Tag Archives: Dexter

May 9, 2021 – Through Grace’s Eyes, Showrunning Fear, New Dexter, Prequel To Come, Goodbye To a Legend & Dreams

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What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

Fear the Walking Dead

This was one of those weird episodes that’s even worse than time jumping. We were jumping from the real world to… something else. I hope it’s easier to follow than it was to transcribe. Although nothing was as bad as that episode of Z Nation where they were in the crates that kept moving around. And so…

Birds circle overhead. Grace lies on her back under trees in a forest that has pink foliage. She opens her eyes, and a zombie jumps on her, snapping at her face. A knife pokes through its eye from behind, and a young girl asks, what’s wrong, lady? Are you trying get yourself killed? Grace thanks her. The girl battles with several zombies, whacking and spearing. When she’s done, she holds out her hand, and helps Grace up. Grace asks where she learned to fight like that, and the girl says her dad taught her. He’s going to kill her; she’s not supposed to be outside the wall alone. They’ve got to move. There’s a clinic where she lives, and the doctor can check Grace out. Grace asks what her name is, and the girl says, Athena, like the Greek goddess. Her mom gave it to her because she thought it would make her strong. Athena asks Grace’s name, and Grace tells her. Athena starts to walk, and says they better get Grace to the clinic. Grace follows her.

The girl says, right there; that’s where she lives. It’s Morgan’s place, and Grace says, impossible. How long as she been there? Athena says, since she was born, and Grace asks how old she is. Athena says, sixteen; why? Grace sees Morgan’s pokey weapon, now rusted, where he left it outside, and the greenery is pink instead of green here too. She sees Athena talking with a grey-haired Morgan, and Grace says, Morgan? He asks if she remembers Morgan, and we hear zombies outside the wall. Morgan tells Athena to go inside, and he and Grace follow.

We see horses in a corral, and Morgan says he and Athena will talk later about how she’s going to muck out the stables for the next month. He asks Grace if she’s okay, and she says, it’s everything they wanted it to be. She asks if he doesn’t recognize her, and he says his memory isn’t what it used to be. Does he know her? She says, it’s her, Grace, and he says he doesn’t know what she’s trying to do, but… She says, it’s her. This place was different. If it’s not her, why does she know about riding the carousel with him? And how he and Duane used to race cars? It’s her. He says, Grace? And she cries, flashing back to the past. He says, this isn’t possible. She can’t be there. Grace asks, why?

We see Grace’s gravestone, and Grace asks if he’s sure it’s her. He says he buried her himself, and she asks how she died. He says, the labor took a lot out of her, and the radiation had made her sicker than they thought. He’s sorry. They tried to do everything they could. She says, and her baby? Did he make it? He says, she. Grace already met her. Grace says she should have known. Is she okay? She spent so much time reading about how babies can absorb radiation… He says, she’s fine; trust him. Before Grace passed, she said she had one wish; to see what her child would be like grown up. Maybe that’s why there. Sometimes things happen that we can’t explain. Grace says she’d love meet her, but if Athena asks about her, there’s only so much she knows, and only so much she can tell. She thinks she should hold off, at least until they know what’s going on. June comes by, and tells Morgan, she usually tries to keep them out of the grave; don’t scare her. He introduces June as Dr. Dorie. June says she was a nurse before, but Morgan insisted on the title change. Athena told her what happened. She looks Grace over, and says, no sign of concussion or brain injury. What’s the last thing she remembers? Grace says, she was traveling on a road with someone, but then it gets fuzzy. June tells her, stay, and get some rest; it will come back. She introduces Charlie as her apprentice, and Grace says, Charlie. Charlie says, her parents thought they were having a boy. Grace says, so did she.

Morgan tells Grace, a lot of things have changed. She sees Daniel cutting Victor’s hair, and he says she doesn’t happen to be a barber, does she? He’s getting too old for this. Victor says, they all are. Maybe the next one will give a decent haircut. Morgan asks Dwight how the harvest is going, and Dwight says, it should be ready next week. Dwight sees his little boy, and says that kid is more of a hellraiser than he was at his age. Shari comes by, carrying a baby, and says she’s not so sure. Morgan introduces Grace to Dwight and Shari, and Shari says, the baby is Keena and her boy is John. Grace says, it’s nice to see a happy family living there, and Dwight says, they got lucky. He and Shari leave, and Grace asks Morgan when they got back together. Morgan says, not long after Athena was born. She asks about Alicia and Al, and everyone. Morgan says, Alicia started a place of her own at the burned out stadium where she used to live, and Luci went with her. Al left a while ago. She said she was chasing a story, but he thinks she was chasing somebody. Grace says, she never told him before, but she didn’t think it would happen. The way they fell out with each other, and what they were facing; what brought them together? Morgan says they were struggling. They didn’t know who was painting the graffiti, or what to do about it. They couldn’t even agree on how to face it. Then she had Athena, and he lost her. Everybody forgot their differences, and rallied around the child; they still do. He’s sorry she didn’t live long enough to see happen, and she says, her too. He thinks there’s a way for her to get to know her daughter without having to explain. He calls to Athena, and asks if she wants to go on a run.

As they walk, Grace looks delighted. Athena tells Morgan that she knows what he’s doing. He thinks if he takes her on a run to the feed store every once in a while, she won’t sneak out. He asks if she thinks it will work, and she says, it might. Grace hears Athena singing In Dreams, and asks what she’s singing. Athena indicates the Walkman on her belt, and says she never goes anywhere without it. Grace asks if she can see it, but Athena says, no. Her mom wanted her to have it; it’s the only thing she has from her. Grace says, maybe not, and Morgan says, hold up. Eyes and ears. They see a car off the road, and Grace walks toward it. The End Is The Beginning is painted all around it, and Grace says, she remembers this. She’s seen it before. She tells Athena they were attacked before she born, and the people would leave messages like that. Athena says they have to warn everybody, and Grace tells Morgan, she’s seen this before, but he says, it was probably a long time ago. She says, no; she’s seen this before. She says, it’s just like the… and the car blows up.

