests the keep on truckin’. Morgan gets in, and Jim hands him a beer, saying he looks like someone who needs a drink. Sarah sees a car in her rearview mirror. It’s June and Al. June says sorry they’re late, and Morgan says they’re here now; that’s what matters. She asks about John and everyone else. Morgan says he’s still looking, and introduces the others. He asks Sarah to get them some food, and she brings out one of the boxes. June asks if they’re the ones putting the boxes out, and Morgan says it’s the person who owns the truck. They’re returning it, and making drops along the way. June says they’re helping people, and Morgan says, that’s the idea. She asks to borrow his radio.

June gets on the radio and says, she doesn’t know their name or if they’re listening, but the last time she did this, they were. If they can hear her, she’s sorry about what she did, making him walk away. She wants to show him that he’s wrong about something. That we don’t just watch out for the people we know. She says they’re at the mile 27 marker. They have food, water, and supplies; whatever they need to get back on their feet. A man’s voice replies, is that you, cipro? June says, yes. He says he managed to find diesel. Her friend shouldn’t leave her ride sitting around. She says if he wants to come, he won’t be who he was; the guy who held a gun on her. He says, my name is Quinn. She says, June.

Morgan asks if Al is okay. And she says something hit her hard. She says it looks like he found new ride to Alexandria. He says she’s still welcome to join them. She says, just so he knows, she doesn’t plan on staying. She wonders what he knows about the guy who the truck belongs to, and he says, not much. She wishes she had her camera.

Quinn radios June. He says he’s at the mile 27 marker, but she’s not there. She tells him, check again. He says he’s looking right at it. He takes a closer look, and realizes it’s been changed. The Crazy Lady’s zombie-on-a-stick pops out, and attacks Quinn. June asks if he’s there.

Crazy Lady turns off the radio. She says she has to let Purvis go now. He did what he was supposed to. She’s going to set him free to keep on truckin’. She pokes him with a stick, and when he backs up, she closes the cab door. She writes on Quinn’s face – people you know. She tells him that he isn’t going to be weak anymore. He opens his eyes, and she smiles maternally at him.

Next time, Quinn returns; John, Victor, and Luci are still alive; and an alligator eats a zombie.

👂 On Talking Dead, Jenna Elfman gave a colorful account about June and Quinn’s tussle for the gun. She repeatedly, albeit accidentally, kneed him in the goods. And then there was the long ride home…

🙈 Sorry This URL is So Long…

But worth sharing that Lala Kent (Vanderpump Rules) is engaged to her man.

https://people.com/tv/vanderpump-rules-lala-kent-engaged/?xid=email-email-peopledaily-2018090217PM-tout1&utm_source=peopledotcom.wordpress.com&utm_medium=email&utm_campaign=people-daily&utm_content=2018090217PM&eminfo=%7b%22EMAIL%22%3a%226La3OLHdehcLEz%2bPn4lIpQ%3d%3d%22%2c%22BRAND%22%3a%22PE%22%2c%22CONTENT%22%3a%22Newsletter%22%2c%22UID%22%3a%22PE_NDL_AABBEDFD-8ADC-4D8C-967D-8F44F4554FAF%22%2c%22SUBID%22%3a%2243080838%22%2c%22JOBID%22%3a%22869411%22%2c%22NEWSLETTER%22%3a%22PEOPLE_NEWS_DAILY%22%2c%22ZIP%22%3a%2207740%22%2c%22COUNTRY%22%3a%22%22%7d

📑 My Excuse…

I’m running late tonight because I had the pleasure of seeing the Downton Abbey exhibit, as well as catching up with an old friend, in NYC today. Tomorrow (9/3) is the last day, but it’s going to other cities. If you’re a Downton fan, it’s a must-see. Holograms, costumes, props, entire rooms from the show are on display. It’s a multi-media extravaganza. There’s even a virtual quiz to see which staff position you’d be suited for. If you must know, I would not have been hired at all. I think it was the question where I answered that I’d give a malicious laugh that took me out of the running.

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🛀 And If Your Weekend is a Long One…

LongWeekend2

LongWeekendKitty

HappyLaborDay2

 

 

 

 

 

Aug27

August 26, 2018 – Morgan Has a Busy Day & a National Day for Dogs

Posted on by
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What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

 

Fear the Walking Dead

The storm continues. Morgan calls for Alicia. He pikes a zombie and checks the cab of a truck, but it’s locked. He opens the back, ready for anything, but nothing comes screeching out. He goes in through the back, and sees the take what you need boxes ready to go. He looks through one and finds a pocket knife. He sits with some water and a protein bar. Best. Protein. Bar. Ever. By the look on his face.

The next day, there’s less of a storm noise, but more of a zombie noise. Morgan cracks open the back door, and a zombie looks in. He kills it, and walks out to a new morning. It looks like the storm has passed. He sees he’s at a truck stop. He bangs on the mini-mart door and cautiously steps inside. He calls, hello, but hears nothing.

Morgan sees coffee pots ready to go, and everything is clean, neat, and well-stocked. He flips the light switch, and lights come on. He hears a woman’s voice over the radio asking, that you papa bear do you copy? Over. Then, do you copy? Over. Morgan answers, hello? She asks who this is, and says he hitched a ride accidentally in the back of a semi, and found himself there She asks which location he’s at. He thinks Mississippi. She tells him to make himself at home. Take what you need, and leave what you don’t. He asks what this place is, but she’s gone.

Morgan goes through the aisles, taking a few things. He looks at a map, and sees how far he is from Virginia. He loads up a thermos with coffee. Next, he checks out the bathroom, which is the first place I’d have gone. He looks in the mirror, and marvels at the faucet, which has running water. There’s real toilet paper, and even a magazine by the toilet. While he’s making use of that, a man tries the door. This would be my luck. Even in the apocalypse, with only a handful of people around, there’s a line for the bathroom. The man tells Morgan to get out. Morgan asks for a minute.

When he opens the door, there’s a man in a wheelchair holding a gun. The man says, all his life, people like Morgan have been using stalls for people like him. He’s never asked the question, but he’s asking now – why? Morgan says it seemed like little apartment. The man says, it is, especially with the sink. Everyone likes it a little homey. He asks Morgan what’s in the bag, and Morgan says someone told him to take it. A woman on the radio. Morgan asks if the man could lower his gun. He says, sure could, and points it lower. Morgan says, take what you need, and leave what you don’t. He thought that’s what it was here for. A woman walks in, and says, it is. She asks Morgan to excuse her brother. He’s a little jumpy. The man is African American, and the woman is Caucasian. Morgan says, brother? and she says they’re twins. Morgan asks what they do there. We find out their names are Wendell and Sarah.

Outside, Sarah tells Morgan that they pack, drive, and deliver. They keep doing what they always did. They’d been living on the fringes, and now all that’s left are the fringes. When the road gets bumpy, just keep going. Wen tells Morgan they have everything there, even satellite TV, if anyone was still broadcasting. Morgan asks if there are more of them, and more places like this, and then says, they don’t have to tell him; it’s not his business. Wen asks where he’s heading, and Morgan says he’s heading back east; Virginia. There’s a place where people are trying to start over; build something better. Sarah says they just saved his ass from a hurricane. The worst she’s ever seen; levees broken, roads washed out. Morgan says he has people back there. Wen says he lost his Nelly, and knows Morgan’s pain. Morgan asks if he can convince Sarah to drive him. Wen says they’re not much without the truck. Morgan says he understands, but he’s going to have to try.

