Category Archives: horror

Nov6

November 5, 2023 – Dwight Tries To Make Something Good From Something Bad & Climbing

Posted on by
Standard

What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

Fear the Walking Dead

A man goes inside an abandoned house, kicking garbage out of his way. He lights a lantern. We see it’s Dwight. He looks at a framed photo of Sherry and himself in better days, and flashes back to Daryl telling him, make it right. He tries to rest, but is unsuccessful, so he whittles. He hears something and checks the house. He hears a man coughing in one of rooms, slips into the room, and grabs the man in the dark. The man says he thought the place was empty, but Dwight says, it’s not. The man asks if Dwight lives here, but Dwight says, it doesn’t matter. The man tells Dwight that his name is Jay, and Dwight asks if he’s going to walk out, or does he want Dwight to drag him out? Jay says he got robbed, and he’ll die if he doesn’t get what they stole back. Dwight says, there’s nothing valuable anymore, but Jay says, there is if you’re a diabetic; he had insulin in his bag. Dwight says, he’s full of sh*t. There’s no insulin left. Jay says, there was in his group. They had a guy who could make it, and he believed in miracles until the thieves killed him. They took everything, and with what he had he would have made it through the week. Dwight asks if Jay is messing with him. Does Jay expect him to believe this is a coincidence? Who told him? Jay asks, who told him what? and Dwight gets him down on the floor. He asks, who told Jay about him? Jay said he had a week’s supply. What happens after? Jay says he doesn’t know, but a week in hell is better than being dead. Please. He lost everyone. He owes it to them to make things right, however much time he has left. Dwight asks if Jay knows where the thieves are at, and Jay says he does.

Outside the old Sanctuary, zombies growl, and Dwight asks Jay if the guys who took his medicine are in there. Jay says, yeah, and Dwight says, good luck. He’s going to ask one more time, who told Jay about him? Jay asks why Dwight thinks someone else is involved, and Dwight says, the last time he helped someone get insulin, he ended up here. Jay says, at the factory? and Dwight says, they didn’t call it that then. Jay asks what it was called, and Dwight flashes back to when he lived there under Negan’s oppression. Dwight says, the Sanctuary. His life has been sh*t since he set foot in there. He doesn’t know if it’s Jay or the universe playing a sick joke on him, but he’s not going in there for anyone. Jay says, they’re not that different. His wife was everything to him. They killed her and their son too. Dwight came back alone, and Jay thinks Dwight lost someone too. If they don’t help each other, what are they even doing here? Dwight thinks a moment, and says, all right. He’ll meet Jay back at the house. Dwight looks at the zombie chained to the perimeter fence, and walks around, checking out the lay of the land.

Dwight sneaks inside, and creeps around. He sees windowed double-doors, a light shining behind them, and flashes back to Sanctuary life again. He goes into the room and rifles through the bags. He finds the insulin and finds a picture of Jay with his wife and son. He runs to the exit and sees the symbol for infinity etched on the wall. He looks through the furnace door window at the flames inside and sees the iron hanging next to the furnace and remembers Negan burning his face with the iron. A gun cocks and a voice says, turn around, a-hole. Dwight turns and guard Phil asks what he has there. Dwight says, they took someone’s medicine, and he’s here to get it back. Phil says, somebody did a number on Dwight’s face, and Dwight says, he’ll walk out, and Phil will never have to see his face again. Phil says, Dwight stole from them, and needs to be made an example. They’ll start on the other side of his face. In a lightening swift move, Dwight grabs Phil and shoves – no, shoots – him into the blazing furnace. I’m in awe. A bullet grazes Dwight, and a man asks what the hell he thinks he’s doing. A bunch of men run in and their leader Marty says, they’ll find out. Dwight jets out of the building, and wonders where Jay is. He calls to Jay and zombie Jay comes out from behind the bushes. Dwight knifes him in the head, and says, Daryl should have killed him when he had the chance. He tried make it right. He guesses he couldn’t. Daryl should have killed him. Please come and do it now. He cries – aww – and yells, please! A car approaches and pulls up. Sherry gets out, and asks what Dwight is doing here. She came to find him. June gets out and says she needs him. He passes out.

Inside somewhere, Sherry stitches Dwight up, and he says, they need to get out. Sherry asks, what happened? Who did this? The guy outside? He says, no, and she says, then who? but he says, it doesn’t matter. If they’re seen, those guys will kill them. June says, they’re almost done, and tells Sherry, pinch, pierce, then pull. Dwight asks if June shouldn’t be doing this, but June says, it’s better this way. Dwight says, they need to go, but June says, they’re not leaving without him. Sherry says, a fight is coming, and Dwight asks, what kind of fight? June says, one they can’t win without him, and Sherry says, Troy has a score to settle. He wants to take PADRE from Madison. Dwight says, sounds like her fight, but Sherry says, Madison is MIA, and Victor is in charge. Dwight says, he’s still alive? and she says, a lot has happened since he’s been gone. He asks what it has to do with him, and Sherry says, he’s trained a lot of kids. June says, they trust him and will listen to him, but he says, nothing he does or says to them will help them do any better. He asks why Dove is here, and Dove says, PADRE is the only home she’s known. Without it, she’s got nothing. Dwight gets up, and says he can’t help save those kids. He couldn’t save his own son. June says, that’s not his fault, but he says, it doesn’t matter. Every time he tries to make something right, someone gets hurt. Sherry says, that’s not true, and Dwight says, the guy outside needed insulin, just like her sister. He asked Dwight for help, and he died. The best thing he can do for PADRE and the kids is leave here alone. Sherry asks if he thinks she wanted to come. She came for their son. He says, Finch is gone, but she says, PADRE isn’t. He says, that place is the reason Finch is dead. Why fight for it? She says, maybe something good can come from something bad, and he says, it won’t. She says, they have to try, and he asks, why? She says, Finch’s life needs to mean something. Making PADRE is how they can honor him. Dwight says he can’t go back. He’ll honor Finch in his own way. He gets up, and Sherry asks what he thinks Finch would say if his father walked away from kids who needed protection, and he says, it’s not because he doesn’t care. It’s because he does. He leaves, and June says, it’s fine, but Sherry follows him out.

The three of them go outside, and June radios Dove. Dwight asks, what’s wrong? and Sherry says, Dove has been missing since they woke up. June asks Dove to tell her where she is, when a truck pulls up with Dove driving. June says, she looks hurt, and Sherry runs to the cab. Dove is slumped against the steering wheel. Dove sits back, insisting she doesn’t need help, but June says, she looks wounded. Dove lifts her shirt and shows June a bullet wound, and June checks her out. June says, there’s no exit wound. They need to get the bullet out right away. Sherry asks, who did this? and Dove says, someone tried to steal the truck. They were looking for someone that burned their friend. Dwight says, they have to get her inside, and June says she needs anesthetics. They have to get the bullet out and the wound cleaned before Dove goes into septic shock. Dwight points out that she said we, and June says, they need medical supplies. Marty says he should have known Dove would be with them, and he and his guys come out of the woods. Marty says, sorry about the girl, but what after Dwight did to Phil, it feels like a beautiful karma. Sherry asks what he’s talking about, and Dove says, Dwight’s the one who burned their friend. Marty says, Dove doesn’t look so hot. Maybe they can help. They have top notch medical supplies, but of course Dwight already knows that, since he was inside. Sherry asks Dwight, where? and Dwight says, the Sanctuary. Marty says, tick-tock. What’s it going to be? June asks what he wants in exchange, and Marty says he wants the satisfaction Phil deserves in finishing what he started, and he intends to give it to him. If Dwight hands himself over, he’ll get the girl patched up. Dwight lowers his gun, and Sherry says, nice try, a-hole. There’s a shootout, and Sherry says, they’re going to the Sanctuary now. Dwight says, that psycho will follow them, but Sherry says, they’re on foot. The Sanctuary is 20 miles. They’ll be in and out before Marty knows it. Dwight says, another kid needs surgery. When does it end? June says, they have to help Dove, and Sherry says, they have to go now. Zombies begin toddling out of the woods, and Marty shoots at them. Dwight drives the truck out.

They bring Dove into the Sanctuary, and Dwight tells them, be careful; there could still be people here. Sherry flashes back to Negan, and Dove coughs. Shots ring out, and Dwight shoots back, but runs out of bullets. Zombie Phil scrabbles at the furnace window from inside the furnace, and June says, they need to move. She grabs supplies, and she and Sherry shove stuff in their bags, while Dwight checks the place out. He tells them, the place is clear, but they have to hurry. June says she needs lidocaine. The best they can do is inject anesthesia around the wound. Dwight and Sherry keep flashing back to their time at the Sanctuary, and June tells Sherry to clean the wound. She gives Sherry a syringe and tells her how to do the injection. Dwight says, June should do it, but June says she told him that she can’t. He wonders if it’s about what happened in the train car, but she says, it’s more than that. She tells him, as soon as it’s numb, start the extraction. Dove says she doesn’t want Dwight removing the bullet. He couldn’t save his own son, and he’s not doing the same with her. They feel a rumbling, and the building shakes. Dwight looks out at the tons of zombies who have gotten through the fence and are now pounding at the building. He says, the gunfire must have drawn them. The fence is broken, and they’re piling in. June says, it’s not going to work. The bullet is too close to one of Dove’s arteries. They might do more damage taking it out. Sherry says, the place is hanging on by a thread, and Dwight says, he’ll stay and hold them off for as long as he can. He runs out.

Sherry follows Dwight to the ammo room, and says she knows why he wants to stay and fight the zombies. He doesn’t plan on surviving. He says, maybe Dove is right, and they’re here because of him, but Sherry says, that’s defeatist bullsh*t, and Dwight says, it is what it is, honey. Dwight loads his gun, and she tells him that it doesn’t have to be this way. He says, the guy he tried to help lost more than insulin. He had a wife and kid. He shows her the photo of Jay with his family, and says, he’s about Finch’s age. He tried to help and landed them back in this hellhole. This is not a coincidence and it’s not defeatist mentality. She asks him to tell her what it is, and he points to an infinity symbol on the wall. He says he drew that when they were living here. He put them all over the place, where Negan couldn’t find them. It was them forever. It kept him going and made him feel like they could turn something bad into something good. Maybe they can, but not if he’s with them. He’s so tired of making people suffer for it. Sherry says, so he’s going to kill himself? and he says he’s going to clear the walkers. Maybe they can save Dove and honor Finch. She calls him a selfish a-hole and locks him in the room. She says, he doesn’t get to give up like this, and she leaves as he pounds on the door.

Outside, there’s a multitude of zombies, and June hears metal creaking. She says, they have to wait until the building is more stable and they need extra hands. Dove says, it’s not about June’s finger (the one Shrike removed) or what happened on the train. What’s the real reason? June says, it’s not important, but Dove says, June is a nurse. She’s got a bullet in her, and every minute they wait is a minute she’s closer to dying. June says, Dove isn’t dying. What happened to them isn’t going to happen to her. Dove asks, who’s them? and June says, Finch, Hannah, and her daughter Rose. Dove says, June has a kid? and June says, yeah. She would have been Dove’s age. Dove asks, what happened? and June says, she had pneumonia. June went out to look for medicine, came back and… it just was too late. She cries and says she couldn’t save her daughter, just like she couldn’t save Finch. Dove says, now she knows PADRE was right. June can’t protect her; none of them can. She can’t exactly say why she wanted to get away, but she didn’t come here for Red Kite. She wanted to get as far away from PADRE as she could. She was running away. June says, she told them it was the only home she’d ever known, and Dove says, was. It’s gone now, and people like June are in charge. They just let the kids down. That’s what people do who can’t get over their own sh*t. Metal bangs, and June radios Dwight and Sherry, asking, what’s happening? Do they copy? Outside battling zombies, Sherry says she’s working on it. She just locked Dwight in their old room. June asks, why? and Sherry says, PADRE needs him. The kids will follow him. They know he’s right. June says, what about her? and Sherry says she’ll keep the zombies at a distance, but June says, she can’t on her own. Sherry says, just do what she came to do; help Dove and get Dwight back to PADRE. The zombies have been pushing at the fence between them and Sherry, and it suddenly comes down, right on top of Sherry. Sherry’s gun and radio are just out of reach, and June keeps trying to get her.

Inside, Dwight tries to get out of their old room. He breaks a chair. The zombies are right on top of Sherry, along with the fence, their snapping faces just inches from hers. Dwight looks at the infinity symbol, while June keeps trying to radio Sherry. This is all very intense. Dwight hammers at the door, and the zombies keep piling on the fence. Sherry flashes back to memories of Finch. June gets into Dwight’s room and tells him that Sherry needs him. He runs out, and Sherry flashes back to burying Finch. Dwight is there, pulling the zombies off the fence, and slicing and dicing them.

Dove stands in the bathroom and groans. She’s broken a mirror and is about to take the bullet out herself with a shard. June – who’s having quite a busy episode – says, Dove will die. She needs help. Dove says she’s not getting it from them or June, and starts to cry. She’s about to cut herself, and June says, no! Stop! Dove drops the glass and falls to the floor.

Sherry asks how Dwight got out, and he says, June let him out. Sherry says she had it covered, but he tells her that she was lying to herself about honoring Finch and keeping him alive to fight for PADRE. It’s bullsh*t. She says, he’s wrong, and he says, is he? Or did she lock him up because she was planning on doing the same thing? Sherry asks if he thinks she wants to die, and he says he knows she did. She doesn’t really believe good can come from bad. She wants to, he does too, but she can’t. She says, if that’s true, she doesn’t know how she can go on living. Marty comes back and says he had the feeling he’d find them here. Sherry and Dwight run back in, and Marty goes in shooting.

The building is still shaking like crazy, and June checks Dove’s pulse. Dwight says, their friends are here. The door is locked, but it won’t hold. Sherry says, they have to go somewhere safer, and June grabs supplies. She gets on one side, Sherry on the other, and they help Dove up and out of the room. Everything starts to crumble, and zombies are coming in. June says, they’re surrounded, and Sherry shoots as many as she can. They see Marty coming, and June says, they’ve got to get out, but Dwight says, there’s nowhere to go. The zombies are getting the better of Marty and his friends, and I laugh. Light fixtures and beams start falling, and Sherry and Dwight nearly get creamed, but they jump aside at the last second. June stabs a zombie coming for her and Dove. Zombies continue to stream in, and Marty gets Dwight up against the furnace, Phil still scratching at the window. Marty says, remember how he told Dwight about giving his friend the satisfaction? He thinks he’s going to enjoy this more than Phil. He starts to open the furnace door, but Dwight grabs the iron and whacks him away with it, into a waiting zombie’s open arms. June says, they have nowhere to go, but Dwight says, the fire’s out. Let’s go inside. The building begins to collapse.

Inside the furnace, Dove asks, what happened? June says, the building is collapsing, and Dove says, it still hurts. This is never going to work. Sherry isn’t so sure this will help, but Dwight, keeping his lighter going so they can see, says, maybe it can. They hear metal clanging, and he says, the furnace is stable and will protect them from whatever is happening out there. June can do the surgery in here. June says she can’t, but he says, yes, she can. She asks how he knows, and he says, Sherry was right. Maybe something good can come from something bad. Maybe that’s the reason they wound up here. They needed each other to see it. Prepping Dove, June says she doesn’t want to hurt her, and Dove says, then don’t. Sherry says, June can do this. What happened to her, and them, doesn’t have to happen again. Maybe they just needed to work through the bad to get to the good. She half-smiles at Dwight, and June asks if Dove trusts her. Dove says, ask her again after the bullet is out, and June says, fair enough. She takes out her supplies, and Dwight keeps the lighter going.  