Grace hears Morgan saying he needs her wake up, and she sees the car in flames. She screams Morgan’s name, and Athena says they’ve got to get out. Zombies are everywhere, and Grace asks where Athena’s dad is. They run, and Grace asks, how far? Athena says, a couple of miles, and Grace hears Morgan ask, where are you? His voice sounds very distant, and she says, right here. Athena stabs a zombie and tells Grace, come on. Morgan fades away, and Grace asks where he went. Please. She misses him. She hears him say, come back, and she says she’s right there. Athena says they have to keep moving, and Grace says she can hear him. A lone zombie toddles up, and Grace says, she remembers something. Athena asks if Grace can hear her, and stabs the zombie. Grace says she heard Morgan, and Athena says she’s going to get them both killed. Grace stabs another zombie, and Athena says, the wall is just ahead. They need to get back. Grace starts to walk in the opposite direction, saying, it’s this way. Morgan asks, what’s going on? and Athena tells Grace, the wall is this way. The scene repeats itself, and repeats itself. Finally, Grace turns her back on the lone zombie.   

Grace lies on ground in the pink forest. Morgan says he’s got an idea, and goes toward the graffitied car. It blows up, and Grace is back where she was. Athena says, come on; they’re almost to the wall. Grace says, the car exploded like it did before. She must be unconscious.

Grace lies on the floor in the stables, and Morgan says he’s right there. He tells her that he needs her to wake up, so they can think about the baby. He can’t do this without her. She’s with Athena again, and hears him. Zombies clamor at the stable door, and Morgan says she’s got to wake up.

She tells Athena that Morgan is trying to wake her up, and asks if he can hear her. Athena says they’ve got to get her to Dr. Dorie; they’ve got to warn everyone. Grace says, Athena’s not real, and Athena pokes Grace with her stick, asking, does that feel real? Grace says Athena is in her head, there are fragments she’s trying make sense of. She wanted it be real; she wanted Athena to be real. Athena says she’ll be wishing something else is real soon. The car explodes again, and Grace says she’s hearing Morgan. She snatches the Walkman from Athena, and Athena says, that belonged to her mom, and Grace says she knows. She brought it so she could listen to it while she was in labor. Athena says, she has a kid? and Grace says she doesn’t know. She puts on the headphones, and says, come on, Morgan.

In the stables with Grace, Morgan says, June, can you hear me? June asks where he is, and he says, there’s no easy way there. She won’t make it. They were attacked on the road. There was an explosion, and people came after them. June asks, who’s after him? but he says, Grace is unconscious. She needs to tell him what to do. June asks how Grace’s vitals are, and he says, she’s breathing, but her pulse is weak. With Athena, Grace listens, and says, what? No. Athena asks, what’s the matter? and Morgan says, she needs to wake up. She’s in labor. June says, tell her where they are, and Morgan says, they’re in the vet’s office; the junction at 77th and 28th. June isn’t sure if she has enough gas, and says she’ll come on foot. Don’t worry. On the road, Grace talks into the recorder, and says she’s right there. How does she get him to hear her? Morgan tells June, he has to go; they found us. Grace asks, who found them? and Riley fires shots through the door.

Grace wonders, what the hell is going on? Morgan says, guys are shooting; they’re in trouble. Athena says, of course Grace isn’t there; she’s here. Riley breaks into the stables, and says Morgan is a hard man to find. He knows they’re there somewhere, and they have something he wants. Grace takes the headphones off, and says, no, Morgan. Athena takes the Walkman, and says Grace broke it. It’s all she has left. Grace says, it’s not working because Morgan shut it off. They have to find something else to connect her to him. She asks Athena if they’re near 77th or 28th, and Athena says, it’s not much further, and Grace asks, where’s the vet’s office? Athena says she’s not doing it, and Grace says, take her there, or she’ll break the Walkman.

In the real world (such as it is), Morgan tells Grace, sorry. He’s going to have to move her. Grace tells Athena, keep moving. They have to get to the building. At the stables, Riley says, it will all be over, and Athena asks, who’s that? Grace says, Athena heard it too? and she says, why wouldn’t she? Who are they? Grace says, the people who blew up the car. Grace suddenly falls to the ground in pain, and so does Athena.

Morgan wheels Grace in a wheelbarrow, and tells her, it’s okay; it’s just contractions. On the road, Grace cries out. Riley comes over to her, and says she has something they want. He takes out a knife, and Grace holds his hand back. Athena tries to get up, but can’t. Grace turns Riley’s hand and he stabs himself in the throat with his own knife. She stumbles over to Athena, and tells her, it’s okay. She thinks they’re contractions. She wonders why Athena is feeling them too, and says, she was wrong. Athena is real. It’s the only thing that makes any sense. They’re connected. Athena doesn’t understand, and Grace says, I’m your mother and I need to wake up so you can be born.

Athena asks why Grace didn’t tell her sooner, but Grace says she didn’t know how to explain it. She didn’t think Athena was real. Athena says she is real, and Grace says she’s sorry she took Athena’s tape recorder. Athena says she’s sorry she poked Grace with her stick, and Grace laughs. Athena asks, what happens when Grace wakes up? and Grace says she thinks all this goes away. Athena says, it’s not fair; she just found out about Grace. There’s so much she wants to know. She’ll have to ask her mother. Grace smiles, and says, right. She’ll just have to wait. it’s happening this way for a reason. She needs to wake up so Athena will be okay. Athena says, it will take hours on foot; it’s too far. A white horse gallops out of the woods. A very well trained and saddled horse. They get on, and Athena asks why her dad was singing that song, and Grace says, it was one of his favorites. She says she’s talking about Athena’s biological dad, and Athena asks what he was like. Grace says, his name was Matthew. He was kind, and handsome, and smart. And a big Roy Orbison fan. Athena asks, what happened to him? and Grace says they worked at a power plant together. They were exposed to radiation, he got very sick, and she lost him. She’ll always be grateful for what they had. Athena asks what they had, and Grace says, her.   