Wen gives him directions, and says if Morgan is lucky, they’re still standing. Morgan says there aren’t a lot of people doing things like this. Wen says people used to look down on them, and told them the boxes wouldn’t do any good, but they have a code. They’re keeping it alive. You gotta help people when they need help, then keep on truckin’.

Morgan drives until there’s a downed tree with a downed zombie under it. He kills the zombie, and looks around. Another zombie is flailing around in quicksand. Morgan sees one of the boxes, looks inside, and smiles. He continues on foot.

He starts to cross a bridge, but it’s out,* and he runs back. He runs for a while, like something is chasing him. He uses the radio to call Wen, asking if he knows which roads are clear. Wendell asks why, and Morgan tells him the bridge is out; he’s coming back. Wen asks, what about his friends? Morgan gets choked up, and repeats the bridge is out, and he’s coming back.

He must be traveling as the crow flies. There’s one pecking at a zombie now.

Wen tells Sarah, half a point. She almost hit that bird. Morgan radios the truck stop, saying he ran into trouble. He asks if there are more places like where they are, but Sarah says they’re the last outpost on the frontier. She calls Morgan MoMo, and says, sorry. She knows helping those people meant a lot.

Morgan drives for a while. He sees a man running across a field, yelling for help. He has a hood over his head, and his hands are bound behind his back. And he’s being chased by five or six zombies. Morgan tells him to hang on. The hooded dude starts smacking into the zombies, and all of them fall. Morgan runs across the field, and pikes them one by one. He tells the guy (we find out later his name is Jim) he’ll be all right, and takes the hood off of him. Jim asks, how long does it take to run across a field? Morgan picks him up, and cuts him free, He tells Morgan that he was kidnapped. Morgan asks what they wanted, and Jim says, recipes. He brews beer – the goddam staff of life. I beg to differ, but it’s good to have a passion.

In the car, Morgan asks if Jim is part of group, or is it just him? Jim says, just him and the brewery; Auggie’s Ale. He grows hops, and whatever he can manage on his roof. Morgan asks who he’s making it for, and Jim asks if Morgan has a point to his life or is he looking for one? Morgan says he’s just trying to get back home. Jim says he’s got something. He’s got the future. They’re going to infest the planet again one day. Everything they lost, they’re going to rebuild. So he makes beer. Does Morgan think he’s nuts? Morgan says, actually, no. He’s going someplace where people are trying to rebuild; in Virginia. He’s meeting some folks who are going to give him a lift. He asks Jim if he wants to come.

The truck is stopped in the middle of the road. Morgan and Jim get out of the car. I have a bad feeling about this, Beavis. Jim wonders where they are, and Morgan says, in back. Jim sees them, and starts to run. Wen cocks his gun, and says he’s not going to lower it. Sarah says Morgan found him; thanks.

Jim and Morgan ride in the back of the truck, hands bound behind them. Wen asks Morgan if the place he’s going to in Virginia is close to DC. Morgan asks who the truck belongs to, and what happened? Sarah says they left him by the side of the road, where he’d been dropping a box. They figured out he always dropped them by a road marker ending in four; It was easy to snag his rig. If you can’t protect what’s yours, it ain’t yours. Morgan says they could be helping people, and Wen says the universe gave him a reason not to. Sarah asks where the place in Virginia is. Jim wonders what all this has to do with him, and Sarah says she likes beer, calling him Jimbo. Wen thinks he should try a new twist on his name.  Wen says they have the truck, the maps, and journal the guy kept. He wants to get there as much as they do. Where is it? Morgan says nothing, and Wen says he has a thousand miles to change his mind.

In the back of truck, Jim says he could make this work on a small scale, The chick said she’s a fan of his work. She came to see if there was any stock left, and finding him was a bonus, but he can make it work. He asks Morgan to tell them where he’s going, and Morgan says he can’t be serious. They kidnapped him, and the tied-up Morgan for trying to stop them. Now he wants to throw in with them? He’s as bad as they are. Jim says where Morgan is going, there has to be a bargaining system. Morgan says he’s not taking them anywhere near there. Jim explains that he was supposed to be rich and about to cash in on his microbrew, when those dead things started stumbling around. They took it away from him, and he wants to get it back. He says all civilizations had beer. They need him. If they want the world to come back together again, they need beer,

The truck stops short. They’re stuck. Sarah opens the back, and says they’re too heavy. She has to start unloading. She starts tossing stuff out of the truck. Jim thinks if the place is Virginia is all Morgan says it is, they can come to a mutually beneficial arrangement, with Sarah getting all the beer she can drink. Sarah unties him. She says, what about you, MoMo? Want to stay tied? A group of zombies comes ambling through the woods, and Wen says he doesn’t like it; there could be more nearby.

The start to get back to the truck, and when Jim tries to help Morgan, he knocks Morgan over. Morgan tumbles down the hill, and lands in front of the zombies. He tries to scramble back up, but his hands are still tied, and he slides back down. He manages to jump onto a convenient car roof. He sees Jim on the bridge, and asks if he can get some help. Jim, Sarah, and Wen watch him. Sarah turns on the radio, and says Jimbo is boned him help him. Is he going to tell them where he’s going? The zombies surround the car. Morgan gives her some directions, and says once they get there, he’ll give them the rest. Sarah asks how she knows he’s telling the truth, and Morgan asks how does he know she’ll get him off this thing? She says, the whole way, and he finishes the directions. Sarah asks, who’s going first? Jim says he’s been living in a brewery since this started. Sarah says, sorry. He made it this long without them. He’s got this. Morgan says they can’t just walk away. Sarah says, sure they can. Morgan did. On the bridge. He said he was going to help his friends, but he’s not the only one pretending to be something they’re not. They leave him with zombies clamoring at his feet.

Night falls. Morgan is sitting now, and the zombies scrabble around him. He talks into the radio, saying they don’t have to do this. He knows they can hear them, so he’s just going to say it – he could have crossed the bridge. He could be on his way back to Texas, but he’s not. He’s had time to think, and he’s a coward. He helped people back there – thought he did – but it wasn’t enough. He can see that. They needed something he couldn’t give them; or didn’t think he could. He got scared. Scared if he went back, he’d just make things worse. He says, so don’t come back. Not for him. He can’t ask that, but maybe come back so he can do the right thing. Hands reach up around him.

Morgan gets up, and kicks a zombie away. He slips and goes down onto the car roof, and they grab at him. Dammit, did he lose a shoe? Yes, he did. He paces, as much as you can on a car roof. He suddenly leaps over them, back onto the hill, but slides down again. They grab for him. He sees the remains of a take what you need box, and a metal street sign. Morgan kicks at the zombies, and gets to the box. He cuts himself loose with a knife, grabs the sign, and starts picking them off.

As he walks, Morgan radios the truck. He asks if they’re still listening. There’s something he wants them to know. What they said about the boxes not doing any good, and rotting in the road – they were wrong. Excellent story writing.