The oven opens and they come out. It’s practically the only thing left standing. There are a few errant zombies wandering around, and zombie Marty lies on the floor pinned there by another zombie. Dwight says, holy sh*t. It’s over. He asks how Dove is doing, and June says, she’s still resting. She’s going to be okay. Sherry looks up, and there’s a finch perched on what’s left of a wall. Are they trying to make me cry? June says, they should probably hit the road, and Dwight asks how she’s doing. June says, better, and he says he never should have left. Maybe they can turn the place into what it’s supposed to be, the way Finch wanted it to be. Sherry says she thinks they can.

Dwight says he made something for June, and gives her a finger he’s carved. He says, back in the train car, before it went the way it did, he asked her to be part of their family. He ran away, but he’s here now, so the offer still extends to her, and Dove as well. Sitting in the driver’s seat of the truck, Dove says, thank you, Red Kite, but Dwight says, she’s family. It’s Dwight. She says she’s Odessa, and he says he likes it. They should go. They have a lot of work to do. June and Sherry get into the truck, and Dwight looks around for a moment, then gets in. They pull away.

A song plays from a 45 on a turntable, something about sailing to Spain. Over the radio, we hear Russel say, nothing yet. Sorry. Troy says, his daughter is alive and well, and they will find her. We see it’s Victor’s turntable, and a little girl screams as she’s let down the hall by a man and a woman. She’s also blindfolded, and she says she hates this place. Where is she? Where’s her dad? They bring her to Victor, and in German, the man says, they found her for him. The woman asks, what does he want them to do? and Victor says, he’ll handle it. He tells the girl that he’s going to remove the blindfold. He does, and she asks, who is he? What does he want with her? He says, his name is Victor, and her eyes get huge. He says, it’s a good thing found her. She asks, why? and he says he’s going to help her. And she’s going to help him. She says, do what? and he says, save PADRE. He tries to touch her face, but she jerks away, and he smiles.

Next time, a stuck herd of zombies; Madison thinks she sees Alicia; Victor says, it’s not about him or her, but about PADRE; Troy wonders what makes them think he’ll make a deal; Victor gets attacked by zombies; Troy says, it doesn’t end well, and Luciana says, for you.

🕰 I’ve Fallen Back and I Can’t Get Up…        

Join me tomorrow for soap and yachting in the Med. Until then, stay safe, stay working through the bad to get to the good, and stay not letting anyone down because you can’t get over your own sh*t.

Oct30

October 29, 2023 – Two Finds Plus a Loss & The Night Wind

Posted on by
Standard

What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

Fear the Walking Dead

As Daniel’s boat comes in, a zombie is on the beach, caught in a fishing net with a starfish attached to its head. Daniel asks if Hawk has ever seen where the tankers came from, but Hawk says, no. Madison thinks this is a waste of time, but Daniel says, their fuel is low and they need to find out where PADRE gets their supply. She tells him that they’re giving Troy time to regroup, but Daniel says he lost a daughter too, and they’ll make Troy wish he’d died at the dam. The tanks are empty and zombies start coming out of the woods. Victor suggests they go inside the gas station. When they go in, they hear music playing, and Daniel says, whoever is in here, show yourself. He tells Hawk to shoot anything that moves, and goes to look around. It’s like a gas station/mini mart, and there’s a sign that says, take what you need. Madison asks what this place is, and Victor says, relics of a bygone era. Daniel comes back and says, they’re clear. Victor asks if Hawk is sure this is where the gas comes in, and he says he is. Madison sees a one-armed zombie and starts banging on the window, drawing the zombies to it. She tells Victor that there’s one missing a left arm, and takes Alicia’s mechanical arm out of her bag. Victor tells her that this isn’t healthy, and the agitated zombies scrabble at the window. It breaks and Madison falls back onto the floor, a zombie on top of her. Victor kills the zombie and helps her up, and the group takes off for the back of the building. They hear shooting outside, and the zombies fall. Daniel says, it’s not them, so who was it? Luciana walks in, and is shocked to see Madison. She says, Madison died a long time ago, and Madison says, she’s been getting that a lot. Luciana wonders why Victor is there, and Daniel asks if it’s really her. He’s been looking for her for a year. Luciana says, he found her.

Along with some men of Luciana’s, they clean up the zombie mess, and Victor asks if Madison is okay. She says, her baby was alive and she didn’t even try to look for her. She’s Alicia’s mother and should have never given up. Victor says, the last thing Alicia would want is for her to die in the process, but Madison says, if Troy was telling the truth and Alicia’s still out there, she needs to put her to rest. Victor says she will. If Alicia’s out there, they’ll find her. Madison tells Luciana that she’s sorry. She didn’t mean to trash her gas station. Luciana says, Daniel told her what Troy did to Alicia. Madison has nothing to apologize for. Madison hugs her, and Luciana says, so much has happened. There are fresh supplies in the back if they need them. Victor thanks her, and Daniel asks if Luciana’s been making gas. She says, PADRE brought her in years ago, and she didn’t have a choice. He asks who they used against her, and she says, him. She asked for his freedom in exchange. If she hadn’t, they would have killed him, since they considered him too old to be useful. He thanks her, and says he thought she was on the island, but she says they needed someone to refine fuel and she had to work in the shadows. Victor asks why she set up the gas station, since there are bad memories from the last time they holed up in one. Luciana says, if she was helping PADRE, she wanted to make sure she was helping others, and Madison asks what the place is. Luciana says, it’s a way station for travelers. There are 23 locations in the network throughout Arizona. As long as she delivers the fuel, they don’t ask questions. She can let them have gas as long as Troy doesn’t figure it out. She’ll send a tanker to the main road, and they can wait there for it. She needs to keep her operation safe. Daniel says, they haven’t talked in seven years, but she says she needs to protect the place. Daniel says, Troy didn’t follow them, when a truck pulls up. Luciana radios her people outside to tell Iron Tiger to wait. Madison asks who Iron Tiger is, and Lucina says, they should leave now. It’s safer for them to wait in the back. She goes outside, and Madison wonders if she’s telling the truth, but Daniel says, she wouldn’t lie to him. Victor says, she knew he was alive and didn’t look for him. She’s moved on. If it was a choice between them and her place, which does he think she’d choose? Daniel says he’s going to show them how mistaken they are, and he marches outside. He tells Luciana that the others think she’s up to something, and she says, he’s making this harder than it needs to be. The others have now followed him out, and Madison says, Luciana is making it harder. Who’s in the truck? Luciana says, it’s not him, and Victor asks what she’s worried about then. Madison walks closer to the truck, and Luciana’s people draw  their guns. Victor draws his gun, and the truck door opens. The driver steps down, facing away from them, and Madison says, turn around slowly. It’s Charlie, who’s surprised to see that Madison is still alive, and Daniel is surprised Charlie is still here. Daniel hugs her, and she says, June didn’t have what she needed at the Tower to treat the radiation poisoning, but PADRE did and Luciana gave it to her. Madison wonders why Charlie wouldn’t let them see her, and asks, what the hell is going on? Victor says, it’s complicated, but Charlie says, it’s not. She… shot Nick. She was scared and Ennis was dead. She pulled the trigger and she’s so sorry. Madison lunges for Charlie, but Victor holds her back and says, don’t do something she’ll regret. Luciana says, let her explain, but Madison says, there’s nothing to explain. Get the hell away from her, both of them. She flashes back to various times with Nick, and takes a sledgehammer to an old truck. She kills some zombies with it, and Victor brings her oxygen. She breathes some in, and she says, he knew? He says he thought Charlie was dead, so he didn’t think it mattered. She says, he didn’t? The girl she brought into the stadium killed her son. Victor says, she had no idea how it would play out. He should have told her. She hammers at an already downed zombie, and says, it’s not okay. If she hadn’t brought Charlie in, Nick might still be here. If she’d hit Troy harder, Alicia might still be here. If she’d done things differently, they might both be here. Victor holds her, and says, maybe he should take her back to the island. Daniel can handle getting the fuel. Madison asks how and why Charlie is still here. How was she let back in? Victor says, they gave her the same thing everyone else wants – a second chance. Madison asks if Alicia would want that, and he says, she’d be the first one to forgive Charlie. Madison doesn’t think she can forgive Charlie, but Victor says, no one is asking her to. Charlie wants talk to Madison, but Victor says, it’s not a good time. Madison says she wants to hear what Charlie has to say, and Charlie says she doesn’t blame Madison. She hated herself for a long time. She doesn’t expect Madison to forgive her, but she needed to say that since she doesn’t know when she’ll see Madison again. Madison says, Charlie just wants to feel better about herself, and Charlie says, she was 11, scared, and being used by  people older than she was. She’s so sorry she took Nick from the world, so she tried to turn her pain into something more. That’s why she’s doing what she’s doing, making things like this possible. As bad as Nick’s death was, something good came out of it. Just tell her if she can make Madison see the good. Victor says again, it’s not a good time, and Madison says, Charlie snuck into the stadium and fooled her, her son, and everyone. She wants Charlie to do the same with Troy. Charlie asks if Madison wants her to find out what he’s planning, and Madison says she wants something else. She wants Charlie to kill him. Victor says, don’t do this, but Madison says, Charlie took the stadium and her son. It’s the least she can do. Charlie says, Madison is right. She’ll do it.

Daniel says he thinks it’s too dangerous. They know what Troy is capable of. Let him do it. Madison says, Daniel won’t even get close to Troy. He doesn’t know Charlie and won’t see her coming. Daniel says, for years he thought Madison and Luciana were dead. He doesn’t want to risk Charlie. Madison says she knows what she’s doing; don’t make it harder than it needs to be. Charlie says, she’ll bring the fuel to Troy. He’ll be less suspicious if he gets something out of the deal. Luciana says, then what? and Charlie says, she’ll fix it for them. When she comes back, no one will have to worry about Troy anymore. She’ll also find out what happened to Alicia. Madison tells her not to pretend to care, but Charlie says, Alicia was her friend. She knows Madison doesn’t believe her, but she wishes she could take back shooting Nick. He was like a brother to her. Madison says, if he was, she wouldn’t have shot him, and Luciana gives Madison the keys to the tanker. There’s enough gas to last for months. Daniel asks if he can stay until Charlie returns, but Luciana thinks it’s best if he goes back to PADRE. She stays hidden to keep things like this from happening. Daniel says, maybe he shouldn’t have come, and she says she wanted to find him, but needed to protect everyone. He says he’s proud of her for that and her whole operation. Inside, Madison tells Victor not to look at her like that. She’s not letting that a-hole take the island. Victor asks, why, if it’s not what Alicia wanted? and she says, if Charlie is telling the truth, she’ll show them by killing Troy. Victor gets on the radio, and Madison finds a coffee can with a note on top of it that has her name. She says, this is her son, and Luciana says, they were clearing roads, and Charlie wanted to see where Nick was buried to tell him that she was sorry. Luciana didn’t realize how much she missed him until she saw his grave. Charlie said he deserved something better, so they cremated what was left of him and brought him here. He’d been buried in Field Hill country, so they could get to the weapon cache. Victor says, they were in a dark place, and Madison says, Charlie was right; Nick deserves better. Luciana says, they didn’t know where that might be, and Victor says, but Charlie thought Madison would. Madison asks if they can reach her, and Luciana radios for Iron Tiger. Charlie answers and Madison tells her to come back. She was right about Nick. He deserves better and Charlie should be there to say goodbye. Charlie says she can’t come back, but Madison says, Charlie doesn’t have to do what she asked. She was just a kid and doesn’t have to make up for Nick. Charlie says she means she literally can’t come back, and we see Troy’s men aiming their guns at the truck. Troy tells her, get out of the truck, and Madison ask, where is she? How did they find her? Charlie says, they were patrolling the road, when Troy opens the door, and hears Madison asking where she is. Charlie tries to make deal for the gas, but Troy asks why he should trust anyone talking to Madison. He tells her, get out of the truck. They have a lot to talk about. Luciana unplugs the radio and tells Madison that she can’t reveal where they are. Madison says she’s trying to do the right thing, and Daniel says, she wants to do the right thing now? They have to help rescue Charlie. Luciana says, they have to go, and Victor says, they’ve all suffered losses, but Daniel says, they have to try. Madison says, it looks like they’re going back to Troy.

Charlie’s wrists are tied to a chair in a room with shards of glass covering the floor. Troy is whacking the left arms off of zombies that are brought to him, and tells his men to bring in another when he’s finished. Charlie says, he doesn’t scare her, and he slices of her bonds with his sword. He says he finds it easier to talk when things are equitable. Don’t try to run. The last person messed up their feet so bad, they only got a half mile before the dead found them. She asks why he’s cutting their arms off, and he says he’s got to pass the time somehow. She says, he wants Madison to think they’re Alicia. Why did he kill her? He says, he’s the one asking questions. He’s not the only person who’s killed a Clark. Is what Madison said true? Did she kill Nick? Nick was a friend of his; he was like a brother. They were both better suited to this world than the last one. That’s what they thought anyway. Why was Madison trying to protect her? Charlie says, Madison was giving her a second chance, and he laughs. He says, if she believes Madison’s kumbaya bullsh*t, it’s going to get her killed. No one gave them a second chance. Charlie asks what he wants, and he says he wants to know where PADRE is. She asks why he cares, and he says he needs somewhere to set up shop, a place people like Madison can’t take from him. She asks, why not this place? and he says, they took it in one afternoon. They need someplace more secure that no one can take from them. Charlie says, someplace he can take from Madison, but he says, that’s just the icing on the cake. Charlie says she doesn’t know where PADRE is, and he puts his sword to her throat, saying, he doesn’t believe her. She says, she left the gas tankers for them to pick up, and tells him, drop the sword. He says he doesn’t believe her, so he guesses they’ll see how fast she can run with glass under her feet. He starts to unlock the gate keeping the zombies out, and she says, wait. There’s a map in the truck with a list of the drops. Maybe he can use it to figure out where PADRE is. He hears Russell on the radio asking for someone to check an explosion outside. The tanker just blew sky high. Troy says he wants a headcount now, and asks Charlie if it was on a timer. Is that why she wanted them to bring the tanker in? A man on the radio says, they need to get the fire out before it draws more dead, and Troy tells Charlie that she’s going to help him find PADRE whether she knows where it is or not.

Walking down the road, Madison and the others hear the explosion. They hear Russell on the radio asking how big the fire is. A man says, the whole thing went up and it’s spreading fast. Daniel says, it must have been the tanker, and Troy asks if Madison is there. She takes the radio, and asks, what the hell happened? He says, her tanker exploded, and she says she doesn’t know what he’s talking about. Daniel tells Madison that it must have been part of Charlie’s plan to be captured, and Troy says he has Charlie; she wasn’t in the truck when it blew. They must trust Charlie if they sent her in to kill him. He guesses they thought he’d be killed in the blast. Madison tells him not to hurt Charlie, and he wonders what Nick would think. She says, he’d get it. People do sh*tty things and come back from them. Troy says he’s glad she thinks so. She’s going to have to do something that will upset a lot of people. She says she wants Charlie back alive, and he says he wants to know where PADRE is. Victor says, they’ll hit him with everything they’ve got, and Daniel says, Troy doesn’t deserve PADRE. Troy says, the girl or PADRE? and Charlie says, don’t tell him. He kicks the chair over, and she lies in the glass. He puts the radio near her, and Daniel says he’s going to strangle Troy with his bare hands. They head back to their truck, and Troy asks if they hear that as Charlie gasps. He says he’ll kill her if they don’t tell him what it is he wants to know. Madison says, meet her in front of hotel, and she’ll tell him where PADRE is.