They travel down the road, and Grace says, it’s working. They’re close. Morgan says Grace has got to wake up. There’s not much time. Riley tells his men, get in there. Morgan sets up a blockade, and tells Grace to wake up. Grace tells Athena, the stables. They’re here. She opens the door and walks in. They see a zombie busy looking at the ceiling and poking at something, paying no attention to them. Athena looks around, and asks Grace, what’s wrong? Grace says, this may be the only time she has with Athena before… She didn’t tell Athena everything. The reason why they’re here is that Grace’s subconscious created this place. Out there in the real world, she’s sick. She was exposed to radiation like Matthew. She survived long enough to grow Athena, but doesn’t think she has much longer. She doesn’t think she’ll have a chance to get to know Athena. Athena says Grace can get better, but Grace says, you don’t get better from the kind of stuff she was exposed to. She knows why they’re here. She was scared for Athena to be born into a world that didn’t deserve her, and wanted to protect her, but she knows Athena will be okay. She’s strong. Athena starts to cry, and Grace says Athena is going to bring everyone together. She’s going to be the hope they need. Grace takes her hand, and Athena says she knows the reason she was at the wall when she found Grace. She was worried about her dad – about Morgan. She thought if she went out looking for seeds, he wouldn’t have to. She didn’t want to grow up without him. Grace says she won’t have to. He’ll raise her. Everyone will raise her. In the stables, Riley says, they have nowhere to go. How about giving him what he came for?

Morgan tells Grace, wake up; they’re going to find us. Now zombified Riley and his group of zombies break in. Grace tells Athena to get behind her. They have to get through and inside. Athena says, this might be all the time she has with Grace. She’s going to fight for every second. Zombie Riley and his group come closer.

Morgan stands ready, and Riley and his men break in. Morgan tells Riley, turn around and leave now, but Riley says, hand over the key, and it all goes away. He’s been looking for the key for a while. He hired someone to find it, and they didn’t deliver. He sent two friends after the first guy, and they didn’t come back. He’s guessing Morgan had something to do with them not coming back. Morgan says he’s going to do to Riley what he did to them, and Riley says, the key will change everything; he’s not leaving without it. Morgan moves forward at the same time Grace and Athena do in Grace’s mind. Morgan fights Riley and his men, while Grace and Athena fight zombie Riley and his zombie men. In reality, now it’s just Morgan and Riley, and Morgan spears Riley in the shoulder. Riley says Morgan can’t stop them, but Morgan says he thinks he just did, and Riley runs out.    

Grace sees the key around Athena’s neck, and asks where she got it. She says, her dad… Morgan. He gave it to her when she was little, to wear as a reminder. Grace says, a reminder of what? Athena says something about peace that I don’t quite grasp, and Grace asks what that means, then falls to the ground.  

Morgan tells Grace, hang on. Athena asks, what’s wrong? and a zombie grabs her. Morgan says, she’s not breathing; he’s losing her. Zombie Riley tells Grace, she’s already dead; they both are. Morgan does chest compression, and says, come on, Grace. Grace sees Matthew, and then the carousel. Zombie Riley says he knows they thought it would end differently, and handles the key around Athena’s neck. Morgan continues to do chest compression, and zombie Riley says, that was just a dream. Morgan says, he’ll never give up, and zombie Riley is stabbed by old Morgan. Old Morgan holds out his hand to Grace, and says, they don’t have much time. She takes his hand.  

Morgan is still doing chest compression, and old Morgan asks if Grace is ready. She says she doesn’t want to say goodbye, but she has to. Morgan says, stay with me, and Grace hugs old Morgan. She says, even if she’s not there, she knows he’s going to build everything they couldn’t. Morgan listens to Grace’s chest, and says, please come back to him. Grace hugs Athena, and tells her, remember this when you get older. Athena says she will, and hands Grace the recorder, saying, she can make sure. Record what she wants Athena to remember. Morgan says, listen to him; please come back. Grace says she loves Athena, and always will. She kisses Athena’s hand, and Athena says she doesn’t want to lose Grace. Grace says, she won’t; she never will. She doesn’t have to be afraid. Grace will always be with her. You can let go, my angel. Grace backs away.

The door opens to a bright light. Grace opens her eyes, and Morgan says she’s awake. He thought he lost her. She says she had to come back. It’s a girl. They’re going to have a girl. She tells him that doesn’t think she’s going to make it, but he says she doesn’t know that. She says she does; she saw it. He says, saw what? and she says, the future… our future. Everything is going to be okay. They have a daughter.

Grace says she recorded a playlist of songs when she left. She hopes when Athena listens to it, it makes her smile. it will make her feel like Grace is there with her because she will be. Morgan tells Grace, he got the water, and she thanks him. He says, that’s for… She says, Athena. Morgan tells her that she kept saying that name. What happened when she was out? What does she think the dream was? Grace says, she knows when someone is close to their last moments, like she was, sometimes they see things they can’t explain. Morgan says, the near-death thing, and she says, it felt real. She thinks it was Athena. That’s how she knows everything will be all right.