Morgan walks. I hope he gave the them directions to hell. He sees the truck. Wen says there is no Exit 77. Morgan asks how long it took for them to figure it out. Wen says, a couple hundred miles. Morgan asks where Jim is, and Sarah says, in the back, sleeping it off. Morgan says they’re going to let him pass, and Sarah wants the right exit. He says he’ll tell them, but they’re going to be his ride, but they’re picking up some people first. Or he can just continue on foot. It won’t be first time.

Morgan tells Wen that he said the universe gave him a reason not to help, but he thinks it’s trying to tell him something different now. Wen asks if they’re going to pick up some people. Morgan tells him to take the rig straight back to Virginia, and they’re going to make stops along the way.

The truck rolls on. Sarah puts a box by the side of the road. Morgan talks into the radio. He says he doesn’t know their name, and doesn’t know where they are. He doesn’t know if can they can hear him, but he talked to a friend at a truck stop. Wen puts out the next box. Morgan says now he’s with some people, and they have his truck. Jim puts out a box, and adds a beer to it. Morgan says he’s headed to Texas, and they’re giving the truck back. Wherever they are, keep looking. Hang on because they’re coming.

A large African American woman shuts off a radio, and laughs. She says they’re on the road again after all, talking to a zombie impaled on the wall of another truck stop. She writes on his face with a felt tip pen – take what you need, leave what don’t – and says it looks like they’re going to Texas.

*Note: I thought Morgan was seeing something I wasn’t, but it turned out the bridge was not really out. He just said that because he was a-scared. Also, I thought I recognized the crazy lady at the end. It was Tonya Pinkins who played Livia on All My Children back in the day.

Next time, Morgan climbs a water tower, Al’s truck gets stolen, and the weird lady tells Morgan that things are tough and he should be careful.

🐕🐶🐩 Calling It a Three Dog Night…

It’s been a ruff week. My husband has been working his tail off, so I’ve been on my own with both dog duty and dog doody. And today being National Dog Day, I was at their bark and call, bur I wouldn’t have it any other way.

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Aug25

August 24, 2018 – Mike is Surrounded, Dissecting 90 Days, Return of the Zs, QuadQuotle & Sprockets

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What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

 

General Hospital

Mike and Sonny watch a baseball game on TV. Sonny asks if Mike knows the new rules, but Mike says baseball is baseball. He goes upstairs, and Felix tells Sonny that they sounded like a son and his dad. Sonny guesses they did.

Jason tells Carly, one more game. They can have more time to decompress. Carly says there’s a lot going on, especially with Michael. He needs all the support he can get. It’s the worst pain a parent can experience, and he’s still dealing with the Nelle fallout. And then there’s Mike. Seeing his fear and confusion is killing Sonny, but there’s no fixing him. Jason says, not in the long run, but it helps Sonny to use the time left to be with his father. Carly says he feels like he’s getting a new shot. He has so few precious memories from when he was young.

Margaux and Drew walk into The Floating Rib. She wonders if it’s considered a second date if it’s on the same day in the same place. They sit, and she tells him, bring on the wings. Carly says, it looks like someone else is making new memories. Maybe the picture was legit – and the kiss. She tells Jason about their photo in The Invader.

On the phone, Robert tells someone to extend the search radius, and he wants an hourly report. Chase thinks they might have crossed border to Canada. He’s in touch with a local in Niagara Falls. Robert asks if he thinks they got married. Chase says he knows Robert is concerned about Anna, but Finn is his brother, and he’s just as invested. Let him help before it’s too late.

Anna asks Cassandra if she thinks it’s a bluff. One injection brought her out of a coma; one could easily close her eyes again. Cassandra says, Finn is a doctor; he took an oath. Finn says the Hippocratic Oath got a little fuzzy when she drugged him on New Year’s Eve. Anna says, is she going to cooperate, or go back to dreamland?

In the park, Julian instructs Leo on butterfly hunting, telling him that he has to let them go once he catches them. He tells Ava that he’s grateful for the brief time he gets with Leo. Who, I might add, has made an age jump. He’s like, four or five now. Ava says it’s terrible to have to be grateful, and take what you can get. Julian says think about what Brad and Lucas are going through. Ava says if the birth mother wants her son back, what can they do? Maybe she should be asking, what has he done?

Griff jogs by, shirtless, and looks at Ava. He says he didn’t mean to interrupt. Oddly enough, he didn’t interrupt until he said that. Julian says he never does. People just cross his path, and he falls into bed with them, like his niece. Ava says, sooner or later, what you’ve done catches up with you, and Griff says, what makes her think that it hasn’t? Ava suggests Julian go with Leo. She tells Griff that she thought he ran in the morning. He says he used to, before Monica suspended him for violating a patient’s rights by giving them an unauthorized DNA test. He doesn’t’ have to ask who turned him in, does he?

Chase tells Robert he doesn’t want to offend him, but he doesn’t want to be left out. Robert says they have the airports surrounded. There’s no way they can board a plane. Chase says what about smaller airports? They could get a private plane anywhere, and puddle jump to Canada. Robert says, maybe, but Finn was abducted to treat Cassandra. Chase says, and she’s in no condition to travel far. Someone went to a lot of trouble. He asks if there’s been any progress on the ID, and Robert says, no, but maybe they’re going in the wrong direction. Who has an investment in Cassandra staying in a coma. He hangs a picture of the Cassadine family crest on the bulletin board.

Cassandra says Valentin put them up to this. Anna says Valentin’s objectives are a mystery to everyone except him. Is she going to play along or does Finn take her out of the equation altogether? Finn says, goodnight, and starts to put something in her tube.

Sonny tells Felix that he spoke to Stella, and got the same message; to have a talk with his dad. He asks Felix if Mike looks like a man who should live in a facility. Felix is sure Stella meant Sonny should talk with him while he can still understand. Sonny says when he brings it up, Mike thinks he wants to get rid of him. It’s the last thing he wants to do. He loves these moments. He never had them when he was a kid. It felt good. Felix thinks it’s good for the both of them. Sonny says he’s been making the place safe and secure, and Felix says he noticed the Mike’s room sign. He can orient Mike without being obvious. Sonny says he got Mike a tracker. It has a GPS, and if he walks off the grounds, it alerts the guards. Mike comes down with a baseball glove. Felix and Sonny pretend they’re taking about a game. Mike wants to play baseball old school.

Jason asks Carly why she cares what Drew does? She says it seems like he’s getting over Sam. She hopes he knows what he’s doing. Jason says, the DA does.

Margaux asks Drew if it’s weird seeing Jason. He says it’s not like they’re best friends. She says, but he knows Jason better than anyone. It must be strange to have his memories. He says Jason told her he’s not going to turn against Sonny. Next subject. She says it’s just hard to believe. She’s interested in getting to know him, and he says she knows as much about Drew Caine as he does. He fires a bunch of questions at her, like, what’s her favorite color. She asks when a getting to know each other date turned into an interrogation. Margaux says her life reads like a resume, but Drew says, every life has a story. She says, Jersey girl, given a full ride at NYU, married the wrong guy in college. He came from a wealthy family, and had a tragic lack of imagination. She learned after they were married that all he wanted to do was maintain the status quo. She wanted more. He ended up married to a country club girl, and she went to Stanford law, and paid her dues as a DA. His turn. He says it’s hard tell her anything. His memories before 2014 are Jason’s. She says it’s hard to believe. He says since he decided he’s not getting his memories back, he accepts it. Changing the subject, he says she could have taken a job at a big firm. She asks if they really make the best margaritas here. He says they’re amazing, and goes to the bar.