They drive close to the hotel, then walk. They see a burning zombie, and Madison says, it’s missing an arm. Where are they coming from?  Troy and his men meet them, and Troy tells them, hold it. There are a lot more of them inside. This better not be a trick. Madison says, no tricks; he has her word. He says he’s not sure that’s worth anything. He’ll hand Charlie over when she gives him PADRE’s location. Daniel says, if he hurts Charlie… and Troy says, let him guess. Daniel will take out his other eye. Daniel says, Troy will wish he did, and on the radio, Charlie says, don’t make a trade for her, but Madison says, Charlie is there because she asked her to be. She asks Troy how she knows he’ll hold up his end of the deal, and he says he’ll send his right-hand man to the location to find out if she’s bullsh*tting. He doesn’t care about Charlie. He just wants a safe place. Madison took everything from him, so he’s going to take everything from her. Madison asks if this is about Jeremiah, but Troy asks if she thinks he gives a sh*t about his old man. She says, then what did she take from him? but he says, it doesn’t matter. All that matters is PADRE. Victor says, there must be another way. They have people to consider like Frank and Klaus. They need assurance Troy won’t hurt the people there. Troy says, they’ll have ample time to leave. He doesn’t care about the people, just the settlement. Victor says he’ll drive, and Troy says, no weapons. Madison tells Charlie that they’re getting her out, and Charlie stabs one of the guards watching her. She says she just took out one guy, and she can take out another. Madison tells her, don’t do this, but Charlie says she’s not going to watch another place Madison built be taken away because of her. Madison says, it’s not her fault, and Troy asks why she’s doing this for Madison. Charlie says she’s not. It’s not what Alicia wanted, and Nick’s death has to mean something. Victor said Alicia’s last words to him when she thought she was dying was, make it mean something. Madison says, they’ll build something else, but Charlie says, he’ll just go after another place. They won’t kill her because it’s the only way for him to get what he wants. Daniel tells Troy, she’s right. If he kills Charlie, he’ll have no leverage and won’t know where PADRE is. Troy says, no one is shooting anyone. Put the gun down and they’ll work it out. Madison says, let Charlie go, and he can have PADRE, but Charlie says, don’t give him the location. Madison says, it’s not Charlie’s choice, but Charlie says, yes, it is. Madison won’t have to give him PADRE if he has nothing to trade. She flashes back to all the people she’s met and being with them, and Daniel says, no! Charlie calls up more memories, then shoots herself. Troy asks if the other guard can’t stop her, but he says, she’s dead. Daniel lunges for Troy, but Victor holds him back. He says, Troy is lying, but Troy says, Daniel heard the guard. Madison says she’s so sorry, and Daniel says he’s going to kill Troy for this. Troy says, this is not how he wanted this to go, but they can’t leave. He needs the map. A man radios that Tracy is missing, and Madison says, they have kids in there? Troy says, why did she think he wanted PADRE? The man says, Tracy said she’d never seen a truck running, and went to the tanker. Troy takes off running and calling for Tracy.

Troy goes to the burning tanker, continuing to yell, Tracy! He shoots zombies until he’s out of bullets, and pulls out his sword. A zombie gets him down, and Madison kills it. She asks what the hell he’s doing, and he says he’s not going to let another kid die after what happened. He opens the cab of the truck, and Madison says, whose kid? He says, she’s not in the cab, and a man tells him that there are dead everywhere, but Troy tells them to keep looking. Madison asks why he didn’t just tell her the truth, and he says, so she could take his daughter? Madison says she didn’t take anyone from him, but he says, that’s not true. His daughter’s mother is dead because of her, and he doesn’t have time for this. Madison follows him as he kills any zombie in his way. She says, he’s been cutting off their arms, making her think Alicia is everywhere she looks. They fight, and Madison gets him down. She asks who he thinks she took, and he says, the woman who rescued him at the dam. She gave him a second chance. He’s got to find his girl. Madison says, now he knows what it’s like wondering where your kid is, and Victor runs up. He says, they’ve got to get out of here, and drags her away.

On the road, Madison sits in the truck and watches Daniel on the truck bed looking despondent. Madison gets out, and we see he’s looking at Charlie’s hand sticking out from the tarp that’s been put over her body. Luciana tells Madison to use the fuel wisely; she won’t get more. They lost Charlie, and now Troy knows about her people. They’re at risk. She let herself get dragged into a fight that wasn’t hers. Daniel wants to go with Luciana, and tells Madison that they sent Charlie into a viper’s nest. There’s something fundamentally wrong with Madison. This is the second time someone dear to him died because of her. Madison says, they need him, but he says, they don’t. They need the army he’s assembled, if she can convince the parents of the children she stole that she’s changed. He tells Luciana that he wants to come and help take care of her like he’s wanted to for years, and she says, okay. He gets in the truck with her, and they drive away.

Victor tells Madison that what Daniel said isn’t true, but Madison says, it is. She sent Charlie to Troy to pay for what she did top Nick. It doesn’t matter that she changed her mind. Charlie is dead. Victor wonders why Troy thinks she killed the mother of his child, and she says she doesn’t know, but she can’t go back to PADRE with Victor. Daniel was right. She can’t ask anyone to follow her. He says, they’re not building it for her, but for Alicia, Nick, Frank, and Klaus. Madison says, if she stays it won’t happen. He has to keep the promise. He says he needs her; he can’t do it alone. She gives him the keys and says, he’s going to have to, and walks off alone.

Next time, Dwight confronts Troy, and Sherry is in big trouble.

🍭 Everyone Gets a Goodie Bag…

Stop in tomorrow for soap and what’s on Deck in the Med. Until then, stay safe, stay keeping your black cat indoors on Halloween, and stay not making it harder than it already is.

Oct23

October 22, 2023 – Madison Reunites With Victor & Ballad

Posted on by
Standard

What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

Fear the Walking Dead

Near a beautiful hotel on the beach, kids are playing soccer, farming is being done, and everything’s idyllic. It’s also in German. Victor comes from the balcony into a hotel apartment, but a man (Frank) and his son (Klaus) call him Anton. Frank kisses him, so I assume they’re a couple. A man knocks at the door and says, they have a new arrival. We see zombies clamoring outside, surrounding a tour bus at the entrance of the hotel. Frank, Klaus, and Victor find a man inside the bus, and Klaus asks if he needs help, Victor translating it to English. The man thinks his arm is infected, and Victor says he’s come to the right place. They take him inside, and the man asks where he is. Victor says, an oasis for the dispossessed, the desperate, the weary. They help people. The man asks why everyone is speaking German, and Frank says, they were tourists visiting this place; the bus was their tour bus. They didn’t make it home, so they made one here. This place is about second chances, and making sure everyone gets one. Victor says, everyone deserves a second chance.

The man gets antibiotics, and Victor takes him to get something to eat. It looks better than my dinner. As a matter of fact, it looks better than the last restaurant meal I had. Victor tells the man that schnitzel will do wonders for his strength, and the man says his infection is already starting to clear. Klaus tells Victor that a new guest was found half-conscious, and he put her in his room. Victor goes to see her, and it’s Madison, who says, Victor? It can’t be. Klaus wonders why she’s calling him Victor; his name is Anton. Victor tells Klaus to help his father and hustles him out. Madison, whose breathing is labored, asks what Victor is doing here, why was Klaus calling him Anton, and why is he speaking German? Victor flashes back to the tower and hugs her. She cries, and says she thought she lost him. He tears up, and she asks, what’s going on? Frank and Klaus come in with the oxygen, and Frank asks if everything is okay. Madison says, his name’s not Anton; it’s Victor Strand. Tell them his name. Victor says, Anton. He’s never heard of Victor Strand. She must be mistaken. Madison says, he’s not telling the truth, and Frank says, Anton/Victor doesn’t know her? Victor says he’s never seen her before, and Madison keels over. Frank hurries to set up the oxygen.

Victor sits at a table with Frank, Klaus, and several others. They discuss Madison, and Victor says he has no idea why she’s calling him Victor. Klaus says, she’s confused and scared, and a man asks if anyone asked her why. Klaus says, she had this in her bag, and shows them a walkie-talkie. He turns it on, and Daniel begins to speak. He’s trying to find Madison, and Victor tells Frank, turn it off, but Frank gives Daniel Madison’s description, and says, they want to help her. Daniel says, if they want to help her, give him her location. Victor grabs the radio, turning it off, and says he’s trying to protect them. She can’t stay. Frank says, she is staying, and asks if anyone disagrees. No one does, and Frank tells Klaus to take Madison some soup. Victor says he doesn’t want Klaus alone with Madison, and Frank asks, what is he so afraid of? Victor doesn’t answer, and Frank tells Klaus to make her feel at home.

Madison wears an oxygen mask, and her wrists are tied. She asks if Klaus would mind cutting her loose, but he tells her that his dad said it’s not safe. She asks what he thinks, and he asks why she thinks he’s this Victor Strand guy. She says, because he is, but he says he knows his dad wouldn’t lie. She says, he doesn’t know Victor, and Klaus asks why he would pretend to be somebody he’s not. Madison says she doesn’t know, but it’s pissing her off. Klaus feeds her some soup and sees her Nick and Alicia tattoos. He asks who they are, and she says, they were her kids. He says, were? He’s sorry. She sees a bird he’s rescued, and she says, her kids rescued a bird when they were around his age. He says, the birds get confused, and fly into the hotel windows. She asks if he always helps, and he says, everyone deserves a second chance. She asks, who taught him that? and he says, his dad, Anton. She asks where his mother is, and he says, his parents split up when he was little. His father brought him here on holiday before the world changed. They got stuck and they’ve been here ever since. He never saw his mother again. Madison says she’s sure his mother would be proud of him, and Klaus says, Madison seems cool too. She says she doesn’t think everyone would agree, and he says, they listened to her walkie. Why are they after her? She says she’s not sure. They were hit out of nowhere and their boats were stolen. He says, she must have done something, when Victor comes in, and she says she’s got to hand it to him. He made something here, even if it’s a lie. Klaus says, he’s not lying, and Madsion asks why Victor is hiding. Frank radios and says, they have new guests, but they’re not welcome ones.

On the bus, a man named Russell says, they’re looking for a woman that they heard is hiding out here. Victor says, that doesn’t narrow it down, and Russell says, her name’s Madison. Frank asks what they want with her, and Russell says, that’s their business. Frank says, sorry, they can’t help, and Russell asks if they have children here. Frank says, some, and Russell says, this woman was one of PADRE’s top collectors. She’s been broadcasting that she’s trying to rebuild PADRE. Frank says, that seems like a good thing, but Russell says, seems ain’t is. This particular leopard doesn’t change her spots. The head of their outfit knows her for who she really is. Daniel’s voice comes on the radio, and he says he knows they’re monitoring the channel. Russell cuts the radio off, and Frank says, she’s not here, but Russell thinks she is. He says, there’s two ways this can go. Hand her over, and they walk away. The voice they heard on the radio isn’t alone and he seems determined. If they have to fight to get her, they will. Do they want that fight on their doorstep? Victor flashes back to tossing people off the roof, and says, she’s here. Frank says, what the hell?

They find both Klaus and Madison are gone, and Russell says, she took him. Victor says he told them she seemed dangerous, and Russell says, if she gets him back to PADRE, they’ll never see their son again. Victor looks at a bulletin board and says, that’s not where they’re going. This is. He shows them a tour brochure, and says, Madison tore the map off before they left. Frank wonders why she’d take Klaus there, and Victor says, there’s only one way to find out.

They go to the shoreline, and Russell says, they came in two boats; she must have taken the other one. He asks Victor and Frank to hand over their weapons; they’ll get them back when they get where they’re going. Daniel comes on the walkie, asking if Madison is there, and Russell says, listen old man, you’re better off without her, but Daniel says, hurting her would be a grave mistake. Russell says, it’s not his call, but it will go better for her if they back off. Daniel says, too late for that, and Russell looks through binoculars to see Daniel and some others coming toward them in a boat. Russell says, he found them. If they leave now, they can still lose him. Victor looks conflicted, and flashes back to Daniel. He runs back up the beach stairs, and Frank follows him. Russell says, screw this, and the boat takes off. Frank and Victor run through the woods.

Frank asks, what the hell is wrong with him? and Victor says, it’s not their fight, but Frank says, Klaus needs them. Victor says, they’ll find another way, but Frank says, they took the only boat. Victor says he knows where there’s a raft. Zombies are toddling around in the woods, and Frank asks why Victor is so upset. Victor says, Madison has their son, but Frank says, before that. She called him someone else; is he? Victor wonders how he could ask, and Frank says he knows Victor hasn’t been fully honest with him; he’s always known Victor wasn’t truthful. Frank lived a lie, hiding who he was with Mia and Klaus. Whatever’s going on, Victor can tell him. Victor sees the raft, and says he used it years ago, before they found each other. Frank says, the years were not kind to it, and Victor says, let him do this alone. He goes through the stuff in the raft, while Frank kills a zombie coming toward them. He asks if Victor is the man Madison talked about, but a zombie blindsides him, getting him down. Victor stabs it through the back of the head with a sword, and Frank asks where that came from. Victor says, it’s what he was looking for. More zombies come, and Victor suggests they move now.

They walk in the dark, and Frank tells Victor, there was nothing they could have said to make Klaus stay. He thinks Madison reminds Klaus of his mother. He wasn’t there for her when the world changed. Maybe Madison made him feel like it was a second chance at helping her. Victor takes his Frank’s hand, and says, Frank never told him what happened after he told Mia his truth. Frank says, she was angry and confused. In the end, the truth set them free. He should have come clean sooner. Victor asks if she forgave him, and Frank says, of course, as he would Victor, if he’s Victor… Victor says, he’s not Victor, and Franks says, if he is Victor, whatever he did, he’s sure it’s forgivable. Victor says he’s not that man.

Victor sees the library from the tour map, and Frank says, they’re here. Inside, Klaus tells Madison to wake up. It’s going to be okay. Stay with him. Frank and Victor come in, and Klaus hugs Frank. Franks asks, what happened? and Klaus says, they ran out of oxygen on the boat, and he was trying to find more. They have to help her; she’ll die if they don’t. Frank says, finding oxygen here is going to be difficult, but Victor says he has an idea. He looks outside in a cooler and finds a tank, and Frank asks how Victor knew it would be here, but Victor says he didn’t. With this many rafts, he figured they carried supplies. Frank says, like he happened to find the sword, and Klaus says, there’s no time to argue. They see a boat out on the water, and Frank says, it’s them. Victor says, they need to go, but Klaus says, not without Madison. Victor says, there’s no time, and Klaus says, then he’s staying with her. He defended Victor to her, saying, his dad would never hand her over to people like that. Maybe Victor isn’t who he thought he was. Victor says he is and he’s going prove it. He tells Frank to take Klaus home. He’ll be behind them after he helps Madison. He takes the oxygen, but Frank says, he can’t do it alone. Victor says, Frank took a chance on him when they met. Frank saw the man he could be. Let him prove he can still be that man. Frank kisses Victor, and says, be careful. He and Klaus head out in the boat.