A truck barrels through the door of the stables, taking part of the wall with it. Riley gets out, holding a gun, and tells Morgan, drop the stick or he’ll shoot him. Morgan drops it, and Riley says he told Morgan that he’d get what he came for. Morgan says, something tells him that Riley is getting less, and Grace asks what they’re talking about. Riley says, the key. Morgan knows what to do. Riley aims the gun at Grace, and says, give him the key, and he’ll walk away. Morgan asks what it opens, and why Riley wants it, but Riley says, it doesn’t matter. It’s inevitable, no matter what Morgan does. Grace tells Morgan to give Riley what he wants. The key isn’t their future; the baby is. This baby is going create a future where people like Riley never win. That is inevitable. He already lost. He just doesn’t know it. Morgan hesitates, and she screams, do it! He takes the key off, and tosses it to Riley. Riley surprises us all, and instead of blowing them away, says, good luck, jumps back in the truck, and squeals away.

Morgan asks if Grace is okay, but she tells him that he doesn’t have to worry. The baby is going to bring everyone together. She’ll give everyone something to fight for. She knows it. Morgan says, okay. He believes she will.

Grace breathes between contractions, and Morgan bathes her face with water. Roy Orbison’s song In Dreams plays, and Grace listens. Grace pushes the baby out, and Morgan takes it. She takes the headphones off, and asks, what’s wrong? Why isn’t she crying? He says, come on, and I don’t mean to judge, but he isn’t being very aggressive here. He places the unmoving infant on Grace’s chest, and she cries. Morgan says he doesn’t understand, and she says, they weren’t her last moments; they were Athena’s. He nods, and she says she thought it was going to be different. It was just a dream. She cries.

Yeah, Grace, we all thought it was going to be different.

Next time, June’s journey; Morgan tells someone, there’s nothing they can say or do to make it okay; Dwight and Shari reunite; and someone asks June why she’s there.

⚰️ Explaining the Dead…

The showrunners talk Fear.

https://ew.com/tv/fear-the-walking-dead-holding-crm-showrunners-interview/

https://ew.com/tv/fear-the-walking-dead-in-dreams-grace-athena-showrunners-interview/

🩸 Reviving Dexter…

Choose your teaser.

https://ew.com/tv/dexter-revival-teaser/

https://www.yahoo.com/entertainment/countdown-dexter-reboot-heres-scheduled-031648451.html

🐉 Fanning the Flame…

The prequel is coming… along with winter.

https://ew.com/tv/2019/10/30/house-of-the-dragon-thrones/

https://ew.com/tv/house-of-the-dragon-first-look-photos-cast-game-of-thrones-prequel/

https://ew.com/tv/house-of-dragon-cast-game-of-thrones-prequel-production-photos/

🥀 Farewell, Sweet Vixen…

I admired Tawny Kitaen for her bravery in coming out about the health hazards that breast implants cause women. May she dance on the clouds the way she danced on the hood of that car.

https://www.billboard.com/articles/news/9569450/tawny-kitaen-dead-obituary/

🌉 Slipping Into the Night…

I have to finish some copywriting for the www.MupoEntertainment.com weekly interview show, Mupo and Friends, which can be found on YouTube. Glorious YouTube. Where would we be without it? Okay, maybe there are some hours we can’t take back looking at puppies, but it was worth it. The upcoming interview is with scream queen Brooke Lewis Bellas, and I think she’ll be a lot of fun. Check us out. I also write articles for the magazine at the website. Now that I’m done with plugging myself, until we sail away tomorrow, stay safe, stay well-informed, and stay in one world or another. It’s too confusing to commute.

October 26, 2020 – Dante Thinks It’s a Mistake, Write Maritime Law 100 Times, No More, Halloween Chat, Memories, All Clear For NYC, New Girlfriend, a Revival, Lovecraft Report, Dare You & Warp This

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What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

General Hospital

I missed the very beginning, but here are the important points. Julian found Alexis drinking in Charlie’s, and cut her off; Robert swiped some flowers, and brought them to Jackie’s hotel room; Sam was with Jason outside Kelly’s, talking Halloween and Cyrus, when Spinelli joined them; and Dante went to The Floating Rib, and saw Maxie. And here we are…

Jason tells Spinelli and Sam that Brando just started working for Cyrus, and Sam says he can confirm Cyrus’s true intentions are Port Charles and the hospital. Jason says it could take him a while to get the information they need, and Spinelli thinks they should focus on another pressing matter. Sam says, Peter, and Spinelli says, exactly, and exposing him for the villain he really is.

Alexis tells Julian not to go too far. Julian says she could be home drinking alone, yet she’s here in the bar. What does that say? She tells him, it says she doesn’t care who knows. She drinks where and when she pleases. It’s about her and nobody else. He tells her, what it says to him is, either she’s looking for a fight or someone to stop her. Which is it?

Lulu shows up at Doc’s research office, startling him. He says he’s used to being alone, and she says, the subject matter doesn’t help. He supposes it doesn’t, and she says she brought him dinner. Her mom is worried that he’s not eating enough. He says that’s kind, but he has the feeling it’s not the only reason she’s there. What’s on her mind? She says, Dante.

Maxie and Dante sit down, and she says it’s so good to see him. He says it’s good to see her too, and she says she misses seeing him at the PCPD, or calling him when everything goes to hell, which has happened a lot lately. He’s sure she has plenty of people to call, but she says not like him. He’d show up, no questions, no strings attached. She missed him. He thinks she missed him on the softball field, and she says they were terrible last summer. He says he knew it, and she tells him, welcome home. He says, it’s the first time it actually feels like it.

Robert calls Jackie his partner, and she hands the flowers back to him, saying, they came with a price tag. Do his own investigation. If Peter is no good, she’ll write a story. She won’t hand over evidence to him. He asks what if she discovers some? and she says she’ll write a story; that’s her job. He says they’re on a parallel track, but she says they have two entirely different motives. She’ll do her thing, and he can do his. He says she’s more hotheaded than ever.