Carly has a bad feeling. Jason says, that makes two of us. Margaux made it clear she’s going after Sonny, and she doesn’t care how or who she uses. Supposedly Drew remembers every job Jason did for Sonny. Carly asks if Margaux is looking for evidence against him.

Coming back inside, Sonny says it’s been a while since he played catch. He used to sit on the stoop and watch the fathers come home and grab the mitts. He stops, and Mike tells him to go on. Sonny says, then they’d go in for dinner. Mike thinks they should head to the city, and see a game at Yankee Stadium. Sonny says he used to promise that all the time. Mike says now they can do it, and Sonny says, it’s a deal.

Ava tells Griff, yeah, she told Monica, and showed her proof. She shows him her phone, and says she took a picture of the results when he was in the shower. Something told her to keep a record. He says he told her in confidence. She says she was going to delete it a dozen times, but didn’t. Something in her didn’t trust his loving words and their tender moments. She suspected it couldn’t last; that she was fooling herself. It turned out, she was right.

Cassandra tells Finn to stop. She’ll do what they want. Anna tells her to pretend she’s unconscious, and steal a look to see if she knows or recognizes them. They hear someone coming, and Cassandra closes her eyes. It’s Carson and his number two. He’s got the medication Finn wanted. Finn asks, what took so long? If it isn’t administered in time, they’ll all be dead.

Jason tells Drew that the DA is after Sonny, and she’ll use anybody – Carly, Josslyn, even him – to do it. Drew says what she wants is for Jason to flip on Sonny. She’s working hard at it. He’s sure Jason has seen the cover of The Invader.

Margaux approaches Carly. She says it’s nice to see her out and about. She’s sorry about Carly’s grandchild. It must be a comfort to have her back. Carly asks if she’s expecting a thank you, and Margaux says, not unless it’s sincere. She tells Carly that she hates injustice. That’s why she didn’t fight the judge about letting her go. She also hates defendants using bogus pleas to circumvent the law. Carly says she hates when women use sex to get information. It sends the wrong message. Or is it just a coincidence that she’s hot and heavy with Drew? Jason and Drew are both there, and Margaux asks if they should all just grab table – or not.

Sonny says it’s nice to throw the ball like they used to. Mike says it was fun, but he’s tired. He thinks he’ll lie down before dinner. They’ll do it again tomorrow. Sonny says, sounds good. Mike goes up the creakiest stairs I’ve ever heard. Felix says maybe Sonny is right, and Mike belongs at home after all. He’s holding on to the memories of them playing ball; that’s great. Sonny says, although it never happened.

Griff tells Ava that she’s fooling herself. What they had, was real. He doesn’t care that she reported him; he deserves suspension. He violated his oath. Ava tells him not to try putting the halo back on his head. She didn’t do it to protect a patient’s privacy. She figured he’d get suspended, and he’d lose something he cares about. It’s the Ava he never understood. She doesn’t want forgiveness. She wants him to hurt like she does.

Julian asks if Leo is ready to go. He asks what’s wrong, and Leo whispers something in his ear. He says his mom must have told him about his cousin in heaven. He imagines there are special toys in heaven. That’s why they picked out some of Leo’s stuff for other babies enjoy. Julian tells Leo, as special a place as heaven might be, don’t worry. He won’t go there for a long time. Neither will Julian. He hugs Leo.

Chase says, it’s the Cassadine crest, and Robert says Valentin has ties to Cassandra. Somebody thought they’d liberate her from the Bureau, but when Valentin was questioned, he seemed surprised. Maybe even worried that she’d gone missing. Chase gets a text, and says they might have a breakthrough. Whoever broke Cassandra out wants Finn to cure her. He’ll require drugs, so Chase ran a check. Someone just used Finn’s pharmacy code, north of Canada. Two cameras got shots of the car and license plates. Robert says, well done. Let’s go.

Finn says he did guess work on the dosage, but it should minimize any damage done by exposure. He holds a tray with four paper cups of liquid on it. He explains that Cassandra will get a concentrated dose, and hands out the cups, Carson says, ladies first; drink up. Anna and Finn drink, and Carson and dude follow. Carson says, that’s it? and Finn says, it’s fast acting; they should be all set. Carson and other guy keel over. Finn asks, did he happened to mention the side effects?

Finn tells Anna that they both got water. Cassandra asks if they’re dead. She says she doesn’t know them. Finn tells Anna that they need to go. Cassandra asks if they’re leaving her, and Anna says she’s better off waiting while they get help. Cassandra doesn’t want to be sent back to the WSB, and Anna says they’ll treat with the same amount of compassion that she treated them.

Felix gets a text from his relief nurse, Hugo. There’s been an accident, and he’s going to be late. Felix says he can stay, but Sonny says he’s done enough. If needs help, his people are just a phone call away. Felix says, when the time comes, he’ll know what do for his dad. Sonny hopes so. Felix leaves, and Sonny says he really hopes so.

Carly says Drew can take care of himself. Jason wonders if he’s a potential liability. Carly says, maybe not. As well as having Jason’s memories, he can draw on his abilities and skills. Jason says, knowing and using are two different things.

Margaux admits the wings pack a punch. Drew loads on hot sauce, and she accuses him of showing off. It’s in a squeezy bottle, and no surprise, he gets some on her blouse. She wonders if it’s payback, but he says it’s a slippery bottle. He says he’ll pay for the cleaning, but she thinks it’s a lost cause. She says it’s a novel way to get her out of her clothes, but he insists he’s a gentleman. They leave.

Sonny gets a call from Diane. He says he has the papers, but they haven’t been signed. The shipping rate is higher than what they settled on. He says he’ll get the papers right now. He leaves the room, and Mike comes down those creaky stairs. He asks if someone is there, and looks confused.

Griff tells Ava if it’s any consolation, he’s hurting like hell. For what he did to her and Kiki, and for the patients he cares about; the ones he’s treating and the ones he won’t get chance to help. Ava never said he wasn’t a good doctor. He says, just not a good boyfriend. She doesn’t have to worry. He’s not going to bother her anymore. Julian runs up with Leo in his arms. He thinks Leo must have fallen from a tree while chasing a butterfly, but he’s unresponsive to Julian. He asks Griff to do something.

Griff tells Leo to look at him, saying it’s scary, falling out of a tree. Julian babbles, but Griff continues talking to Leo, asking if he can breathe, and to show him. He asks Leo to hold his water bottle. I guess to make sure his grip is okay. He checks out Leo’s knee, and says it looks like it hurts, but it’s not deep. He asks Leo about the butterfly he was chasing, and suggests he stick to the ground from now on. He tells Julian that the fall gave Leo a scare, but he’ll be all right. Julian asks if Leo is really okay, and Griff says he’s currently not a licensed physician. Julian should get him checked out, but he doesn’t think Leo hit his head; he’s just shaken up. Ava says it was lucky he was there, and Julian thanks him. He says they should get Leo a security blanket, and Leo says, like the yellow one he put in Jonah’s room?