Victor gives Madison the oxygen and says, they need to go. She asks what he’s doing here, and where Frank and Klaus are. He says he sent them away, and she says, so he could throw her to the wolves again? Victor says, the wolves are circling and he came to help her. He promised his son that he would. She can either come with him and live, or stay here and die. They grab some supplies, and Victor says, they’ll take the zodiac. Madison asks, then what? and he says, they’ll talk about it when they get there. Madison says, she couldn’t protect her own settlement, calling him Victor, and he says, his name is Anton. She asks if he’s scared sh*tless that his family is going to find out who he really is, but he says, they already know. She says, he was ready to let her die to protect his secret, and he says he’s here, isn’t he? She asks if he’s cutting her throat with that sword, then going back and telling his kid those people did it, but he says, he’s not who she thinks he is, and she says she doesn’t know who the hell he is, taking a swing at him. They hear a gun cock, and Russell says he found them.

Madison says, don’t do this, and Victor says, whatever she did, they can work it out. Russell says, Victor has no idea how far back this goes. Madison says she doesn’t even know who he is, but Russell says he knows her. Victor says, whoever he thinks she is, that’s not her anymore, and Russell wonders why he should believe Victor after what he pulled on them; they’re the same, pretending to be something they’re not. He’s not fooled. Madison asks what he wants, and Russell says, PADRE. They’ve been looking for a place like it for a long time. She’s going to show him where it is. Zombies intrude on the conversation, and while Russell and his men are distracted, Madison grabs a gun and she and Victor take off. Russell and his men follow, shooting.

Victor says, the boat, but Madison says, they’re not going to make it. They have to go back. They kill some zombies and run back inside the library. Madison tries to shut the door, but some of the zombies are partway inside. She says, the door isn’t going to hold, and Victor says, the bookshelves. They tip the bookshelves over, blocking the zombies, but they’re still reaching over. Victor kills some of them, nearly gets pulled over when one grabs him, and loses his sword. They’re backed against a wall, and Madison runs out of bullets. Victor tries to radio Klaus and Frank, and says, they need help. He tells Madison that he’s sorry, and she asks if it’s him talking or Anton. He says, it’s him, and she asks why he’s pretending to be someone else. He says he had to. Whatever he was called, he had to leave that person behind. She asks what he did, and he says, what he had to. He created a thriving tower, a place where people could be safe. He was ruthless, even to Alicia; he betrayed her. When the tower fell, they washed up on these shores. Some of them were taken to PADRE. Others were struggling to survive. He tried to help them, but they wouldn’t let him; they couldn’t forgive him. He tried to help find food to make almonds amends, but when he came back, they were dead, just like the ones here. He hated being Victor, so he killed him. He died with everyone else. She asks what he became; who is he? He says, the last time he saw Alicia, she told him that she loved him. He didn’t think anyone could. When he met Frank and Klaus, he could be the person Alicia thought he was, but he could only do it as someone else, as Anton. Madison says she understands. Klaus is a good kid. He did all right. He takes her hand and thanks her. The zombies are agitated and reach for them, and he says, Alicia had the chance to watch him die and after everything he did, he deserved it; Alicia didn’t. Madison asks, why didn’t she? and he says, because her mother taught her that no one is gone until they’re gone. Everyone deserves a second chance, no matter what. She says, they’re not so different. They got rid of the people running PADRE. She got rid of them and promised the kids she took that she’d help find their parents. She sent out messages from the repeater station, hoping their parents would hear her. He asks if they did, and she says, some, but they weren’t the only ones listening. Those people heard and she drew them to her. Now she’s put everyone else in danger. He says she was just trying to help, and she says, that place and what she promised those kids is all she has left. Klaus comes on the radio and says, the soldiers are here. They got inside. Suddenly, the zombies are shot from behind with a machine gun by Russell and his men. Russell grabs Victor’s sword and starts shoving everything aside. On the radio, Klaus says, Victor has to get back, and Russell says, they’ll take him to them. He whacks Victor in the head with the sword and everything goes black.

When Victor and Madison wake up, and find they’re tied to chairs. Russell says, welcome back, and we see Klaus and Frank are also tied up. Russell says, he told them to hand Madison over. This could have been avoided. Victor says, if he hurts them… and Russell says, it’s not up to him. Madison asks who it’s up to, and he says he’ll let him tell her…  A man walks in, drops his duffel bag, and tells Madison, it’s been a while. She says, Troy, and he says he’s just as surprised as she is. He knew he’d find her when he heard her radio broadcast, but he didn’t think she’d be keeping the same company as she did in Mexico. Frank says, he’s making a mistake. This man isn’t who he thinks. Troy says, that isn’t Victor Strand? and Frank says, his name’s Anton. Troy is confused. Troy says he thinks Frank is the one that’s confused. About Victor, and certainly about Madison. He’ll tell Frank the truth about who she is. Even better, he’ll show him. He takes off his shades, and one of his eyes is messed up. He says, it’s not pretty to look at, but that can happen with a bad hit to the head from a hammer. We flash back to Madison whacking Troy, and he says, this is what she did to him before she left him for dead in Mexico. After she destroyed his family’s ranch and killed his brother and father. He lost them all because of her, and Victor helped. Madison asks what he wants, and Troy says, the same thing he’s wanted since she took it from him. The same thing he’s been helping these people find since he was pulled out of the rubble in Mexico – a home. She took his, and now he’s going take hers. She says, he’ll never find it, but he says she’s going to tell him – he takes out a hammer – or he’s going to do to Victor what she did to him. He grabs Victor and raises the hammer. Victor tells Madison, don’t do it. Hold onto that place. It’s what Alicia would want. Frank says, tell them what they want to know, and Troy asks, how many people is she prepared to hurt? Frank asks Victor to look at him, and Victor says his name is Victor Strand. He lied to Frank about so much, but what he felt for Frank was real. He says he loves them both in German, and as Troy is about to hammer Victor, Klaus says, no.

Daniel comes in, holding a knife to guard guy’s throat, and says, drop the hammer. The entire crew marches in, and June says, do it. Daniel says, drop the weapon, and Troy suggests Daniel follow his own advice, but Daniel knocks guard guy out, and someone knocks the hammer out of Troy’s hand. Madison gets free, and Daniel suggests, the next time, make sure they’re dead. June and the others keep their guns on Troy, and Troy asks what Daniel thinks he’s doing. Does he think he’s going to stop them? They know where this place is now, and they’ll keep coming back. Madison says, do that, and there won’t be anyone here for him to hurt. Her plan of building is about to expand. They took her in when she needed help, and she’s going to do the same. Troy says, she just told them what she did to him. What makes them think she won’t do the same to them? She says she did things she regrets, but the place she’s building isn’t about her. It’s about keeping something bigger alive. Daniel says, they have to get out of here, and Madison says, she’s building it for her kids, for Alicia. Troy says, she’s making a mistake. It’s the same thinking that got Alicia killed in the first place. She asks, how the hell would he know? and he says, because he killed her. She calls him a liar, and he says, she doesn’t believe him? He pushes his duffel bag toward her with his foot, and says, open it. Daniel tells her not to listen to him. Let’s get out of here. She takes out Alicia’s mechanical arm and asks, what is this? Troy says, she doesn’t recognize it? It belonged to Alicia. He took it off her corpse after he killed her. I yell, don’t believe him! at the TV, and Madison grabs the hammer, but Victor holds her back. He tells her not to let Troy get in her head. Troy says he would have put her down, but after all the wandering around he did in Mexico, he thought it was only right that he let Alicia wander too. Maybe Madison will find Alicia, or Alicia will find her and she can finish the job. She wants a fight? They’ll give her one, but the question is; what is it she’s even fighting for?  

This season, Madison says, someone’s got to stop him; Victor wants to go with Madsion; Madison says she has to put Alicia to rest and build PADRE into what she wanted; Daniel is going to strangle someone with his bare hands; and zombies, zombies, and more zombies.

👮🏽‍♀️ Busting Some Ghosts…

Join me tomorrow for soap and shenanigans in the Med. Until then, stay safe, stay dressing appropriately for that office Halloween party, and stay knowing, no one is gone until they’re gone.

Aug26

August 25, 2023 – Cody Asks Sam For Help, Newbie, Atlanta Receipts, Called Out, No Shock, Leaky Deck, VanderLock, Tasty Move, New Horror, Dead News, Second Last, Stray Training, Apple Pups, 9 Crisp Quotes & Out

Posted on by
Standard

What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

General Hospital

Willow comes into the hospital, and Elizabeth asks if she’s had a setback, but Willow says, just the opposite. She wants to get back to work. Does Elizabeth have room for one more nurse?

Finn sets up the backgammon board, and Tracy says she hopes he’s been practicing. He’s going to need it. He asks if she’s kidding. He has an eight-year-old daughter, and there’s not a day that goes by that there isn’t new disease at the hospital to challenge him. Does she really think he has time to practice backgammon? She looks at him, and he says, okay. The minute he knew she was back in town, he started practicing his ass off. She says, good choice – she takes a paper out of her pocket – because according to her calculations, Tracy-47, Finn-29. He says, 47-29? She kept that all this time? She asks what he thinks and he says, of course (🍷) she kept it; she’s winning. She says she loves to win, and shakes the dice.

Cody says he’s desperate here. Sasha’s in trouble, and Sam could be his only chance. She says, to get himself locked up in Ferncliff? and he says, to help Sasha. She says she thinks it’s a terrible plan, but he says, it’s the only plan he’s got. Please. She says she won’t help him, much less be the one who commits him.

On his phone at the Crimson office, Sonny asks what Brick’s got for him. Has the fake information Betty stole from his computer been downloaded?… He gets that, but he’s impatient. It’s just that he wants some answers. He may have to figure this out. Nina comes out of the elevator, and Sonny says, he’ll see Brick later. Nina comes in and asks, what’s wrong? Sonny says, nothing. A beautiful woman is in front of him. What could be wrong with that? She says, nothing’s wrong with that, and they hug. Absolutely nothing.

At the pool, Molly thanks Alexis for coming, and Alexis says, of course (🍷) she would be here. She knows how much this means to Molly and TJ. Molly says she really wants Alexis to like her, and Alexis says she thinks it’s more important that Molly and TJ like her. Molly says, they really do, when Andrea comes in. Molly introduces her to Alexis, and they sit at a table. Kristina appears in the doorway and sees them.

On the phone, Brook says, so it’s all true?… She can’t say she’s completely surprised. She could kill her with her bare hands… No, no. Not them. A certain member of her family.

Tracy asks, how’s Finn’s father? and Finn says, he’s… fine. She says, fine? Really? She was supposed to have dinner a few days ago at the MetroCourt with her sister-in-law who had to cancel. There, she ran into Finn’s father, who coerced her into having dinner with him. Finn asks, how bad was the dinner? and she says, actually, the food was much improved now that Carly Spencer is no longer running the show. He says he meant, how was his dad’s company? and she says, he’s charming, but he couldn’t hide the fact that his hand was cramping. What’s wrong with him? Finn says he’ll have to ask her not to pursue that line of questioning, and she asks, why? He says he’d prefer not to lie to her, and she says, fine. He shakes the dice, and asks how Ned is doing. She says, he’s still singing on streetcorners and hanging out with her favorite person, Sonny Corinthos. And how is Detective Chase? He says, Chase is convinced Tracy is forcing Brook to give up her music career to work at Deception, and she says she needs to ask him not to pursue that line of questioning. He asks, why? and she says she’d prefer not to lie to him. He laughs.

Willow tells Elizabeth that she’s feeling stronger every day. She’s got her energy back and she’s really starting to feel like her old self again. Elizabeth says, that’s such great news, and Willow says she loves her time with Michael and the kids, but what she really wants is to get back to nursing. Taking care of people who need help, like she did when she was getting her transplant. This hospital is full of excellent nurses who took such amazing care of her and really supported her when she needed it. She’s not sure what she would have done without them. Elizabeth says, they do have excellent nurses here, but Willow wasn’t just any patient; she’s one of them. Willow says she wants to pay it forward and give that type of care to other patients who need it. Elizabeth says, that’s why they do this, and she’s all for Willow coming back to GH because she’s an amazing nurse, and she can’t wait to have Willow back on rotation, as soon as her doctors approve her return. It would be a bad way to repay all those nurses by coming back too soon and pushing herself too hard, compromising her immune system. Willow says, of course (🍷). She agrees. That’s why she’s here, to talk to Dr. Randolph and see when she’ll be approved. Elizabeth says, great. This place needs people like Willow, and she can’t wait to get that documentation that says Willow is ready to work.

Sonny says he doesn’t want to keep Nina from her work. Maybe she should see if something urgent came up. Nina says she’s just fine in his arms. Besides, there’s nothing that can’t wait. He asks if she’s sure about that, and she says she would have gotten a text or an email from one of her assistants. He says, maybe its one of those old fashioned phone things. Why doesn’t she just check it out? She asks why he’s acting so weird, and he says he doesn’t want her to miss something important. She goes to her desk and finds a jewelry box, and asks, what’s this? He says he doesn’t know; maybe she should open it. She opens it, and says, oh! revealing a stunning diamond pendant necklace. She says she loves it; it’s beautiful. He says, it’s going to be even more beautiful when he puts it on her, and she asks if it’s an apology for being so secretive with her. He says, yes and no, and she asks, which is it? He says, why doesn’t she turn around and he’ll put it on her. She says, it’s gorgeous (it gets my vote), and he says, it’s absolutely amazing, putting the necklace on her. He hooks the clasp, and she asks how it looks. He says, she looks beautiful and that just compliments it, and she says, he always has a way of making her feel special. What happened to him to put him so at ease? He says he’s just happy, but she says when she saw him in his office the other night talking to Ava, they both seemed pretty tense.

Sam says, even if she wanted to – which she doesn’t – she couldn’t have Cody committed because she’s not related to him. Therefore, there’s no legal standing to do it. He says, easy fix, and she says she can’t wait to hear this. He says he gives her power of attorney. She becomes his medical executor. She says, so he appoints her one day, and she has him committed the next. That’s not going to look suspicious at all, is it? He says, it’s good enough to get him into Ferncliff, and if people start asking questions afterward, who cares? She says she cares. This is a bad idea. He says, no, it’s not. It could work. She says, this is a pointless discussion because she’s not going to do it, and he says, why? She says, because she’s not going to do anything that’s going to make Sasha worse.

Andrea says, the view from up here is amazing, and Alexis says, you can see most of Port Charles from up here. Kristina says, TJ likes to come here and go swimming to blow off steam, and afterward they grab something to eat. Alexis notices Kristina, who ducks out. Molly and Andrea discuss the food there, and their favorite dishes. Alexis looks over and sees Kristina is gone.