Alexis says Julian’s ego is boundless. If she wanted to stop drinking, does he think she’d go to him? He says, what about the last time she slipped? She called him, he picked her up, and she went straight to a meeting. She says, no one else answered the phone, and this isn’t like last time. She doesn’t want to be sober. He says she doesn’t mean that. He knows her better than anyone. She says, if he knew a damn thing, he’d know why she drank in the first place. He’s the reason she’s an alcoholic.

Spinelli says, Peter continues to worm his way into the fabric of Port Charles and Maxie’s life, and by extension, Georgie’s and James’s. Sam says, it will just get worse when the baby is born, and Spinelli says they have to reveal Peter’s true nature. If that monster puts his name on the birth certificate, it will become nearly impossible for Maxie to disengage. And Nelle confirmed Peter’s involvement.

Lulu tells Doc, Dante is back in town, and he’s surprised Laura didn’t say anything. She says that’s because she didn’t tell Laura. Laura would cut her trip short, which would be pointless. Doc says Laura could support her during this confusing time, but she says, no one can say or do anything to make it less confusing. Doc says, especially since Dustin has been thrown in the mix, and she says she’d just asked Dustin to move in, when Dante showed up. Doc says, that’s a big step, and she says they’re ready to start the next chapter. Now she feels strange. He asks how Dustin reacted to Dante coming back, and she says, he was amazing. He was patient and gracious, and offered to step aside for the sake of the family. He asks what she told him, and Lulu says she told him that Dante said to move on. He asks if she’s not sure what she wants to do.

Maxie asks Dante, how’s reentry? and he says, weird. He knew it was going to be, but it’s really weird. She says, Olivia must be happy to have him home, and he says his mother’s great, but he thinks she doesn’t know what to do with him. Maxie says, it will take time to adjust, and Dante says he missed some people so much, but now everything is different. They way you get in sync with people, he didn’t have to think about it. Maxie says, now he does, and he asks how she is.

Robert says, Jackie seems to have forgotten, they’re not kids anymore. She thanks him for the reminder, and he says, there’s more than just a story. She met Maxie, who’s like a daughter to him. He’d give up his life to protect her. She says, and he’s worried because Macie is pregnant with Peter’s child, but he says he was worried eons ago. She says, then don’t wait for her. Get off his ass, and prove it. He says he plans to.

Finn tells Anna that this isn’t her only option, but she says, it is. She doesn’t carry the marker for rheumatoid arthritis, and the only way to find out is by the process of elimination. Alex isn’t going to get tested, so that leaves Faison. Finn says, but he’s dead, and the only genetic material is his brain. She says, it’s a few floors down. If Faison doesn’t have the gene, that means Alex is Peter’s mother.

Julian tells Alexis that he’s sorry she turned to alcohol because of what happened between them. She asks if that’s a euphemism for holding a knife to her throat. It was months and months of his cowardice, lying, and violence, and sneaking around like a rodent. He says, they had some good months, and she says, four years ago. Then he tried to kill her. She didn’t have a problem before. That’s just a fact. So he’s responsible for the bottomless pit of crap that’s become her life, and she drinks to cope with that. He says, so she’s going to cozy up to the bar for the rest of her life? She says, pretty much, and he says he doesn’t accept that. She says she doesn’t care. The bottle is much better for her than he ever was. He says he was horrible to and for her, and she says, ding-ding-ding! We have a winner! She gets up, and announces it to the room. He says he needs to do something good with his life before it’s too late, and needs to do it soon. Let him help her.

Sam tells Spinelli, back up. What did Nelle confirm? He says, Jason didn’t tell Sam? and she says, Jason knew? Spinelli says, the night of the Nurses Ball, he ran into Nelle backstage. He didn’t know what she was planning, but she told him that Shiloh said he was blackmailing Peter. Sam says, about when he was in Afghanistan with Drew? and Jason says, that explains Peter with the bag of cash the night Shiloh took Sam hostage. Spinelli says, Peter wasn’t just a bystander, and was responsible for Drew being kidnapped, which led to all sorts of crimes. Sam asks about the evidence against Obrecht, and Spinelli says, Peter framed her. Now he’s on the cusp of marrying Maxie, and Maxie is carrying his child.

Jackie thinks she and Robert are done, but he has one more thing. What’s the deal with Finn and his father? She asks what he means, and he says, they had some falling out, but Finn is tight-lipped. She says, that’s an understatement, but she guesses he wants to keep the issue private. He says, so there is an issue? and she says it’s no secret that Finn hated his dad getting married so soon. Robert says, it’s been thirty years, and she asks how it’s his business. He says he’s looking out for Anna, and she says he’s Anna’s knight in shining armor. Her phone rings; it’s Peter.    

Anna tells Finn, it’s strange. She hopes Faison has the marker. If not, they’re back to no way of knowing. She thinks it’s better to be able to tell Peter, Alex might be his mother, as opposed to, she is his mother. Finn asks if that’s really the worst thing. She’d be disappointed, but Peter would still be family. She says she turned away from the dark path, and watched Valentin do the same. He wonders why she’s talking about Valentin, and she says they turned their lives around. They did on it on their own, but that’s not the case with Peter. His grasp on a new life happened because he found out she was his mother. Now she might have to tell him that she’s not. She feels as if she’s the tether tying him to the good side. She doesn’t mean it to sound egotistical. She wishes Maxie and the baby were enough, and desperately wants it to be true, but she doesn’t think they are.   

Lulu tells Doc, she loves Dustin, but part of her will always love Dante. In a way, it would be easy to reunite, and go back to the way it was before the nightmare happened, but time didn’t stand still. What she has with Dustin is real. To pretend it’s not isn’t fair to anyone. Doc says she has a lot of feelings to sort through, but doesn’t have to do it right this second; take her time. Her world was just thrown for a monumental loop. No one expects her to have everything figured out. Her phone dings, and she says she has to go. She thanks him for listening. He walks her out, and asks her to do him a favor and call her mother. She says, okay, okay.