Carly tells Jason that she called Margaux out. She can’t believe it. Never mind, it could get Margaux disbarred, but it’s demeaning. Jason says, really? Carly knows she’s guilty of using sex to get what she wants, but that was before she was a mother. Jason says, it’s their business, and Carly says, what if she gets Drew to flip on him? Jason says he would need to have a really good memory. He doesn’t think Drew would help Margaux anyway. Besides, Diane is the best, and can always get him off. Carly says she’s not worried, but she’s keeping an eye on Drew. They leave.

Anna and Finn sneak around. Finn says, they’re going to be cranky when they wake up. Anna tries a door, and it’s locked. He says she’s with the WSB; can’t she use a bobby pin or something? She asks if he’s serious.

Back at the hotel, Margaux tells Drew the laundry service has pulled off miracles before. He doesn’t want the night to end like this, and asks if she wants to go for a drink. They can see who has the better margaritas. She thinks that’s a good idea, and goes to change. He looks through her papers on the table, and finds the flash drive.

Mike says, this isn’t right. He thought he heard… He looks outside and sees someone, probably a guard, walk past. He asks, who’s there? and says, they’re trying to break in. He can’t let them do that. He presses a button on the device he’s carrying, and an alarm goes off. It’s loud, and seems to be coming from everywhere. He yells, nooo!

Anna gets the door open. Robert and Chase are on the other side. Robert has his gun drawn, and says, don’t shoot. He can’t believe it’s Anna, and hugs her. Chase and Finn nod at each other. Anna asks how he found them, and he says Chase gave them luck. Finn thanks him. They all go back to the examining room. The guys on the floor are still out, but Cassandra is gone.

Cassandra sits in the back seat of a car. Someone gets in and she asks what they want from her. They place a hand on her knee, and they’re wearing a Cassadine crest ring.

Griff asks what blanket Leo is talking about, and Julian says he told Leo about packing Jonah’s things. Julian tell Griff that he owes him one, and leaves with Leo to get him checked out. Ava says sorry to keep Griff from his run, and starts to leave, but Griff stops her. He asks if the yellow blanket is the one that didn’t exist. The one Nelle and Carly were fighting over on the stairs.

Drew picks up the flash drive. Margaux comes back in, and says, don’t touch that. Drew says, why? Is it important?

Jason and Carly run into Sonny’s house. Jason’s gun is drawn. a guy from outside runs in with his gun drawn. Sonny pops out from upstairs with his gun drawn. Mike is surrounded.

On Monday, Curtis, Jordan, and Stella go to family counseling, Margaux says she’ll tell Drew everything, and Griff asks if Ava helped send Carly to Ferncliff.

💍 Keeping Up with the K-1s…

Just a quickie regarding 90 Day Fiancé: Before the 90 Days, or as I like to call it, the K-1 visa, where the worst people meet. This show is so awful/good that I have to do a once-a-season dissertation about it rather than recap, but now and then I can’t help but comment. In last week’s episode, Jesse came to the US to visit the woman he’s stringing along the love of his life, Darcy, and to meet her two teenage daughters. Who, no doubt, he has more in common with, considering the huge age gap. Not that there’s anything wrong with that, but he keeps bringing up that he’s only twenty-four. These two boggle my mind. They’ve been on again/off again for a couple of seasons now, and at this point, I can’t see what they get out of it. After being sorely disappointed when Jesse gave her a promise ring at the end of her trip to Amsterdam – yes, a promise ring, like middle-schoolers exchange – Darcy is still expecting a real proposal. He got down on one knee to give it to her, which turned my stomach. As much as I think Darcy is a drama queen, no woman deserves that embarrassment.

Jesse has made it clear that he doesn’t want her daughters getting too attached at this point in the relationship, and that he balks at being a stepfather at his age. Yet Darcy still pulled him in for a family hug. I get that she’s delusional and thinks he’s hot, but couldn’t he find someone to control a little closer to home? I did feel marginally sorry for him at the beginning of the trip. Deciding to stay in NYC and have her girls visit there on her birthday, Darcy and Jesse took a limo from the airport. Since it was his first time visiting the US, Jesse was naturally interested in his surroundings during the ride. There is no other way to put it other than Darcy was jealous of that interest. She did not want to play tour guide, and couldn’t understand why he wasn’t focused totally on her. She also left him sitting in a restaurant, during one of their nonsensical arguments, where she flailed around while he did his Data imitation. Or the guy from SNL’s Sprockets skit. On the other hand, he’s such a control freak, maybe he deserves what he gets. Which, according to the previews, is a lot of drama. Are they still together? Who knows? And if you wait five minutes, it will be who knows again.

https://www.newsweek.com/are-jesse-darcey-still-together-where-now-90-day-fiance-1064766

👹 So When is This Happening Already???

The highlight of my week was when the Sy-we-can’t-spell-Fy channel aired reruns of Z Nation. Which tells you how my week went. Although it’s been renewed for a fifth season, all we keep hearing is in the fall.  So is that Labor Day fall or Thanksgiving fall?

http://www.denofgeek.com/us/tv/z-nation/269724/z-nation-season-5-release-date-trailer-cast-news

📢 Quotes of the Week

When something — no matter what it is — takes more from us than it gives, we are wise to put it down. – Suzie Eller

On trains, I am held hostage, disconnected, suspended in time. It forces me to slow down. This is what I crave: Give me a long, slow ride and I am happy. – Matthieu Paley, photographer and author

I have not failed. I’ve just found 10,000 ways it won’t work. – Thomas Edison

Stella is 90 now. All she wants back is her mobility. – Max (Kat Dennings), 2 Broke Girls

💃 To Start Your Weekend Off Right…

 

Aug20

August 19, 2018 – The Dead & Nothing But the Dead, Plus Kveðja Helgi

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What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

 

Fear the Walking Dead

The storm continues to rage. Alicia enters a house, walking cautiously forward. She calls out, asking if anybody is home. A zombie toddles out, and she dispatches it, dragging it out of the way, only to deal with another one. A third zombie comes out, and she does a double stab with a weapon in each hand. She kills one more, and puts the bodies outside in the same formation that’s in a family photo on the mantel. She cleans her pokey-thing-with-the-holes weapon.

Alicia washes herself up. She takes down the family photos, puts them in a basket, and tosses it next to the bodies. She can’t get the front door to stay closed, and looks around in the basement. Water is pouring in. She gets some nails, and boards the door shut. She goes to the kitchen, and finds some cans. While she’s looking around for a can opener, she hears something upstairs. She goes up and looks around. It’s hard to tell whether noises are zombie noises or wind. Both. There’s a zombie hanging around outside. She says whoever’s in there, get the hell out or I’ll kill you. They have one chance. She says she just wanted to be left alone.

She opens a closet. Charlie pops out and takes off. Alicia asks why she’s there. Did she follow her? She says Charlie can’t be there. Alicia throws a bunch of stuff in a bag, pries the boards off the door, and goes for the family’s car. She can’t get the car door open, and pulls so hard she falls back and gets knocked out.