Tracy says she wins, and Finn says he has the feeling that’s her favorite phrase. She says, it’s definitely one of her favorites. Isn’t he even going to try to beat her? He says, just wait til next game, and she says she appreciates his enthusiasm, adding something to the paper. She says, the running score is now 48 to 29, and he tells her that she doesn’t have to say it so loud. He’s surprised she doesn’t have her own Quartermaine score tab stationery with a little family crest on it. He can see it now; one for Brook, two for Tracy, Ned zero. She says, that’s a clever idea, and he says, you’re welcome. She asks what they’re going to talk about now that he’s removed his father from the topic of conversation and she’s removed her granddaughter? She knows he doesn’t want to waste any more time talking about stationery. He says he discovered a fascinating new bacteria… but she says, no. Infectious diseases is off the table. He says he has a topic, and she says, Monica’s cheap china or business cards? He says, what about Luke?

Gregory comes into the hospital, and Elizabeth asks if he’s here to see Finn, but he says, actually, he was hoping to have a word with her. She says, sure. Is everything okay? He tells her, let’s just say, it’s extremely important.

Sam tells Cody, they’ve been over this. Sasha has suffered a psychotic break. Right now she needs medical attention because she’s dangerous and delusional. He says, no, she isn’t, and Sam asks what he’s talking about. He has a scar on his side where Sasha stabbed him. He says he’s telling her that Sasha is being drugged, and somehow, Gladys is responsible for it. How is he the only one who sees it? She says, he may think that, but Sasha also has a history of mental illness, and he says he knows all about her history, but one minute she’s fine, and the next minute, she’s hallucinating. How does that happen? He’s telling her, something isn’t right. She says, okay. Say he does get in to see Sasha and he pushes her further into her delusion. He says he wouldn’t, but she says, he doesn’t know that. Or maybe even the worst-case scenario. Maybe she thinks he’s Cyrus Renault again and attacks him a second time, and he’s not so lucky and winds up in the hospital, or worse. He says he’s thought through all that. He’ll be on his guard this time, and he can defend himself from Sasha. She says she’s not worried about him, and he says, gee, thanks. She says she’s worried about Sasha and him traumatizing her more. Is he willing to take that risk?

Sonny says he understands why Nina feels excluded, and she says, good, because she did. First, Dex and Gabe wouldn’t let her in the penthouse. Then when she went to his office, she found him talking with Ava, and she seemed to be in the know about what was going on. He says, because he and Ava share Avery, and she says, but then he tells her that it’s for her safety that she doesn’t know. Who wouldn’t feel left out? He says, because some things in his business are better left unsaid. They’ve gone over this a thousand times and he doesn’t want to put her in danger. She says, he’s willing to put Ava’s life in danger? and he takes her hand. He says he came here to apologize for making her feel like an outsider. He doesn’t let her in on things because it puts her at risk. She knows everything else. She says she feels like Frank or Gabe when his office door is shut in her face, and he says he doesn’t ever want her to feel like an employee. She says she knew from day one what she was getting into when she fell in love with him, and she accepts all of him; this charming, amazing man in front of her, and the ruthless businessman. She loves all of him. He says he doesn’t ever want her to forget how much he loves her. That’s all that matters. She says, just let her in. Maybe she can help him. She can handle it. He says, some things are best not knowing.

Kristina goes to the reception desk and asks if Dr. Randolph is in. Walking by, Willow says, Dr. Randolph had an emergency that pulled her away, and Kristina hugs her. She says, Willow looks great. It’s nice to see her out. Willow says, it’s great to be out. She’s feeling a lot better. Kristina says she’s sorry she didn’t come see Willow. She didn’t know when Willow was accepting visitors again. Willow says, it’s okay. After she left the hospital, she had to restrict her visitors to a small group, since her immune system might be compromised, but now she’s almost fully recovered, so they can see each other any time. Kristina says, that’s amazing news, and Willow says she couldn’t be more grateful for what Liesl did for her. She’s actually here to see Dr. Randolph too. She’s hoping to get the all-clear to go back to work. What about Kristina? Is she okay? Kristina says, not really. Actually, it’s probably best she doesn’t see Dr. Randolph today.

Elizabeth tells Gregory, she’s officially on break, so she’s all his. What’s going on? Are Finn and Violet okay? He says, they’re fine, and they sit down. He needs her to accept his apology. She says, for what? and he says he’s been keeping something from her, from everyone close to him. But the time has come for him to be up front and transparent. He waited too long. He never should have agreed to watch Violet the other night. She asks, what happened? and he says he fell, and Violet came in and saw him on the floor. She says she’s sure it was scary for Violet, but she’s going to be okay. What about him? Is he hurt? Does he want to see a doctor? He says, no. The fall was nothing serious, but Violet was worried and so was he. He told Finn and now he’s telling her. He has ALS.

Tracy tells Finn that she keeps forgetting Luke is gone. The fact that he’s not around to drive her crazy is something she finds impossible to wrap her head around. Finn says, she really misses him, doesn’t she? and she says, yeah. He has her at loose ends, so she concentrates on her good friend – she nods to him – and focuses on a business project she’s involved in. He asks if she wants to talk about it, or is it one of those subjects they shouldn’t pursue a line of questioning? She says she prefers not to lie to him, and he laughs. Brook storms in and says, how could she? Tracy says, they’re in the middle of a game, and Brook swipes the board onto the floor. She says, now they’re not.

Nina and Sonny sit at a table, fully set for dinner in her office, and she says, one of the perks of having her office in the MetroCourt is that she can have them send dinner down when they’re feeling hungry and romantic. He says, speaking of romantic, they haven’t even talked about the details for the wedding, and she says, they’ve been a little preoccupied. Him with whatever he’s doing and Michael, and her with  the MetroCourt and the magazine and Willow. He asks if they can focus on themselves. They haven’t even set a date when she wants to marry him. She says she’s glad he asked because she wants a winter wedding, and she wants their table centerpieces to be filled with anemones and orchids and roses, and she was thinking about wearing an off-white gown. He says, she thought about this? and she says, a little. He says, a lot, and she says, if they have a winter wedding, she saw these amazing emerald and gold invitations; they’re gorgeous. And he would look dashing in a burgundy tux, and she could picture them in Crimson’s January issue. He says he’s not very comfortable with being splashed across her magazine, but he does like a winter wedding because they have time to plan and she can have what she wants. She says, there’s another reason she wants to wait for winter. She wants to make sure Willow is fully recovered. If they have a wedding before Willow is completely cleared, she thinks it would be disrespectful to her. He says, Nina wants her to come around so she can be part of the wedding.

Kristina says she doesn’t know if Willow heard, but she’s starting an LGBTQIA+ youth center here in Port Charles. Willow says, Michael told her. She thinks it’s an amazing idea. Kristina says she asked Dr. Randolph if she would be on the board of directors, and Willows says, she would be excellent. What did she say? Kristina says, she seemed interested, but she didn’t commit yet, so she’s here hopefully to convince her to get on board. (No pun intended?) Willow says, she will, and Kristina says she’s glad she ran into Willow first. She’s realizing she’s not quite in the right head space to talk to Dr. Randolph today, and the worst thing she could possibly do is throw herself into business to distract herself and potential risk messing things up for the foundation. Willow says, distract herself from what? and Kristina says, from feeling left out of her sister’s life.

Alexis asks what led Andrea to wanting to become a surrogate, and Andrea tells her, like she said, she’s married. She and Ben have a young son, Randy; he’s just a baby. Her husband is a plumber and she used to work as an executive assistant. Alexis says, so she’s no longer working, and Andrea says she really wanted to stay home with her son and not look for another job, and she and her husband decided being a surrogate would allow her to do that. Randy’s young enough that he won’t remember her being pregnant. Someday they’ll explain to him of course (🍷), when he’s old enough to understand. Alexis says, it’s good to come clean about things like that, and Andrea says, at this point, he’s so young, he won’t anticipate a sibling when he sees her pregnant. So it won’t mean anything to him. Alexis asks, what will it mean to her?

Cody tells Sam that he can’t think of anything more traumatic than Sasha being trapped in Ferncliff. Please, just hear him out. She sits down, and he says, so Sasha had a breakdown after her baby and husband died within a year. Then she started using drugs; that’s when she cracked. That’s when she smashed in the windshield. Sam asks if he’s trying to prove her point, and he says he gets it, but then Sasha got help. She made a full recovery and was doing so great, she was even able to go back on TV selling Deception’s beauty products. And just when she’s ready to dump Gladys as her guardian and start taking control of her own affairs, she cracks again, even worse than before, leaving greedy Gladys in control of her money. Come on. Doesn’t Sam find that way too convenient?

Finn points to the game on the floor and says he was going to win. It doesn’t matter; Tracy and Brook should talk. He’ll show himself out. Tracy says she apologizes for the rudeness of her granddaughter. She was clearly raised by her mother. He says he’ll call Tracy later and leaves. Brook asks why she did it. Why? Tracy says, do what? and Brook says, go after Deception and in the process hurt her friends. Tracy says, please. She’s told Brook time and again, there are no friends in business. Does Brook think her great grandfather could have built ELQ into what it is today by making friends? Besides, they got what was coming to them. Brook asks how she can say that, and Tracy says, Lucy Coe stole the designs for The Deceptor. Brook says, from who? Tracy? Tracy says, no, and Brook asks, then who? Tracy says, from the company she’s working with, and Brook says, so there it is. Tracy just revealed the whole plot. Tracy used her. Tracy says, Brook used her to get Chase back his job, and Brook says, and Tracy used that to blackmail her into hurting her friends so she could help some random company. For what? Some revenge on Lucy Coe? Some bizarre vendetta? What’s happened to her? My guess: Tracy is working with Martin’s ex-wife number three, whose idea he inadvertently passed to Lucy.

Cody tells Sam, Sasha isn’t in Ferncliff because she’s a danger to him or herself. She’s in Ferncliff because she’s a threat to Gladys controlling her money. Sam asks if he really believes Gladys had Sasha drugged and sent to Ferncliff so she could remain in control of Sasha’s assets, and he says he’s played cards with Gladys. She’s an addict, like anyone who’s addicted to booze or coke. She says, that’s a big accusation to make, and he says, yeah, and Gladys has an even bigger debt to pay. Addicts are liars. He has no idea what lies Gladys has told herself to justify what she’s doing to Sasha. Frankly, he doesn’t care. All he cares about here is the victim. So is Sam going to let Sasha just rot in Ferncliff, or is she going to help him get in there and help her?

Sonny tells Nina, Willow’s on the road to making a full recovery, so they have to believe that. Nina says she does. She saw Willow earlier at Kelly’s and she looked a lot better. She just doesn’t want to tempt fate. He says, she’s going through a lot; she’s been through a lot. She’s a fighter. Nina says, she is a fighter, but it’s hard not to worry about her, and he says, they’re always going to worry about their kids. Nothing’s going to change that. But Nina’s been doing a lot of praying, and her prayers seem to be answered. Nina says, Sonny knows her a little too well, and he tells her not to forget that. He knows how important it is to have Willow at their wedding. Nina says, they’ve made a lot of progress. They’ve had some really good conversations, and Willow has made it clear she wants more of a relationship with her. He says, that’s great, and she says, it’s just going to be a long, hard road to rebuild that trust, but she wants Willow at the wedding, and they both know she won’t attend as long as Michael’s not there. (I dunno about that.) How does he feel about that? He says, if Michael wants to show up, nothing would make him happier. If you’d asked him six months ago if there was a chance Michael would come to their wedding – they laugh – he would say, no way. But you‘ve got to have hope, and he and Michael are doing a lot better. She says, that’s great, because she knows how important that is to him. He says, they’ve got to be thankful for everything they’ve got, and things seem to be looking up for them.

Willow says, Kristina can talk to her. What happened? Kristina says she knows she can trust Willow with this, and the secret is going to be out in nine months anyway. Molly and TJ have been having some infertility issues; Molly specifically has been. Willow says, poor Molly, and Kristina says, she’s been taking it really hard, and ever since they found out, she – they – have been talking about ways to have a baby of their own. So Kristina stepped up and committed the unpardonable sin of offering to be their surrogate. Willow says, wow. That is quite an offer. She’s taking it that it didn’t go over well. Kristina says, but it should have. You’d think Molly would see it as the selfless and loving gift she intended it to be. Instead, she’s insulted and completely shut Kristina out.

Andrea says she’s sure Alexis knows, there’s no greater joy than being a mom, and she was blessed with an easy and healthy pregnancy. If she can somehow pass that joy on to Molly and TJ by being their surrogate and giving them the gift of being parents, she’s also providing for her family and she’s willing to do it. Molly says, she and TJ can’t thank Molly enough. And they’ll both be there for Andrea every step of the way. Andrea says, luckily, she does know what to anticipate with the pregnancy, and going into it, knowing she’s carrying Molly and TJ’s baby and not her own, will make it possible for her to do this. That’s why she signed the contract. Alexis says she knows something about contracts, having been a lawyer for most of her life. She also knows what they can’t do. They really can’t capture the emotional part of what it means to have a child. So she thanks Andrea. It’s an incredible gift Andrea is giving to her child.

Elizabeth says she’s so sorry this is happening to him, and Gregory thanks her. It’s been a struggle to wrap his mind around it. (There’s a lot of that going around.) He put off facing it for as long as he could, which is why he hid his diagnosis from Finn and Chase for so long. He still hasn’t found the strength to tell Chase. Now that Finn knows, on the one hand, he’s relieved; on the other hand, he knows his son. She says, he’ll do everything he can for Gregory, and he says, that’s what he’s afraid of. Finn will act as both his doctor and his son, and he’ll forget to feel. But he’ll need to be in touch with those feelings, and for that he’ll need Elizabeth. Gregory dreads what’s ahead for him, but knowing Finn has her beside him, supporting him, he can dread it a little less.

Tracy says, what’s happened to her? What’s happened to Brook? Chase has softened her beyond recognition. Brook says, thank you, but Tracy says, that wasn’t a compliment. Brook says, Luke’s death has hardened Tracy more than she could have possibly imagined. She’s not only destroyed a company, she’s destroyed dreams. Does she understand that? Tracy says, please, and Brook says, if there’s any merit to this suit, it could bankrupt Deception. Tracy says, well, then Lucy Coe hasn’t kept very good books if her company’s that financially fragile, and Brook says, she’s unbelievable. This could leave Deception vulnerable to a hostile takeover. Or it could crumble before it ever has a chance to get back up on its feet. Tracy says, that’s the plan.

Elizabeth says she’ll do everything she can to support Finn, and Gregory. And she’ll be there for Chase and Violet. Gregory tells her that he had no doubt she’d say that, and thanks her. She asks, who else knows? and he says, at this point, it’s her, Finn, and Alexis Davis. He knows he’s being a coward, but he’s dreading telling Chase. She says, he’s anything but a coward. Facing this alone for months takes way more strength than he’s willing to admit. He’ll find the right moment to tell Chase. He says, Chase is the baby of the family, but boy, the optimist; the one who believes no matter how bad things get, it’s going to be okay in the end. He doesn’t know how to tell Chase that he’s sick, getting sicker, and one day, he’ll be helpless. There are days when he doesn’t believe it himself, but then his hands cramp up, or he struggles to stand up, or he falls down like he did with Violet, and it hits him. He’s going to die. This is real. She says, yeah, it’s real. There are still good days ahead, and she’s going to help him enjoy them. He thanks her and they hug, and Finn sees them.

Brook says, what plan? What is Tracy really after? She hasn’t been interested in ELQ in years, and that’s money to run a small country. What’s really going on here? Who sets out to ruin people’s lives? Oh wait. She’s sorry. Of course (🍷). A Quartermaine. Well look how well that’s turned out for this family. No wonder her dad woke up thinking he was someone else. Who’d want to be Tracy’s kid? Brook stomps out, and Tracy ponders this.