Dante says, enough about him, and Maxie says, shocking. He’s shifting the focus off himself, and he asks, what’s going on with her? She says, same old, but he highly doubts it. She says she has so much going on, she doesn’t know where to begin. Georgie and James have gotten so big, he won’t recognize them, and she no longer works at Crimson. He asks if she was finally fired, and she says she quit. She’s partnered with Lucy in Deception. He says, sounds colorful, and she says he has no idea. Other than that, she and Peter are getting married and having a baby.

Anna and Finn sneak downstairs to Doc’s research office. Anna picks the lock, and they go in.

Alexis asks Julian, who pulled the strings this time? He says he has no one to blame but himself, and she asks if he thinks he’ll make things better by pointing out her error in her ways. He says he needs to make up for lost time, and she says he needs to get over it. She stupidly thought she could trust him, and he accused her in front of everybody of sleeping with Neil, and said Neil was taking advantage of her. He’s the reason Neil lost his license, and she got disbarred. He’s the reason Neil turned to drugs, and the reason Neil is dead. Hasn’t he done enough?

Spinelli tells Sam and Jason, what galls him most is that Anna is a superspy. She should be able to see through Peter. How can she turn a blind eye? Jason says they talked about this. Anna wants to believe it. Spinelli says, he understands; Peter is her offspring. Jason says, that’s a lot. Anna turned her life around back in the day, and knows it’s possible. She wants or needs for it to be possible for Peter too. Deep down, even if Anna doesn’t admit it, she knows it’s a lie. Spinelli wonders when they can act on that, and Sam says, when they get proof, and they will.

Dante says, Peter? and Maxie says, he’s wonderful. Dante says he doesn’t think he understands. She’s actually marrying Peter, and they’re having a baby? How did she get in so deep? She says, Peter was cleared of things he was accused of. He runs a respectable paper, and has earned the respect of a lot of people, Lulu included. Dante doesn’t care if Peter’s earned the respect of the mayor. He’s the reason Nathan is dead. She remembers that night, right? She remembers Nathan, right? She tells him, don’t do this. He says, sorry, and she says, of course (🍷) she remembers Nathan. She thinks about him all the time, but because Nathen died, that doesn’t mean she has to stop living. She didn’t die with him. Her life with James is on. It’s not the same, but that doesn’t mean it’s of less value. He says he didn’t mean to throw Nathan at her, but he thinks she’s making a big mistake. She says, not him too.

Robert whispers for Jackie to put it on speaker, but she ignores him. Peter says he’s been in touch with HR, and all Jackie’s terms and conditions have been approved. She’s all set to begin working with Lulu on the investigation into Cyrus. She can start as early as tomorrow. She says she looks forward to working with him, and she’ll see him then. She hangs up, and tells Robert, that’s how it’s done, and don’t forget it.

Finn and Anna sneak around, and Finn says Faison’s body was donated to science by his next of kin. She says, Peter, and he says, it can’t legally be released without Peter signing off on it. She says, that would defeat the purpose of keeping Peter in the dark, and Finn says, speaking of which, it’s dark in there. Doc turns on the lights, and asks if that’s better.

Julian says he cares about Alexis. He didn’t mean to send her crashing down. She says he never means to do anything. Time and again, he’s created a path of destruction in his wake. Everything he touches is a steaming pile of garbage, including her. She doesn’t want his help. She yells, she doesn’t want his help, and wants him to leave her alone. He says he can’t.

Sam gets up , and Jason follows her outside. He asks if she’s okay, but she honestly doesn’t know what she is. She guesses he’s known this information for a while, and Spinelli has known since the Nurses Ball. Why didn’t he say anything? She could have helped. She wants to help. Jason says he’s not used to going over the day to day stuff with her. She says, when it relates to Sonny’s business, she totally gets it. She shouldn’t be involved, but he should apply her to every aspect of his life. He says she’s right.

Doc asks if Finn and Anna would care to explain. Finn says Anna was there for her phlebotomy appointment, and he was taking her upstairs. She felt dizzy, and they were near Doc’s office, so he brought her in. She needed a place to sit, and maybe get something to eat. Doc says, in a research lab? and Finn says, their next stop was the cafeteria. They were just waiting for the dizziness to pass. Anna looks like a bobblehead, agreeing with everything, and says she’s better now. They start to leave, and Doc says, what’s strange is, he locked the door on his way out. It’s a mystery how they got in. Finn says he thought that was strange, and Anna asks to talk to Doc alone. It’s basically a matter relevant to him as well. Finn says, it is? and she says Doc deserves to know the truth as much as anyone. Finn says as long as she’s feeling okay, and leaves. In the hallway, his phone dings. He gets a text from Chase; second thoughts about dinner?

Robert asks if Jackie is going to keep the flowers, and she says, if he’s just going to throw them out… He says, that’s the spirit. It was fun hanging out with her at The Floating Rib. She says, it was, and he says it made him think about old times. She’s a good friend, and he’s lost a few lately. It’s made him think he can’t take relationships for granted, or friendships. She says her schedule is erratic, but how are the Panthers? He says, clawing their way out of the basement, and she says she’s always had a soft spot for the underdogs. Maybe they could catch a game. He says, sounds like a date.

Maxie tells Dante, not him too. She’s gotten it from all sides; Robert, Spinelli, especially Spinelli. She knows Spinelli was coming from a genuine place… Dante says, as is he, and she says Spinelli was wrong about Peter. Fighting about it was devastating. Don’t make her have that fight with him too. Don’t make her choose. She’s marrying Peter; he’s the father of her baby. Just understand and wish her well. Dante says, all Nathan wanted was for her to be happy and loved. It’s all he wants too. She thanks him, and Lulu walks in. She and Dante look at each other.