She wakes up indoors, in candlelight. She grabs her weapon, and asks why Charlie brought her back. She sees a bedroom with the door closed. She knows Charlie is in there; why doesn’t she say something? She says, if Charlie isn’t going to talk, then she needs to listen. Alicia’s mom died saving her – saving Nick, saving everyone – because Charlie led Mel to the place they built; because she lied to them. Then she shot Alicia’s brother. Alicia watched him bleed to death. She couldn’t do anything except watch him die, and realize he was going to die. It didn’t happen fast. He was aware and in pain, and knew Charlie did it. He tried to save her, and she killed him. She made him feel like his life didn’t mean anything. She can’t send Charlie out there, but will probably kill her. She doesn’t know if she wants to, but she probably will. On the other side of the door, Charlie takes out a gun. Alicia says she’s trying to believe like her mom; it’s the only thing keeps her mom alive. If she kills Charlie, she won’t let her take it away again. She may be a kid, but she knows what she did, and that makes her garbage; a waste of a person, and worse than the zombies. She hopes Charlie lives to a ripe old age, and has to remember what she did; what she is, and how she can never ever make up for it. Charlie cries.

Alicia tries to nail a shutter from the outside, but the wind is too strong. She uncovers one of the bodies. Question mark over my head.

Charlie has brought the basket of family photos inside. I guess Alicia must have noticed it was missing. She takes them out of the frames, and dries them. I would think it was her family, but she’s not in any pictures. Alicia comes in, and asks why she wouldn’t say anything. Did she know these people? She put the photos out there for a reason. She tells Charlie to come downstairs, and put on her coat. Charlie follows her.

Alicia makes Charlie hold the shutter closed while she nails it. They do the next one. Alicia sees zombies starting to gather, and she says they’re making too much noise. She shoves Charlie inside, and boards the door. She says they’ll try again later.

Zombies clamor at the window. Alicia asks for Charlie’s coat, telling her that she’s trying to do the right thing. Charlie heads upstairs, and Alicia ask for her coat again, startling Charlie when she gets in her face. Alicia takes out the gun, and asks if it’s the same gun. She holds it to Charlie’s head. She told Charlie that she couldn’t be here, and asks if Charlie came to kill her; to get her before she got Charlie. Charlie shakes her head, and Alicia tells her to go. She runs upstairs.

Alicia builds a fire. She tells Charlie that she’s sorry; she’s trying. Upstairs, Charlie goes through the photos. She hears zombies, and pulls the curtain on the deck door aside. She opens the door. Alicia gets the fire going, but hears noises from upstairs. A zombie is hanging from a tree right off the deck. Charlie goes to edge of the deck, and it grabs her, but Alicia pulls her back.

Alicia realizes the gun wasn’t for her; it was for Charlie. Alicia thinks they both know there are no good reasons to keep going. She might have had the right idea, but that doesn’t mean Alicia is letting her do it. Charlie asks why Alicia saved her. Was it because Alicia wanted her to live with what she did? Alicia doesn’t know, but Charlie doesn’t get off the hook. She thinks Alicia saved her because she sees something in her, and forgives her. That’s not true. Alicia can’t help her. Whatever she’s looking for, Charlie isn’t getting it from her. She has to live with what she’s done, just like Alicia has. All that’s waiting for her is to be out on the porch like them. Charlie asks how long Alicia thinks the storm will last? Alicia says, how would she know? She’s from California. So it really doesn’t rain there?

Alicia heats up a can of something; not pudding. It looks like beans. Why is it always beans? They eat in silence. Charlie asks if Alicia lived near a beach, but Alicia says, no. Charlie says, Alicia told her that she’s from California, and Alicia says, it’s a big state. Charlie asks what it was like, and Alicia says, what does it matter? Charlie says, It doesn’t. Alicia says, Charlie has never been to the beach, has she? Charlie says he was supposed to go to Galveston with her parents. They were going to spend the day on the beach, go to the boardwalk at night, and maybe ride the roller coaster. Then everything changed, and… Alicia says they all missed. Charlie says sometimes when she’s reading, she likes to close her eyes, and see hat she read about. She can’t find any books about Galveston. Alicia says the last time she was at a beach, it was like everywhere else, overrun with the dead. Just another place to run from. She tells Charlie to get some sleep, and Charlie lies on the couch.

Alicia wakes to the sounds of the storm, and looks for Charlie. Zombie dude is still hanging from the tree. Charlie is in the room, messing with the photographs. Alicia tells Charlie that she can’t be in there, and Charlie says she has to arrange the photos because someone might come back. Alicia says everyone who gave a sh*t is dead. Charlie says she doesn’t know that. Charlie knows she’s garbage, and she can’t make up what she’s done, but she’s doing this. Alicia tells her to do what she wants, but she won’t feel better about any of it.

Alicia tries making a fire again. Lightning strikes outside, and the wind is getting stronger. Alicia says she knows what Charlie is trying to do, and trying to believe it, but she can’t. Sometimes when you’re gone, you’re just gone. These people are definitely gone and nothing is going to change that. Charlie asks why she cares. A window blows in, and zombies are blowing all over the place.

They go downstairs, but the basement is flooding fast. The ceiling partially caves in, and they both end up in the water. Alicia tries the cellar door that leads outside, but it’s padlocked. She tries a window, but the panes of glass are too thick. She says they’ll have to wait it out, but they’ll get out. They stand on trunks, as the water rises. Charlie doesn’t want to die. Alicia knows. Charlie says she doesn’t want to be one of them. She saw her parents after they turned. She didn’t think it was real, and they came back – like that. Alicia says she’s sorry. Charlie says she tried to remember what they looked like before, but she can’t. She wishes she had a picture. She asks if Alicia still has the gun. Alicia says she can’t. Charlie cries, saying she can’t end up like them. Alicia’s mom and brother; they’re all gone. Alicia says she’s not doing it. Charlie says she won’t make it, but Alicia says they will. Charlie asks her, please, just do it. Charlie knows she wants to. Alicia holds the gun to Charlie’s forehead. She she thinks of her mother and brother, and the stadium at the end. She starts to cry, and says she can’t, She takes Charlie’s hand.

They hear a sound. The cellar door has miraculously opened enough for them to get out. They scramble outside. Somehow hanging-by-a-limb zombie has fallen and broke the door open. Alicia shoots him in the head.

Alicia buries the family. The storm is over. She tells Charlie that she did it for herself, for Charlie, and for the people who could come back. Charlie gives Alicia her weapon, saying she found it in the house. Alicia tells Charlie to keep it. She asks if Charlie is good at finding things, and Charlie says, yeah. Alicia puts the pictures in a jar, and puts it next to the graves. Charlie says she can see Madison in her, even if Alicia can’t; she’s there. Alicia says she left Morgan alone in the storm. She walked away from him; all of them. Charlie says she’s good at finding things, and smiles. Alicia almost smiles back.

Alicia drives. She tells Charlie to close her eyes. She’s going to take her to the beach. It’s one of her favorite places to go. She’s in a car, and the windows are down. She can feel the air. It’s soft, and smells like salt. That’s how you know you’re close. You can hear the waves. Then you see the beach. You take off your shoes, and feel the sand in between your toes, walking to the water. When you go in, it’s cold at first, but the longer stay in, the more you don’t want to get out. And you float. Charlie imagines looking back at all the people on the beach. Alicia asks if she’s there. Charlie says she’s in the water. It’s really blue. She’s walking back… She can see them. Her mom and dad. She can see them again. Alicia smiles, a little more this time.