Andrea thanks Molly and Alexis for the lovely meal and even lovelier company. She’s so glad she’s in the position to help Molly and TJ. Molly says, they’re the fortunate ones to have found Andrea, and Andrea tells Alexis, it’s been a pleasure. Alexis says, it was a pleasure for her as well. It was a wonderful night. Andrea leaves, and Molly asks what Alexis thinks, and please, be honest. This is too important for anything else. Alexis says she likes Andrea. She thinks Andrea has a good head on her shoulders, and a good understanding of what it’s like to be a surrogate. Molly says she’s so relieved to hear Alexis say that, and Alexis says she thinks Molly and TJ are going to make fantastic parents. Molly thanks her, and they hug.

Kristina tells Willow, if she’s honest, it feels like Molly is punishing her because she can have a baby and Molly can’t. She knows that sounds harsh. Willow says, Kristina has a right to her feelings. She won’t pretend to know the answers, but one thing she’s learned is that babies are great bridge builders. Once the child is there and you’re interacting with this small miracle and the immediacy of them, it makes the old wounds seem less painful. So don’t assume she and Molly will feel this way forever. It’s very possible once the baby gets here, Kristina will just be aunty and Molly will be mom, and neither one of them will feel the need to be so territorial. It’ll all get easier. Kristina says she really hopes Willow is right, and she hopes the same for Kristina and Nina. She knows there’s negative history there and she gets it, but she’s been spending some time with Nina and she’s really a good person. Kristina’s dad loves her a lot. Maybe it’s like Willow just said, the immediacy will make the old wounds seem less painful. She hopes things get easier for Willow too, and Nina. Willow says she likes the sound of that.

Nina says, she and Sonny need to have these romantic dinners more often, and he says he knows. He’ll see what he can do. They kiss and his phone rings. He says he’s got to get this, and she says, go. He steps away and asks, what’s the update?

Cody says, what if it was Sam in Ferncliff? Or one of her sisters? Alone and afraid, being held against your will, being told by the doctors and staff that you’re crazy. Wouldn’t she want someone to check on her and make sure she’s safe? Wouldn’t she want someone to do something for her if she wasn’t? Wouldn’t she want someone to save her if they could? Or would she prefer everyone just stands on the sideline, does nothing, and hopes for the best? Because when that doesn’t work out, her and everyone she loves are going to regret it for the rest of their lives. Sam says, okay. She’ll do it. She’ll have him committed.

On Monday, Marshall asks if Portia has any good news; Lucy calls Martin an idiot; Trina tells Josslyn, there’s got to be a way to bring them back together; and Stella tells Curtis that he’s not giving up.

⚖️ New Lawyer In Town…

Too bad Nora wasn’t available. Then we’d have both Pine Valley and Llanview representing.

Carly Hughes Cast on GENERAL HOSPITAL!

🍑 Peach Of a Reunion…

I’ve been watching this off and on, but I still can’t get the image out of my head of Shereé and Marlo screeching at each other in gibberish back in (I think) season 4. No one seems to have matured much since then either.

VIDEO: See RHOA Season 15 Reunion Trailer! Kenya Serves Marlo a Subpoena, Drew’s “Incriminating” Texts With Ty Are Exposed as Ralph & Drew Face Off, and Kandi Accuses Drew of “Gaslighting”

🍊 Clap This…

Tamra can make justifications and excuses all she wants, but that episode was disgusting, and she hasn’t changed for the better in all these years.

RHOC’s Tamra Judge Claps Back After Bethenny Calls Out “Naked Wasted” Drama With Gretchen and Accuses Her of Going After Son Ryan, Plus Claims Narrative Aired is “Completely False”

🛟 His Ship Is Sinking…

Never liked him. Never will.

Former ‘Below Deck’ Production Member Accuses Gary King of Sexual Misconduct

https://people.com/below-deck-sailing-yacht-gary-king-accused-alleged-sexual-misconduct-7852575

⛴ The Latest In Decks…

Not sure how I’m going to feel about Captain Lee’s replacement.

Everything That’s Leaked About Below Deck Season 11

🍸 Because Can’t Let It Go…

Why doesn’t he just leave already? No matter what she says, this can’t be comfortable for her.

https://ew.com/tv/vanderpump-rules-ariana-madix-sleeps-with-door-locked-tom-sandoval/

At least she has something to balance it out.

Ariana Madix Opens up About ‘Calming’ Relationship With Daniel Wai

🍜 Tastes Change…

It’s a wonder she didn’t end up in the hospital from exhaustion.

Padma Lakshmi Reveals Why She Left Top Chef

👹 Delicacies Of Horror…

Some of what to expect in AHS season 12.

https://ew.com/tv/everything-we-know-about-american-horror-story-12-delicate/

AHS trivia. Maybe they should do an AHS: Barbie.

https://ew.com/tv/margot-robbie-almost-starred-in-american-horror-story-asylum/

⚰️ Dead Review…

Apparently, it doesn’t take much to impress him. Just because you’re not repeating the same lines over and over doesn’t make it art. TBD.

https://winteriscoming.net/2023/08/24/norman-reedus-teases-walking-dead-daryl-dixon-making-art/

For the life of me, I can’t remember this guy.

https://undeadwalking.com/2023/08/24/fear-walking-dead-watch-return-troy-otto/

Teasing Rick and Michonne. Mostly Michonne.

https://undeadwalking.com/2023/08/22/walking-dead-ones-live-teaser-cast-release/

Maggie’s plans in the City.

https://undeadwalking.com/2023/07/26/walking-dead-city-season-2-maggies-plan-negan/

🏞 Mapping the Last…

They’re ready to roll. Now if the strike would just end.

https://ew.com/awards/the-last-of-us-season-2-mapped-out-craig-mazin/

🐶 No Dogs Under 17 Allowed…

I think this says it all: For years, I have been saying, Somebody needs to make an R-rated talking dog movie, the animal trainer says.

https://people.com/strays-dog-casting-training-exclusive-7692967

🦮 Pets in 3D…

I love it! Kudos to Apple. 🍎

https://people.com/dogs-with-prostheses-star-apple-iphone-campaign-the-invincibles-7724735

🐝 Quotes of the Week

Life begins at the end of your comfort zone. – Neale Donald Walsch

You measure the size of the accomplishment by the obstacles you had to overcome to reach your goals. – Booker T. Washington (Well, if I ever reach my goals, it will be one helluva yardstick.)

New beginnings are disguised as painful endings. – Lao Tzu

No person was ever honored for what he received. Honor has been the reward for what he gave. – Calvin Coolidge

Nobody can make you a doormat unless you lay down on the floor. – Judge Star Jones, Divorce Court

Whatever we believe about ourselves and our ability comes true for us. – Susan L. Taylor

Today stretches ahead of you waiting to be shaped. You are the sculptor who gets to do the shaping. What today will be like is up to you. – Steve Maraboli

The fruit of your own hard work is the sweetest. – Deepika Padukone

Don’t spend major time on minor things. – Jim Rohn

🍒 Outside the Club…

While you’re enjoying what’s left of the summer, stop by on Monday really Tuesday for soap and random cups of tea. Until then, stay safe, stay tempering your ambition with courtesy, and stay being thankful for everything you’ve got.

Jun19

June 18, 2023 – Morgan Sees Red, Dead In the City & New World

Posted on by
Standard

What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

Fear the Walking Dead

There’s a mishmash of images in Morgan’s head; chaos, bloodshed, Grace and Mo. Madison snaps him out of it, and tells him that she heard about Grace and came to see if he was okay. When she got here, he was killing them. There are fallen dead all around him, and he says he doesn’t remember killing them. She says he attacked her too, but he doesn’t remember, and he tells her that Mo is at the shipyard. He’s got to stop her. He screams for his ax like Joan Crawford/Faye Dunaway in Mommie Dearest. He’s graffitied the train car, and says she needs to get away from him. In losing Grace like he lost Jenny, he’s afraid of losing Mo too. He thought he was past seeing red. When he does, all he does is kill; until he’s cleared. Walkers and people; it doesn’t make a difference. It’s a cycle and it’s starting again. He swung his ax at her, and doesn’t remember. Who knows what else he might do? She says she’s not leaving him. She’d lost herself when they met, and he helped her back. Whatever happens now, she’s with him. She’ll make sure he doesn’t lose himself. He says he has to come back and bury Grace right. He can’t lose Mo. He doesn’t think he’ll survive it. She says, then let’s not lose her. She leaves, and he looks at his bloody hands.

They go to the shipyard, and there are dead zombies all over the place. Some are still up and moving though, and Morgan does his clearing thing, seeing red. Madison calls to him, and says she tried to stop him; they helped. He sees Daniel is there, along with the rest of the army. He asks if he hurt her, but she says she managed to stay out of the way. Only the prefects were here, and they got out. As they trudge through the water, Daniel tells Morgan that June is monitoring PADRE from the repeater station. The dead overwhelmed the prefects and pushed them back to the water. Mo led them out. The island’s been evacuated. Morgan radios Mo, and says, a friend once told him, you can hide, but you can’t run. The only thing that will ease the hurt is the people she has left; the same thing she’s running from. He starts to see red again and tells Madison about the settlements PADRE wants to build. He’s afraid if Mo goes with them, he’ll never see her again. Madison says she’ll go after Mo. Mo ended up at PADRE because of her; let her make it right. June radios Daniel, and says, it sounds like the prefects are surrounded by walkers on a couple sides. They’re going to a houseboat. Morgan is worried about it sinking, but Madison tells him that they’ll get to it before it sinks. Morgan says, it’s overgrown. She’ll never find it. Daniel says, then he’ll have to be the tour guide. He gives her his ax.

Crane and Shrike land on shore. Crane tells Shrike that he got rid of any trace of their files, but he couldn’t find the coordinates. Shrike says, they must be somewhere they haven’t looked. Brilliant deduction, Sherlock.

Mo sees the houseboat, and a flare goes up. She radios PADRE One, and Shrike tells her to double back. They’re not on the houseboat. PADRE is moving ahead with the expansion, but they need the coordinates to launch it; that’s what it’s always been about. Mo wonders why they can’t decide on their own coordinates, but Shrike says, these were developed to provide the perfect conditions for community. The coordinates are hidden in a pair of binoculars on a Carrion named Krennick. Kill as many as they can until they find him. Morgan radios Mo, saying, don’t listen. Get to the houseboat. Keep herself safe until he gets there. Shrike will get her killed. Shrike says, no, Morgan will get her killed, but Morgan says he’s not going to lose his kid. Mo says, he already has. Don’t make it harder than it already is. Daniel says, they can do this, and Madison says, they’ll have to fight their way toward Mo. Morgan sees red, along with the images of death and angst in his head, and tries to get his ax. He sees himself fighting Madison, but the next thing he knows, he’s in quicksand along with his ax. Mo tells the prefects that they’re going to split up to cover more ground, and Morgan radios her. He says, what she saw at the house on the walls is happening again. He doesn’t know what he’s done or might do. Promise him to forget what he told her. If she sees him, run from him.

Dwight loads a gun, while Sherry nurses Finch. June comes in and asks where Dwight is going. He says, Shrike’s going to the swamp, and he’s making sure she doesn’t come out. He’s going to stop Shrike from doing to the kids what she did to his. June asks him to let her do it. She wasn’t there for her daughter and should have been. Finch needs him. So does Sherry. Let her do this. He gives her the gun and goes to Finch and Sherry.

Morgan is in the swamp, seeing red. Mo stabs him in the collarbone, and says, he thought she was Carrion. She’s sorry, but she had to stop him. Madison radios, and Morgan says, she needs to help Mo at the houseboat. Gasping for oxygen, Madison says she’ll try, but she doesn’t know if she can find it without him. Morgan tells Mo, turn around and walk away.

He wakes up in the sinking houseboat, one arm chained to a railing. Mo says, he passed out, and it was the only place she could bring him. It’s the safest one. Zombies are starting to get uncomfortably close, and he tells her, cut him loose, and he’ll kill the zombies. She needs to get as far away from him as she can. She says, why couldn’t he just let her go? Now they’re trapped like before, because of him. She was trying to run away. He asks why she didn’t, and she says she didn’t want to watch him die like Grace, but now there’s no way out. He tells her that they’re breaking the cycle, as zombies break through the hull of the boat. He sends up a flare with one hand, and Madison sees it. She radios that she’s on her way, but Shrike pops out of the woods, and says, no, she’s not. Madison says she needs to get to the houseboat, and Shrike says, so is she. She should have just killed Madison. Shrike is about to shoot Madison, but Daniel shoots a warning shot at her first. He says, the next one will be in her head. His army comes out, and he says, meet the parents of the children she stole. She says, rescued, but he assures her that they don’t see it that way. Dove says, they’re stuck trying to live a life that’s been dead a long time, and Daniel tells Madison to get in the boat. He’s going to try to get through to them. Madison takes off, and there’s a gun battle as Madison paddles away.

Zombies are closer to the boat, and Morgan asks for his ax, but it’s still a hard no. Mo stabs the zombies in the head, and says she’d rather fight them than him. He tries to get loose, and begins to see red as more zombies break through. He radios Madison, who says she’s coming as fast as she can, but she’s not sure it will be enough. He says, it has to be. Mo needs her. Madison says, and she needs oxygen. He wouldn’t let her save Mo before. He says, she still can. He gives Mo a scuba tank, and tells her that she’s going to swim right under. She refuses to leave him, but he says he’ll find a way out. He’s not going to make the same mistake he made 7 years ago. They were surrounded by walkers, and the boat was sinking. Mo was just a baby, and he thought it was all over. He saw red, and when he came to, his hands were covered in blood, and he was standing over her. He called PADRE to get her because he didn’t trust himself to care for her. Swim until she’s clear of this place. Mo takes the tank, and dives, and Morgan radios Madison. He says, Mo is going to be okay. She says, what about him? but he says, just find her. Make sure she doesn’t get on the ship. Shrike gets on the radio and says, if she finds the coordinates, he’ll never see Mo again, but he says he doesn’t think so. The walker they’re looking for with the binoculars is in front of him. He’s going to bury the coordinates at the bottom of the swamp, where they’ll never find them or him. He reaches for a rifle nearby, and sees red, along with images of Mo in distress. We jump to Madison fishing him out of the water. She tells him, the houseboat went under, and she had to pull him out. He asks, where’s Mo? He has to stop her. Madison says, he’s going to get himself killed, but he says he can’t lose her. Madison says, when PADRE first got its hooks in her, it was with her kids, and her kids were the only thing that kept her going. Even when Alicia thought she was dead, Alicia kept Madison with her. Shrike comes flying out, asking, where is he? She’s freaking out for the first time, and losing control, and Morgan says, he went down with the ship. Then, of all the zombies in all the towns, Shrike’s dad comes through the water. Shrike falls to her knees and cries, remembering him. He comes out of the water, clutching at her, and tears her neck out with his teeth. Madison kicks him off of Shrike, and brings down the ax. She tells Shrike that she’s sorry, and takes the binoculars, as we all would. She takes out the coordinates, and Shrike says, dad, I’m sorry. Madison says, he was always with her.