Alexis says Julian looks like he’s in trouble. He looks desperate, and trying to save her isn’t going to change anything for him. Save himself. Take the wreck he’s made of his life, and leave her alone. It’s the only good thing he can do for her. He asks if she’s going to piss her life away in a bar. He’s asking her to leave, and he’s going to call her a car. If she doesn’t listen, he’ll call her daughters. Alexis starts to cry, and says, at least when she pisses her life away, the only person she’s hurting is herself. He’s destroyed everyone around him. The one good thing is their daughter, but otherwise, he’s been a cancer in her life. She can’t wait until the day she never has to cross paths with him again. She walks outside and cries.  

Sam tells Jason, Spinelli is her friend, and so is Maxie. Why didn’t he say anything? He says he’s not trying to keep anything from her. It’s not like he’s withholding information on purpose. It didn’t cross his mind. She says that’s a problem they need to figure out.

Robert sees Spinelli outside Kelly’s, and says, if it isn’t his partner in crime. He asks how it went with Maxie, and Spinelli says, as difficult it was to sell it, Maxie believes he supports her marriage to Peter. Robert says, excellent. Remember to continue to go slow. Robert’s phone dings, and he looks at it. He says, huh, and Spinelli asks if it’s something of interest. Robert says, it’s a text from Olivia. Dante has been released from the Geneva facility. He’s back in Port Charles. Spinelli says, surprising. He thought Dante was supposed to receive longer treatment. He wonders what expedited Dante’s release. Robert says he’s wondering the same thing himself.

Lulu tells Dante, hi, and he says, hey. It probably doesn’t get more awkward. She says she didn’t know he would be there, and he says, what are the odds? Peter says Maxie made it, and she suggests they get some drinks – non-alcoholic. Maxie steers Peter to the bar, and Dante says, so Maxie is pregnant. Lulu says, can he believe it? and he says, no. Life keeps moving along. Lulu says, whether they like it or not.

Jackie messes with the flowers when there’s a knock at the door. She says, don’t tell her he wants the flowers back after all. She opens the door, and it’s Finn who says, hello.

Anna says she and Doc were both unwilling participants in Cabot’s experiments, and he says, an unfortunate fact they have in common. He fails to see what that has to do with her breaking into his lab, and she says, it left lingering questions for her, as she’s sure it did him. There are things she tries ignore that sometimes keep her up at night. She doesn’t know for sure if Peter is her son, and Doc is the only person who can help her get to the truth.

Tomorrow, Valentin says Sasha is in a better mood, Chase tells someone to stop lying, Dustin wants to get to know Dante, and Carly wonders what she forgot about Nelle’s fall.

Below Deck Mediterranean – Reunion – Part Two

Andy started off by saying the manufacturer verified that what Hannah said was a CBD pen, was really a THC pen, but Hannah claimed you could put anything in it. Bugs thought they should let it go, but Jess said she was knowledgeable, and had one too. Captain Sandy said it was illegal, and Jess said, so arrest her. Jess said she wasn’t informed it was illegal to have; it was CBD. Malia said it was nothing personal, and during training they’re told no drugs are allowed on the boat; everything has to be registered. Hannah said the prescription was on the box, and showed it, along with a letter from her doctor. Text came up, and said that production had received the prescription 12 hours after Hannah left the boat. Malia said, even if it was a current prescription, you can’t take valium alone in your cabin. I’m not sure what that means. You have to invite other people? Andy asked if everything that alters your state has to be checked, and Captain Sandy said they’re crossing international waters, and if drugs are found on board, the owner’s vessel will get seized. It’s all documented to protect the owner. Malia said she went through the same thing with Benadryl, since it says it causes drowsiness, and not to operate machinery. The captain interjected that the yacht is machinery. Malia said it was to delegate who’s on duty. She said maritime law about twenty times, and everyone looked bored. Hannah said, the medications are meant to bring you to a normal level, and doesn’t work the same if you don’t have a mental illness. Malia said it wasn’t up to the crew member to take for themselves with no accountability. Hannah said if it wasn’t a revenge thing, why didn’t Malia tell the captain about the valium when she told her, Hannah is freaking out? Malia acted ignorant, and said she didn’t realize until she found it. Rob looked like he might go to sleep, and Malia said, it was about maritime law and the safety of the vessel. Jess said she never knew it was such a big deal. Rob said he was checking out, and Captain Sandy said it was illegal, and Jess was trying to justify it.

Jess was tired of Malia talking, and said they’d seen it all on her social media. Bugs thought the whole thing was blown out of proportion. She said she suffered from depression, and still worked on boats. They went around this whole thing again, and when Andy tried to get a word in, he was ignored and literally banged his head on his desk. We found out Malia went to production first, and was told to take it up with the captain. Yeah, I’ll bet. They don’t want to be responsible for that. She said there was also a management company, and Hannah said they got it – maritime law. A viewer asked why Malia didn’t check with Hannah first, and Malia said it wasn’t her place. Andy asked if it was planned so Bugs would get the position, but Bugs said Malia hadn’t known she was coming until she was there. Which doesn’t exactly mean it wasn’t planned, just not planned ahead of time. Malia said Tom being on the yacht with her wasn’t romantic, no matter what people wanted to think. Captain Sandy said the management company had to see she was following protocol. Hannah said it would have been nice if the captain had pulled her aside, and they’d had a conversation. She was made to feel like a criminal. I have to say, Hannah did really keep her cool, and she must have really been freaking out inside. Andy said, there was a lot of backlash, and asked if there was anything the captain would have done differently. Captain Sandy said, sometimes the right decision wasn’t the popular decision (which sounds like something your mom would tell you), but she followed the protocol of the management manual. Rob decided to out Jess, saying she’d told him to get rid of her weed pen, but Jess held her ground that it was CBD, and added she had a laundry list of Rob’s indiscretions. Andy asked if Hannah had regrets, btu she said she was in a good place in her life. He asked if she’d retired from yachting for good, and she said she was in Sydney, about have a baby girl, and yes, she was retired. Hannah was dismissed, and Malia made a weird face at her when she said goodbye. She might have been trying to keep her forked tongue in her mouth.