They go back to Victor’s house. Alicia calls for Victor and Luci. It’s a mess; I guess from the storm. They look around outside. Charlie calls to Alicia. There’s a bus overturned on the bridge leading away from the house. Charlie says they have to find them and help them. Alicia says they don’t know if they’re alive. She thinks they’re gone. She tells Charlie, things don’t get better. They’re not going to; they’ll only get worse. Hopefully, they’re not around to see how bad they can get. A zombie toddles out from behind the bus. We’re all grateful that it’s no one we know. Alicia takes her pokey weapon from Charlie and kills it.

She tells Charlie to come, and they walk away from the bridge.

Next time, Morgan finds a new place and new people.

🌠 Another One Bites the Dust…

WeekendMinions3

WeekendOver4

WeekendOver5

BunnyFall

 

Aug13

August 12, 2018 – The Return of Fear, Upcoming Fear, Chris Returns, Movies, and Two Born This Ways

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What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

 

As much as I hate being torn away from 90 Day Fiancé, Fear the Walking Dead is back, and I love this show. It’s like Walking Dead’s baby whose generation finally got it right.

Fear the Walking Dead

A nasty storm has come up. Zombies feed near the road, and a few get blown away by the wind.

A zombie falls. Someone ransacks his backpack. It’s Morgan. Piking zombies and taking booty. He gets a radio and lines up all the things he’s nabbed. It’s not a very exciting haul, but there are some protein bars and water.

Al does some soldering. Morgan radios her, and she asks if John is okay. He is, and Morgan asks if she remembers when she interviewed him. She asked questions about where he came from. She asks if he’s going to tell her what she wants to know. He says, no, but he’ll show her. He’s going home, and wants her to drive.

Naomi, now June, guts a fish. Morgan comes looking for John, who’s inside the bus. John says Virginia is a long way. Morgan thinks he shouldn’t have left. It’s where he belongs and where he should be. John says if that’s what he thinks, that’s where he should go. Morgan says they could all come. Alexandria is a good place with good people. John doesn’t think he can make it in his current state, and Morgan doesn’t know what’s out there. He, June, and Charlie are going back to his cabin, if he can make it safer. It’s far, but not Virginia far. He asks when Morgan is going, and Morgan says, tomorrow. John asks if Morgan wants to stay for dinner, but he has more stops to make. He’ll come by before he leaves; maybe John will change his mind. They’ve been through harder things. John appreciates it, but – he looks at June – he thinks he has everything he needs right there.

Morgan goes through a gate into a massive estate. A zombie toddles out, and says, ueeeh yaeh, and Morgan pikes it. Victor calls from an upstairs window of the house, saying, there’s a breach in the fence, and his aim is off. He tells Morgan the door’s unlocked.

Inside, Morgan looks at the art on the walls. Victor, wearing a smoking jacket, asks what Morgan thinks; he’s been rotating the collection. He tells Morgan the wine cellar is quite extensive. Morgan asks where everyone is, and looks around. The house itself is quite extensive. Luci lounges in the music room, while listening to country music. Morgan turns it off, and says he was hoping they could talk. He’s headed back to Virginia. They have room for everyone, even Victor. Victor laughs, and says, road trip. He’s had his fair share of those. Luci doesn’t want to set foot in Al’s tank again. She can’t go out there. Victor says he’s retired from scraping by to survive. He found the best the world has to offer. Luci says there’s nothing for her there – or anywhere. Victor tells Morgan to enjoy his trip, and Luci says, be safe. Morgan asks where Alicia is, and Victor says she moved out of the main house, although she never really moved in. Luci thinks she’s by the garden.

Morgan goes to an enviable greenhouse, and calls for Alicia. He’s met with silence, but looks around. He sees notes that say, HELP.

Alicia is banging on the fence to attract zombies. She stabs them one by one. Morgan needs to talk, and she says she can’t right now. He says she’s been through a lot. It doesn’t seem get better, but he can help. She says she doesn’t need it. He asks, what are these? and shows her the notes. Alicia says she didn’t write them. Someone is tacking them onto the dead. She’s checking them, thinking one has to have something. Morgan tells her it’s not safe, but she says someone needs help. He says there’s no way to tell when they were written or if the person is still alive. There are other ways to do what she’s trying to do. Victor and Luci haven’t seen her for weeks. He thinks it would be good for her, and she could do a lot of good if she goes back with him. She says someone needs help here and now. He says she doesn’t know that. He’s leaving in the morning; she knows where to find him. She bangs on the fence again.

June tells John in a couple more weeks, he can fish again. He says she’s caught more wide mouth bass in these last few days, than he has in his entire life. She asks if she heard right when he told Morgan they were going back to the cabin. He says if it’s still there, but he was just batting around the idea. Given his condition, and the condition of everything… Zombie noises come from outside. Charlie is reading by the creek, and a zombie comes at her. She backs up in silence. Al intervenes, and kills the zombie.

Victor wakes to a bunch of noise. He looks out, and sees blood on the front storm door. A zombie is inside, but Luci has her back to it, and the music is so loud, she doesn’t hear it. Victor gets the zombie before it gets to her, and she doesn’t even know what’s going on. He kicks the boombox, and says, these grapes were not meant for wrath. They have to find the breach.

Al is glad she came to check. John says Charlie will be all right. June asks what happened, and Charlie doesn’t say anything. Al says she didn’t call for help. John tells her that Charlie doesn’t say much. June thanks her, and they look over the bridge to zombies floating down the creek. John says, dead washing up usually means something is amiss up river. He wants to see what’s going on, but he’s not up for it alone. Al says she’ll go with June, and gives him a radio, saying, if anything goes wrong, she’ll call. She just tuned up her gun; they’ll be fine. She and June leave.

Morgan packs. He looks at his book The Art of Peace. Alicia says she knows where they are. There’s a lumber mill up the road. They passed it on their way there, but it’s overrun. Whoever has been writing needs more help. Morgan says he’ll check it out, but Alicia insists on going. They walk down the road. The wind picks up.

There are downed trees I the road, and June tells Al, they have to backtrack. Al thinks can clear them with the cable. She sees a box by the side of the road, with a sign that says, take what you need – leave what don’t – see you further up the road. Al wants to grab her camera, but June says they have to keep moving. She tells Al to be quick, and asks what John said about her when Al interviewed him. Al says he told her a lot about Laura, and the others told her about Naomi. No one said anything about June. Anything June wants to tell her? It wasn’t her motive – she just came here to help – but maybe it would help June to talk. June says she’ll think about it.

Morgan wonders what happens after Alicia helps them, and she says it won’t matter; he’ll be on his way. He says she’s not in a rush. He didn’t say goodbye, and no one knows where he went or what happened. He thought he was doing what he had to do. Alicia says they might not be there anymore, but Morgan says, they will. They’re strong, like her. He has a friend back there, the one who said he’d find his way back to the world and people. He left to get away, and prove his friend was wrong, so he wants to look him in the eye and say he was right. He deserves to know. He doesn’t want her to find out the hard way. A zombie toddles out. She kills it, and sees another note on it. They keep walking.

Victor fixes the fence. He tells Luci that should keep wolves out of the henhouse. He asks if she wants to adjourn to the cellar. She asks what they’re doing here, and he says, enjoying the bounty of their discovery. She doesn’t know what’s left, where to be, or what to fight for. He says they’ve been asking themselves the same questions. He’s going to at least enjoy himself while he’s asking.