Crane has Daniel and the others on their knees, and tells the prefects, guns up. He shoves Daniel, saying, don’t look at him. Mo runs joins them, and asks, what’s going on? Dove says, the army is stopping them from finding Carrion, but didn’t have what it takes, and Crane says, you know what comes next. This is what they’re trained for – shoot them. That doesn’t happen, and Dove says, they’ve been given an order – fire. Daniel says, they won’t do it. Making a child kill for the first time is harder than you think. Dove says, he’s wrong. They heard Crane; pull the trigger. Daniel says, don’t listen to them. When he was young, he was in the same position. He wishes someone had stopped him. It will haunt them for the rest of their lives. Dove says, enough. This ends now. Guns up. Pull the trigger. Nope. Crane says, pull the trigger now, and he and Dove hassle Hawk, but he won’t shoot. Morgan runs up, and says, hold your fire. Mo asks why he’s here, and Dove tells her not to speak to him. He tried to kill her. Morgan says he’s not here to hurt anyone, and Madison says, they’ve got the coordinates, holding them up. Crane asks what they want for them, and she says, nothing. Morgan says, they’re going to give the coordinates to them, and Crane says, it’s a trick. Morgan says, it’s not a trick, and Daniel starts to protest, but Morgan says, if that’s what it takes to end all this, let them have it. He’s letting Mo go. If she thinks this is what she needs, he won’t stand in her way. Mo says, he told her that he didn’t want to lose her, and he says he doesn’t. Dove says, he’s just messing with their heads, and Morgan says, it started when he lost his wife and son; he lost himself. When Dove’s mom died, it started again, but he thinks he can break free of the cycle. Madison led him to it. She said, you never lose the people who matter. Crane says, enough, and Madison says, his sister couldn’t kill them. She saw their father, and remembered what he wanted PADRE to be; what he died for. Morgan says, part of him was still alive; Crane’s sister saw it. They’re a part of the people they love. Go to the ship and see where it leads them, but remember the people they’ve left behind who will remember them. They might not know today or tomorrow how important it is, but the day will come.

Mo puts her hand on Crane’s arm, and he lowers his gun. She tells Morgan that she wants to be with him, and they hug. Everyone is like, aww, except for Crane, who cowers like the big baby he is.

Shrike wakes up on an operating table, June watching as Shrike sees a snapping zombie head above her. Shrike cries out, but June says, no one is going to hear her. Morgan and Madison told her where Shrike was, and she brought Shrike here. Shrike says, there’s still time. Give her a dose of radiation. Please. June radios Dwight and Sherry, asking what to do, but Finch stops Dwight from answering for a moment. He says, don’t make her feel this, and Dwight tells June, make it quick and painless, and June tells Shrike, it’s less than she deserves. June stabs the head, when Crane walks in. She points her gun at him, but he says he just wants to see Shrike. June says, either he does it or she will. He blubbers and shows her that he’s unarmed. June tells him, bury her deep, and find another place to live. She leaves, and Crane and Shrike cry, but I have little sympathy.

At the shore, Morgan thanks Madison for helping him find his daughter and himself. But there is something else. Whatever comes next for her and the kids, they don’t need him to get it done. He’s been thinking about the people he ran away from when he arrived. He has to find them; see if they’re still there. Right his mistake, and make sure they’re okay. He wouldn’t do this if he didn’t believe the rest were safe with her. She says she thinks they only see her as a woman who took their kids away, but Morgan says, she’ll give them good reason not to. Mo says, Madison gave her a reason, and hands Madison her old jacket back. She thanks Madison, and hugs her. Morgan hugs Madison and says, they’ll always be with her. Mo and Morgan get in the boat, Mo leaving her prefect mask behind, and they row away.

Sherry and Dwight bury Finch, marking his grave with a wooden name plaque. Dwight asks if PADRE didn’t give him the name, but Sherry says, he made it his own and no one can take it away from him. She asks what they’re supposed to do now, and Dwight says he thinks it’s got to be the end of them. No matter where they go, or what they do, it stays the same. Sherry says, it never stops, and he says, it just seems to get worse. Maybe it’s not because of a-holes like Negan and Shrike. Maybe they’re not meant to be together. Sherry tears up and asks where he’s going. He says, back home. He thinks he can start over. She says she doesn’t want to hurt him, and he says he doesn’t want to hurt her either, but it seems to be what they do to each other. Sherry says, then let’s put an end to it, and he says he’s sorry. They hug. Pfft! Why is Dwight doing this?

Dove asks Madison if they’re getting on the ship, and Madison tells the group that there are files on the island that tell them where they came from and who their parents are. Some of them could still be out there. They’ll find them and bring them here. They’ll make PADRE what it was meant to be in the first place.

Morgan buries Grace in a large makeshift graveyard. Mo comes along in normal clothes, having ditched her uniform. He hugs her and gives her a not-pokey stick to practice with. She goes to wait for him, and Morgan goes to the grave of E. Eastman. He says, as much as his weapon has changed since Eastman gave it to him, he supposes he has too. Eastman made that all possible with everything he gave to Morgan and taught him. Morgan has realized all life is precious, but it’s not about killing or not killing. It’s about what you do with the time that you have and the people you have. Morgan needs him to look after Grace. Mo practices in the background, and Morgan tells her, every swing has a reason. Either strike or block. He asks her to show him, and she makes some moves. He says, they need to get going, and she asks, where? He says, remember the friend he mentioned; the one who told him not to run? He thought they’d look for him. Mo asks if he thinks they’ll find him, and Morgan says, it wouldn’t be the first time they found their way back to each other. He gets on the walkie, and says, this message is for Rick Grimes from Morgan Jones. He’s going to look for Rick, whether he’s at Alexandria or not. He’ll leave this message every day at dawn and leave the walkie on for a few minutes. Who knows? Maybe Rick will even be listening. He looks at Grace’s name plaque, kisses his palm, and places it on the ground where she’s buried, thinking of everyone he’s lost. He picks up his ax, and says, let’s go. They start to walk, and they both turn for a second, like they heard something, then keep walking.

A message comes over the radio. This is Madison Clark. If you can hear this message, you are in a territory PADRE has patrolled. PADRE has fallen. They are no longer a threat to you or your children. She gives some coordinates to come find any children, and someone listening writes them down. Madison says, if they can’t get there, send an SOS to this channel, and they’ll find them. They’ll do their best to reunite them with their children and make up for the damage PADRE did. The listener packs a bag with a bunch of weird weapons, including a mechanical hand.  

The final season returns this fall.

🗽 Dead Spoilers…

While the first episode was more of a set-up than anything else, I don’t think this show is going to disappoint. I’m thrilled that we’re finally getting out of Georgia, but even better, NYC is a phenomenal backdrop for zombies. Okay, maybe I’m a little biased, having spent a good portion of my life there, but it’s definitely fun new territory. I didn’t recap, since this week I dealt a laptop death, a dog stepping on a bee, and pulling a hamstring during a workout. I was like, isn’t Vanderpump Rules and that incessant ad with the woman singing about her A1C enough? Anyway, I just wanted to enjoy it, but I did jot down some highlights. If you haven’t watched it yet, don’t read them.

Maggie is looking for her son, and while she still holds a grudge against Negan, she needs his help to find Herschel. She hunts Negan down, then they follow a lead she has to NYC. They travel through New Babylon, a capital city where marshals keep order. One in particular, Perlie Armstrong, is out to get Negan. Zombies are called chompers in this one, and among the many new dangers the city holds, they get bombarded by zombies falling from rooftops. On the plus side, a little ice cream type truck tours the streets, playing crooner tunes, and luring zombies. Like gossip columnist Cindy Adams always says, only in New York, kids. Only in New York. Herschel, now a young man, is being held captive by The Croat who reminds me a little of Teddy. He wants information, but Herschel isn’t giving it, and it looks like he’s the type to show no mercy.  

🗯 Best quote, from The Croat, talking about the city after the zombie apocalypse: The irony is that in death, the city is so much more alive than it ever was. Because the struggle, it galvanizes you. Shows you the strength you had inside all along.

Oh yeah, and there’s cockroaches.

⚰️ Dead Tired…

Come on back on Monday really Tuesday for soap and what’s on Deck. It looks like another double episode, but I have no clue why this is a thing now. Until then, stay safe, stay having a Happy Father’s Day, even if you just father a plant, and stay remembering it’s about what you do with the time that you have and the people you have.

https://www.youtube.com/watch?v=WfrIqRoPWo8
Jun12

June 11, 2023 – Grace Gets the Radiation Treatment & Nightlife

Posted on by
Standard

What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

Fear the Walking Dead

Grace asks where they are, and Mo says, on a boat. She asks, what happened? and Morgan says, she got bit. It’s going to be okay. June has a way of treating bites that stops the infection and the fever. They’re going to spend some time together; her, him, and Mo. Some guards in a boat behind then start shooting, and Dwight says he’s pushing the boat as fast as he can. Morgan gets June on the radio, and tells her that Grace has been bit, but they can’t amputate. He asks if her treatment might work, and she says, maybe. He says, they’ll take that, and she explains that the equipment they need is on a train car. He says, Grace is burning up, and asks, where the last place was June saw the train car? Shrike comes on the radio, and says, it’s not there. Why do they think she put it on wheels? To keep people like them from messing with it. She’ll tell them where the train car is, and even give them an escort. She’ll allow June to administer treatment. Morgan asks what she wants in return, and Shrike says she paid a little trip to King County. She saw how many walkers he killed single-handedly… except for the one that bit Grace. There’s a trainyard nearby with containers that have thousands of Carrion inside. She needs them all cleared. She doesn’t care if he gets help; she just wants it cleared. She was going to have the prefects do it, but why, when she has him? That’s how Grace gets a shot at living.

Grace wakes up on a moving truck, and asks where they’re going. Morgan says, they’re going to a shipyard, and then she’s being taken to meet June. Grace asks how he knows they’ll do what they say, but he says, they’re not clearing the shipyard until she’s with June. He radios Daniel, who says, they’re armed and ready, but need assurances they’re not walking into a trap. Shrike assures him the Carrion are real and she wants them dead. The contents of the containers are valuable to her. Morgan says, they’re going to clear. She just has to tell them where the train is. Shrike says, no guns; it has to be done by hand. There are supplies they need to rebuild the world in the containers; supplies and munitions. One stray bullet, and PADRE’s entire legacy goes up in smoke. He asks why she didn’t tell them that before, and she says she knew they had an army, but not an armory. Daniel says, Morgan already told her too much. It’s too dangerous now. He can’t ask his soldiers to do this. Morgan says, he can’t back out now, but Grace takes the walkie and tells Daniel, it’s okay. She doesn’t want anyone to die for her. Daniel says he’s sorry, and Morgan says, they can do it without them, but Grace says he has to be there for Mo; and Dwight and Sherry need to be there for Finch. Morgan says he had to watch Jenny die from a bite. He can’t do it again. She says, he can’t save her. It’s not like she had much time anyway. Mo asks what she’s talking about, and Grace says, before the bite, she was sick. It’s cancer. Mo asks if June can’t help, but she says, no. She’s been running away from it for a long time, and it’s finally catching up. She has months, maybe a year, left. Mo says, that’s a lot more than a day, and the truck stops. Morgan asks Shrike, what’s going on? and she says, if he’s not going to help, they have to make sure Grace doesn’t hurt Mo or Finch when she turns. Grace is dragged from the truck, and Morgan says he’ll do whatever Shrike wants. Grace says, don’t let Mo watch, but Mo surprises everyone by jumping one of the guards, pushing their gun out of the way. Dwight, Sherry, and Morgan knock out the rest of the guards, and Shrike asks if they copy. What’s their ETA? Mo says, Red Kite taught her well. She’s going to fight for every minute she can get with Grace. Shrike tells them, if it’s done, move on to Nightingale, Red Kite, and Starling, but Dwight says he’s afraid the guards won’t be able to comply with those orders. Shrike says, no one’s ever stolen a child from PADRE before, but Dwight says he thinks Finch and Mo are going to be the first of many. Morgan suggests they see if the map in the truck has the train location, but Grace says, they’ll never make it there in time. She hands him a paper and says she wants to spend the time she has left with him and Mo there. They look at the map, and Mo points out the train tracks, saying, it has to be further down the line. Morgan wants to know what the coordinates are that Grace gave him, and Dwight says, it’s a repeater station, like the one Grace serviced for PADRE, and Mo says, she’s sick; she doesn’t know what she’s saying. Mo just got them both back, and doesn’t want to lose them again. Morgan says, they’re going to get Grace to the train car, and tells Sherry to raise June. Tell her to do everything she can to meet them there. Shrike isn’t going to make this easy. Mo says, they’re fighting for someone they love, and they’re going to win.

Back on the boat, Grace hears Shrike on the radio, but Mo says, it’s not them being talked about. Morgan says, Dwight and Sherry are acting as decoys, and Grace says, the coordinates were inland. Where are they taking her? Mo says, to the train car, and Morgan says, June is going to try and meet them there. They’re going to try and give her more time. Grace says, trying is going to get both of them killed. He asks why she wanted to go to the repeater station, when they hear shots in the distance. Morgan asks Mo to get Dwight on the radio, and asks if Dwight is okay. Dwight, Sherry, and Finch run into an abandoned house, and Dwight says, they’re pinned. Sherry says, they can’t stay long; the guards can flank them. Dwight says, they know they’re following the wrong people, and tells Morgan that they may have company soon. Morgan says, if Shrike is listening, it’s him she wants. Let Dwight and Sherry take Finch and go. Sherry wonders if Shrike will listen, but Dwight says, not after what they’ve done. They sent prefects; she knows they won’t kill them. I wonder why, and Dwight says he’ll lay down suppressive fire. If they do what he taught them, they’ll fall back and regroup. Sherry takes off with Finch.

Morgan asks again why Grace wanted to go to the repeater station, and she says, it’s their future. Over the years, she’s been scavenging things for PADRE and collected other things too. Things to make a home. Things to make Mo feel safe. Morgan says he thought they agreed PADRE was the best thing for Mo, but Grace says, that doesn’t mean it’s what she wanted. She should have said something sooner. Maybe they would have changed their minds. She waited until it was too late, like always. She wanted a moment for Mo to see what it was like. Morgan says, they can still do that. June can stop the infection. A flare goes up, and Mo says, they know we’re here.

Dwight finds Sherry with Finch under a bridge, and Finch says he had to stop and catch his breath. Dwight asks if he got shot, but Sherry says, no. He’s burning up though. Finch says he can still keep going, but Dwight tells Sherry to call June. Sherry tells June that Finch is burning up, and June asks what the bite looks like. Dwight takes a look, and it’s not good. Finch asks if he’s going to be okay, and Sherry says, June will figure it out. June asks if the bite is red and inflamed, and Sherry says, it is. June asks about the skin around it; is it hot? Dwight says, yeah, and June says, the infection could be back, but she really needs to see them. She asks where they are, and Sherry says, Grace’s repeater station; it’s close by. Dwight says he’ll send the coordinates, and June asks if Morgan was listening. He says he was, and tells her to go to Finch. She says she’ll meet him at the train car, or walk him through it if she has to. Mo says, they can’t give up, but Grace says she can’t have them risking their lives for a treatment that doesn’t work. She wants to spend the time she has left with Mo and Morgan. Morgan asks if Mo remembers the place the walked through with Madison. If they block the entrances, they can stay there for as much time as they have. Mo says, they can’t give up, but Grace says, it’s not giving up; it’s accepting how things are. Another flare goes up, and Morgan says, Dwight was right. They’re getting close. He’ll lead them away and take the long way to the carnival. He’ll meet them both there. He gets out of the boat, and Grace thanks him for understanding. He promises he’ll see her soon, and kisses her hand. He tells Mo to look after her mother, and they row away.