Tom and Aesha joined the virtual group. Tom explained, on bigger boats, you don’t have to cook for the crew as well. Captain Sandy said he was an incredible chef, and she didn’t regret hiring him. Tom said he got death threats because of his association with Malia, and Malia said she had hard backlash. Andy asked about the status of their relationship, and if they lived together. Tom said because they’re always on boats, they don’t live anywhere, and try to do as best they can. We found out they hadn’t seen each other since May, and Andy asked if they were still together. After dancing around this for like, ten minutes, Malia said she didn’t know if they were together, but Tom said they were working it out. He also claimed they were monogamous when on charter, which I find difficult to believe. Andy didn’t ask about what happens off-charter though.

We revisited Rob and Jess’s relationship. Rob said Bali was a beautiful experience, but things fizzled. Jess said she didn’t want to air dirty laundry. People think she’s jealous and/or crazy, but it’s because they don’t understand where she’s coming from. Without saying the words, she hinted that Rob was a real d-bag. Rob said he was open about having girlfriend, but Jess said, according to his ex, they didn’t have an open relationship. Andy asked if that contributed to the break-up, and Jess said, it didn’t help. Rob said it was unrealistic to expect to develop a relationship on a boat. I wanted to know what he told the first officer after he’d said he’d go on the crossing. Did he even bother to tell him? Rob said again that he regretted nothing. Aesha putting her hand on Rob’s ass, and their flirtation was discussed, but I kind of spaced out, since it was the same sh*t we heard for weeks. Jess said she wasn’t a jealous person, and felt like she was being gaslit by Aesha and Rob. A viewer asked if Rob would have pursued a relationship with Aesha had he met her first, but he said they didn’t have that type of connection; they were like brother and sister. Aesha said there was zero attraction, and no chemistry. Jess wondered about an inappropriate DM Rob had sent Aesha about c*cks. She saw it on Facebook, and Aesha responded. Aesha acted like she didn’t know what Jess was talking about, but Rob readily admitted to sending it. He said, it was just banter… and maybe a little flirtation. Aesha said she had a boyfriend now, and we saw a picture. He’s cute, and they look like they belong together. He must like potty jokes.  

A viewer asked when Bugs was going to realize Alex is hot, and Bugs said she did already; he was a catch. Alex said they’d gotten together to catch up, but they were realistic. They lived in different parts of the world, and couldn’t really foster a relationship.  

In ending (at last), Andy asked for high and low points. Malia said it had ultimately been a fun experience to meet everyone, and her low point was what happened with Hannah. It wasn’t what she wanted. Aesha said the whole experience was great, but she was so homesick and exhausted before she got on board, she didn’t make the most of it. Alex said his high point was meeting Bugs everyone, and on the flipside, he involved himself in drama by accident, when he was just trying to help. I don’t know if I spaced out again, Bugs had nothing to say, or if it was so boring, it just didn’t register.

Andy finished with saying it had been a dramatic, wild ride. Okay. If that’s what you call just sad.

⚖️ The Verdict Is…

Hint: They didn’t work it out.

🖥 In Chat Room, the ladies dressed up for Halloween. Kate said it was a week early, but this was 2020. She was Kate Moss, wearing moss in her hair; Hannah was Wonder Woman, using a costume that belonged to her mom. She did not elaborate on that. Both Porsha and Gizelle were Cleopatra, although they each wore it differently. The high point was Kate bringing out her dog Halo, wearing a unicorn costume. The women also picked a favorite Housewife costume of the past. Gizelle chose Kandi in a riff on Pennywise from It; Hannah liked LisaR dressed as Erika Jayne; Kate said she hated Ramona, but loved her in red leather as Britney Spears; and Porsha went with Cynthia as Fifty Cent. While still much prettier, Cynthia was definitely spot-on. I love this show, and wish it was on more often, and for an hour.

🤡 Here It Is…

Pennywise never looked so good.

🎀 Charlotte Through the Looking Glass…

Scarlett Fernandez remembers her first day in Port Charles.

🗽 It’s All Good…

The RHONY gets the all clear.

https://pagesix.com/2020/10/23/the-rhony-cast-is-covid-19-free-despite-production-interruption/

And goes back to work.

https://pagesix.com/2020/10/23/rhony-cast-spotted-back-at-work-in-greenport-ny/

💓 He’s Moving On…

Juicy Joe has found a new main squeeze.

https://pagesix.com/2020/10/24/joe-giudice-is-seeing-someone-new-following-teresa-giudice-divorce/

⛏ Dexter Returns…

In a CYA move, Dexter is revived.

🛣 Come Back, Country…

It looks unlikely there will be a second season of Lovecraft Country. The book did have a definitive ending, but why can’t they give us more? Since it’s a supernatural atmosphere, they can even revive the dead if they want.

Not only was it well-written, but everything was also beautifully crafted. And some of the monsters were truly scary.

🏞 Spirited Hiking…

Haunted trail anyone?

https://www.travelchannel.com/interests/haunted/photos/scariest-haunted-hiking-trails-us?ic1=triv_102420

🥺 Mondays Is Rough…

I’m off to finish an article for https://mupoentertainment.com/theresa-krakauskas/, which is a little nostalgic, it being Halloween week. No matter what it is you’re doing, stay safe, stay bold, and stay not sending inappropriate DMs. Especially if you’re on a reality show where everyone keeps receipts.