Alicia finds another note asking for help. Morgan says there’s a reason for asking. Maybe they should find out why before they rush in. Alicia says, no time, and he follows her into the lumber yard.

John makes a Scrabble game out of cereal box letters, Charlie is reading in the bus, and he wants to ask her a favor; to play a game. He holds out a coffee can, and she takes letters from it. He says there was time he didn’t talk much either. He’d done something he wasn’t proud of. He says you keep thinking on it, and it starts to eat away at you, until you start thinking there will be nothing left; nothing worth keeping anyway. Then something happened. He found someone to talk to. Telling her brought him back to the world, and allowed him to forgive himself. He’s sorry if he overstepped. He tells her he’ll be right back. When he’s gone, Charlie puts her books in her bag, and gets out of the bus. She opens the gate and leaves.

Victor hauls a zombie outside, and sees John. Victor says it’s nice to see him ambulatory, and John says he has a good nurse. Victor tells John that he caught him doing a little light housekeeping. John needs his help. Charlie took off, and she’s out there somewhere. He thinks if he looks by himself, she’ll remain that way. Victor wonders if John knows who he’s coming to. What makes him think Victor would help? She shot his friend. John says he took a bullet because of them; Victor owes him. Victor advises him to leave Luci out of it. John will have to drive. Victor has been drinking heavily.

Morgan and Alicia walk through the lumber yard. Alicia sees more notes on a pile of wood planks. She points to a building and says, that’s where they’re coming from. They hear zombie noises from inside, and go in. There are a load of zombies gathered together near a door, and Alicia says, they have him trapped. Morgan says he’ll help her. He lures the zombies outside, and underneath a crane holding a load of logs. Alicia cuts the cable, and it lands on them.

Alicia goes into the room, and there’s a lone zombie inside. Morgan says he’s been like that for days; she couldn’t have saved him. She sees notes that say, help, come quickly. She says if her mom had found him, she would have saved him. She did whatever she had to do; she was good at that. Morgan says, like her mom used to be before the stadium? She changed, so Alicia can change. Alicia says she has a lot to make up for, and Morgan says, he does too. He asks why she’s sleeping in the greenhouse. She says it gave her a reason to run away, and he says Victor and Luci think they need her. She can save them, like her mom did, if she was just there for them. Alicia says Morgan could be there for them too, so why is he here? She walks out.

Al videos the creek. June thinks they should check upriver; they have to be coming from somewhere. She asks Al to turn the camera off. She wants to talk without being filmed. She says John fell in love with Laura. She’s not Laura. She’s a woman who got sacred and ran away. Not just from him, from everyone. That’s who she is. He wants to go back to the cabin. If they do, she’s afraid he’ll realize she’s not Laura; she never was. If he realizes that… Al says she doesn’t have any advice. She doesn’t know what she’d do, but since they’re just talking off the record, June is with John, helping him. That’s who she is now. Yesterday is yesterday, and today is today, and God knows if they have tomorrow. Al says she sounds like her mom. That’s why she doesn’t do this. June hears something, and birds come flying out from the forest. Al suggests the tide is washing out, but June says not from a bridge that’s out. She thinks they better get out of there.

John waits in the car. It’s beginning to rain. Victor runs back to the car from the library. He thinks they should check the middle school in the next town. Victor drinks as John drives. John says he used to be a cop, and Victor says he used to be a millionaire. Everybody used to be something. John tells him that when this is dealt with, June and Charlie are coming to his cabin. Victor asks, what happens after that? but John says he’s still sorting that part out. Victor says, aren’t we all?

It’s pouring now, and Morgan tells Alicia that they need to find a place to hole up in. She says she’ll be fine on her own. He says, it’s getting bad, and watches as she walks away.

Luci listens to Roy Orbison on the phonograph. She hears the door open, and asks if it’s Victor. There’s no answer, so she takes her gun and quietly goes toward the front of the house. She sees Charlie, and chases after her. She asks what Charlie wants, and grabs Charlie’s coat. Charlie shrugs out of it, and runs. Luci asks if she hasn’t done enough. Back inside, Luci sees a copy of The Little Prince on the table in the hallway. She runs outside, and calls for Charlie. Luci decides to run after her.

June radios John, saying there’s a storm coming their way. John says, it’s there. He asks, where are they? All he gets is static.

In Al’s tank, June says she lost John. Al loses control of the tank, but it doesn’t crash. June says they need to get back, but Al says, not in this. One of the compromises she made when modifying the vehicle, is that she can’t drive in 100 mph winds. A zombie hits the tank, and the hits keep on coming.

Next time, Alicia finds Charlie.

😱 Fear’s Upcoming Season…

In the trailer, it looks like Morgan got drunk at a frat party and someone wrote on his face.

https://www.amc.com/shows/fear-the-walking-dead/video-extras/fear-the-walking-dead-season-4-comic-con-trailer?utm_source=blast&utm_medium=email&utm_content=cci-trailer&utm_campaign=fear-the-walking-dead

📣 It was nice to see Chris Hardwick back at work. I wanted to see my 90 Day obsession, so I didn’t watch Talking Dead. I’m hoping to catch it later, but I did see his re-entry speech. Without saying why he hadn’t been at work, Chris said how much he appreciated the fans’ support, and his job, saying they were a community. I thought it was heartfelt and sincere. Yvette Nicole Brown was one of the guests, and he thanked her for being his friend and pinch hitting. He had tears in his eyes the whole time, and I nearly cried.

🎥 👀 The Other Things I Watched…

I saw a few movies this weekend – my capsule viewpoints. The Witches of Eastwick – ever see a movie you thought wasn’t that great, and then see it again years later and change your mind? Me too, but this wasn’t one of them. Cabin in the Woods – my umpteenth viewing. I read the book first, and thought, no way could they make a movie that captured the end of this thing. I was wrong. They did, and it never gets old. Dude got to meet his merman too. The Gods of Egypt – I love Jaime Lannister just as much as any red-blooded woman on earth, and the only way I can tolerate Gerard Butler is when he’s wielding a sword, but they might have spent a little more on the background. I found it incredibly distracting to watch them fight, while none of the people in the far background moved, and it looked suspiciously like the backdrop in a high school play. So, I switched to Justice League – a special effects extravaganza, Jason Momoa as Aquaman, the Flash having phobias about almost everything and understandably fearing for his life whenever they did something stupid, and the usual amusing one-liners – what’s not to like? But I could have done with a little less Clark Kent angst. After that, Identity – a little gem of a thriller from 2003 with a twist ending. I don’t know how I missed this, but it also had a great cast, including two of my favorites, Alfred Molina and Rebecca De Mornay, I liked this film too, because it took place within a small radius – in this case, a seedy roadside motel – making it seem almost like a play.

🌞 I also watched a few episodes of Born This Way on the FYI channel. This is a really sweet reality show about a group of young adults who have Down syndrome. One of the few reality shows that I wouldn’t be embarrassed to say I watched. In one of the episodes, an expert was brought in to give the group a talk about relationships and sex. Like many kids, some of their parents couldn’t handle “the talk,” so misinformation abounded. One young lady asked if it was possible to be allergic to penises. The expert wasn’t too sure how to answer that one, until it was explained further that her mother had told her they contained gluten. I gotta say, that’s a good one.

🎶 And In a Song By the Same Title…

Don’t be a drag, just be a queen.

RIP Rick Genest.