Grace hears Morgan over the radio, saying, he’s where they said they’d meet, but they’re not here. He thinks he knows where they are, and he’ll find them. Mo tells Grace that he’ll understand when she’s better. Grace tells her to stop, but Mo says, they don’t have time. Every minute counts. We see Mo is pumping a handcar down the railroad tracks, and she says she doesn’t know why Grace and Morgan can’t see it, but she can. They’re going to save Grace’s life. Grace says, even if they get to the train car, it won’t work, but Mo says she’s going to show Grace that she’s wrong. Grace says, the prefects are going to take Mo back to PADRE, and Mo stops. She says, they found us, and Grace tells her to call her dad, but Mo says, he’ll make them go back. The tracks are blocked by a group of people, and Grace begs Mo to walkie Morgan.

Going into a little building, Sherry wonders why Grace wanted to come here, but Dwight says he doesn’t know. June is on her way. He carries Finch inside, and puts him on a bed. It looks like a somewhat normal house, and Sherry says, Grace must have been preparing for life after PADRE. She tells Finch to stay strong, and June arrives. June comes in with Daniel, and tells them that Madison is standing guard.

Dove tells Mo, stop right there, and Grace says, do what they say. Mo says, Dove wouldn’t hurt her, but Dove says, don’t be so sure. Mo asks if they know the truth about PADRE. There is no PADRE. He’s been dead a long time. And Shrike and Crane are full of sh*t. They’re doing all this all because they lost their dad. Dove says, PADRE isn’t a person. PADRE is an idea. The right one. Mo moves forward a bit, but Dove stops her and says, don’t make her do this. Grace tells Mo, no, and Mo says she knows how angry Dove was when she found out her mom was dead. She doesn’t think Dove wants her to feel that too. She moves forward, and Dove steps out of the way. Mo tells Grace that they’re going to save her.

Mo gets Grace to the train car, and flares explode in the distance. Mo says, they’re going to have more company; they’re drawing Carrion. She blocks the connecting door, and Grace asks how Mo knew the prefects wouldn’t hurt her, but Mo says she didn’t; she took a chance. She radios June to say they made it. She asks if June can help her, and June says she thinks so. Mo asks, what made Finch sick? and June says, it’s not the radiation; the infection’s back. She didn’t give him a high enough dose to kill it. She was afraid any more of the radiation would kill him, but thinks she has it now. And if Grace already has cancer… Mo says, they don’t have to worry about how much radiation she gets. June says, it might buy her the time she wants, and Mo asks how Finch is. June says, they’re working on it. Whatever Mo does, don’t let them destroy that equipment. Is she ready? Mo says, tell her exactly what to do.

June gives Mo instructions, and Mo gives Grace the radiation. treatment. She asks Grace if it worked, and Grace says she hopes so. Mo asks June how long it takes to work, and June says, it could take a while. If her temperature falls, that’s a good sign. If it goes up, they’ll deal with it. Dwight asks what that means for Finch, and June says, Grace had the infection longer than Finch did before she treated him. If this dose works for Grace, it might work for Finch too. Dwight asks what she means by might, and Mo asks for final instructions. June tells her to power down the machine and turn off the generator. She doesn’t want Mo exposed to more than she needs to be. Mo does as June told her, and zombies clamor outside. She says, they’re not going to be able to get out of here, and Grace says, her dad is on his way. Where are the prefects? Mo is sure there around somewhere. They’re going to try and stop dad from getting to them. Grace says, she was so brave back there when they tried to stop her, and Mo says, losing Grace seemed scarier. Grace says, when she was Mo’s age, she didn’t even have the courage to pick up the telephone, and Mo asks what a telephone is. Grace laughs weakly, saying, she forgets how different it is for kids like Mo now. That’s what she was trying to do at the repeater station. Show Mo how things were; how they could be. Mo says she can still do that, and Grace groans. Mo says, she’s getting hotter, and radios June. June asks her temperature, and Mo says, 106. What’s happening? June says she’s sorry. The radiation therapy didn’t get to her in time. Mo says she got there as fast as she could, but June says, it’s not her fault. Even if she’d gotten it immediately, it might not have worked; it hasn’t on anybody else. Mo says, tell her how much to give Grace, but June says, she won’t survive any more. Mo says, she won’t survive anyway. Tell her how much. Grace tells Mo that she did everything she could, and Mo says, how much? but June says she can’t help Mo any more. Enjoy the time she has. Morgan radios Mo as he runs, and says he’s on his way. Mo says she tried, and he says he heard it all. She says she’s sorry, but he says, she has nothing to be sorry about. She tells him, be careful. There are prefects in the woods. He says, if they’re smart, they’ll listen to him. he knows they can hear. Don’t you try to stop me. He yells it again, don’t you try and stop me! He asks to talk to Grace, and Grace says, it wasn’t mean to be. He says he should have listened to her before, but she says, it’s okay. She understands why he didn’t. He says he doesn’t think he’s going to make it before… She says she’s so sorry, and he says, if he can’t make it, Mo’s got to leave. Grace says, she can’t; there’s walkers outside. He says she knows what she has to do right? and she says she knows. She loves him. I love you so much, my darling. And nothing… nothing will ever change that. He says he loves her. He’s not ready to let her go. She says, neither is she, and he keeps moving. Grace says she doesn’t want to hurt Mo. She’s going to go before he comes. She asks Mo to pick up a scalpel, and says, if she can’t hold out, Mo has to promise she’ll do it before she comes back. Mo promises, and says, all Grace wanted to do was spend more time together, and she took that from her and dad, but Grace says, Mo gave them more time. Mo says, no. She wasted it. All the time they had left. Grace says she’s not talking about today. There was a time things were really bleak… We flash back, and she says, she and Mo’s father were thinking of ending things. They came so close to doing it. Does she know why they didn’t? We flash back to baby Mo interrupting their suicide attempt, and Grace says, they heard her crying. She gave them a reason to live. We see them with baby Mo, and Grace says she gave them more time than she knows. Mo cries, and Grace closes her eyes. She’s gone. Mo says, mom? and shakes her, but there’s no response. She stands there looking at the scalpel, and we hear the zombies outside. She says she’s sorry. She can’t do it. Grace opens her eyes and snarls. (Sad as it is, I can’t help thinking, cool.) She comes after Mo, who drops the scalpel. She gets Mo up against the wall, and tries to bite her. Mo pushes Grace into some equipment, and tries to move the cart from in front of the door, but Grace grabs her. She screams, and reaches for the scalpel, but it’s too far away. Morgan gets there just in time, and pokey sticks grace in the back of the head. He grabs Mo putting her face against him.

Morgan closes Grace’s eyes. Outside, Shrike says, they need to talk. Morgan tells Mo, it’s going to be all right, but she just stares straight ahead. He picks up his stick and says, it’s a promise. He goes outside, where Shrike stands with a group of prefects. She says, he’s a brave man. She thought they’d have to come in and get him. He wonders why no one killed him along the way, and she says, they know what Heron would have… He says, her name was Grace, and Shrike says, they dug this out of storage, showing him a battle ax. She asks if he remembers what he did with it seven years ago. It’s a shame he didn’t use the same skills today. He asks if she can’t leave them alone to bury Grace properly, but she says she’s sorry. She can’t. He can still make things right. He asks her again to leave them, and she says, he’s not going to hurt her prefects, but they don’t have the same hang up about him. He puts his pokey stick to her throat, and the prefects aim their pokey sticks. Shrike tells him to listen carefully. She could kill him right now. but she doesn’t want to. She knows the pain Wren is in. The whole reason for PADRE was to prevent anyone from feeling that kind of pain. She pushes his stick down, and says, she already lost one parent today. Don’t make her lose a second one. Mo comes out, and Morgan tells her to go back inside. She says, Shrike’s right. She doesn’t want to feel like this. He says, there’s nothing Shrike can do to make the feeling go away, and Mo asks why they need the containers in the shipyard. Shrike says, so they can build a new settlements all over the country, and make sure no one feels the way she’s feeling right now. Morgan says, you can’t run away from your feelings (and he ought to know), but Shrike says, she won’t be running from anything. She’ll be running toward a bright future. He says, what future? Shrike can’t even get to the containers. Mo says she can do it, if they help her. It’s what PADRE’s been training them to do for years. Morgan says, the walkers will kill her, but Mo says, not if they’re smart; not if they use their training. Who’s with her? Dove says, all right; let’s do it. Morgan says, don’t do this, as the guards hold him back. He says he can’t lose her, and Shrike says, there they have it. It’s not about what she wants; it’s about what you want. He says, she’s going to get his daughter killed, and she says she told him, she doesn’t want to kill him. He stops struggling, and she says, smart man. But not so fast. He uses his pokey stick for some swordplay, and knocks the guards down and out. He runs past Shrike, calling to Mo, but she trips him with the ax. She says she warned him, and the guards pop back up. Morgan says, she’s not going to kill him and she asks, why? He says, because he doesn’t die. Everybody else does, but he doesn’t. She says, maybe he’s right. Maybe he needs to think about why that keeps happening. The guards hustle him back to the train car, and she says, make sure he can’t get out. They put a chain on the door, and send up a flare. She  tosses down the ax, and they leave. We see Morgan through the window as zombies toddle toward the car.

Next time, Madison finds Morgan, who says, all he does is kill; Morgan goes to the shipyard; and Daniel and Shrike face off.

🤯 More Brains…

Join me tomorrow for soap and double the Deck. Until then, stay safe, stay unplugging once in a while, and stay knowing that accepting how things are is not necessarily giving up.

Jun5

June 4, 2023 – Morgan Hunts For Duane & Survive

Posted on by
Standard

What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

Fear the Walking Dead

Morgan goes to King County, and sees zombies feeding on some skunks. He walks to his old house, and says he’s here, calling out for Duane. He hears zombies growling inside, and runs. He kills the feeding zombies, and says he can kill them, but he can’t kill Duane. He doesn’t know why, but he can’t.

Grace shows up, and Morgan wonders how she knew he was here. She says, he sent her an SOS using their code, but he says he didn’t. No one knows he’s here. She asks what the smell is, and he says he killed some walkers feeding on skunks. She suggests they get him cleaned up, and asks what he’s doing so far inland. He hears something in the truck bed, and Mo comes out from under a tarp. She says she’s the one who sent the message, and tells Morgan that Madison got away. He wonders how she knew where he was headed, and she says she knew the graffiti on the boat meant something, even though he told her it didn’t. He says, she’s smarter than she has any right to be, and she asks about Jenny and Duane; their names were on the wall too. He tells Grace to get Mo out of here, and Grace tells Mo, those were his wife and son. Morgan says he came to put his boy to rest, and asks how Mo knew their code, Dock of the Bay. She says she knew the song meant something to him and mom, and asks if it’s okay she calls Grace that. Grace says, of course, and Mo asks if this is what getting in trouble with your parents is like. Morgan says, they’re not the ones she needs to worry about, and asks how she got away from PADRE. She says, Madison’s friend Daniel helped her. He’s building an army to take PADRE down. They can help him. Morgan says he has to do what he came here to do first, and Grace asks where Duane is. Morgan says, they were looking for food, and he told Duane to stay in the kitchen while he went to the basement. Maybe the door was ajar, because when he came up, Duane’s mother was standing opposite him, but she wasn’t his mother anymore. Before he could get his gun up, Jenny was on top of him. He finally did what he should have done weeks before, and fired, but it was too late. Grace says she’s sorry, and he says, the blood and the teeth… He just ran. He didn’t know what else to do. He ran and left his boy to become one of them. Mo asks where he went, but he says he doesn’t know. It’s a blur. It comes back to him in pieces. He started killing anything that moved, whether it was alive or dead. He thinks he should go inside by himself, but Mo says, they want to help him, and he really needs some new clothes.

They see a flare go up, and Morgan asks if Grace was followed, but she says she was careful. He suggests they get out of here, and they run, but Sherry rides up. They start to run in the other direction, but see Dwight, and duck behind a truck. Dwight says, there’s nowhere to go, and Morgan tells Mo and Grace to stay where they are. Mo asks how he knows Red Kite, and Morgan says, he’s the reason Dwight is at PADRE. He comes out, and asks how they found him. Dwight says, they’re here to take Morgan back to PADRE, and Sherry says, they heard the message he sent Grace. Coordinates and Dock of the Bay. Did he really think they wouldn’t figure it out? She smells Morgan, and says, he’s going on the back of Dwight’s horse. Morgan says, PADRE’s got their son, doesn’t he? He’s using their son against them. Sherry says, damn right, but if they bring Morgan back, he’s giving them their son and the freedom to go where they want. Morgan says, they can’t believe that, but Dwight says, they’ll take their chances. If they don’t bring Morgan back, worse will happen to Finch than has already happened. Morgan sold them out seven years ago to rescue his own kid; they’re just returning the favor.  A zombie toddles toward where Mo and Grace are hiding, and Dwight gives it an ax to the head. He sees Mo and Grace, and they come out. Sherry asks if Morgan brought them, but Mo says, technically, they came without his permission. Shrike radios Dwight, and he tells Sherry that PADRE will hurt Mo if they bring her back, but she says, they won’t see their kid if they don’t. Shrike radios again, asking if they need assistance, and Dwight says, if Morgan runs with Mo and Grace now, they’ll find some walkers and mess up their faces like they did with Virginia. Morgan says, they got lucky that time, and Sherry agrees. Dwight asks if she wants Finch to know what they traded for his freedom, and tells Morgan that there are two guards babysitting them. They rode ahead to sweep the town, and he suggests Morgan make his decision before they catch up. A guard radios that they’re approaching, and asks their status. Morgan says, there’s something he has to do first, but Grace tells him, let it go. He says he’s sorry, but he can’t, and tells them to run, grabbing his pokey stick to hold Dwight and Sherry at bay. He takes off, and Dwight tells Sherry to cut them off at the entrance.

Zombies start to come out, and Morgan leads Grace and Mo to a house. They go inside, and he says, it’s clear, after banging on the wall. He tells Grace where there are supplies, and that there’s a rifle upstairs. They’re going to need it. The walkers will find them before Dwight and Sherry do. She asks how he knows where everything is, and he says he lived here with Duane before he died. She asks if this is a good idea, and he asks if she has a better one.

Morgan uses tomato soup to get rid of the smell, but he thinks it just masks it. Mo asks how he knew it would work, and he says Duane had a dog when he was little who got on the wrong side of a skunk. They bathed her in it, and then she smelled like a mix of wet dog and bad ketchup. There was still soup there because Duane refused to eat it. She asks if the way things used to be was nice, and he says, it wasn’t bad. She wonders if it will ever be like that again and he says he thinks if they do things right, it could be even better. People can get the second chances they wanted. He apologizes for telling Mo they weren’t her parents. They are in every way that matters, but Isaac and Rachel were her real parents. They sacrificed everything so that she would survive. They hear zombies outside, and he tells Mo to go upstairs. Grace says, the walkers are going to lead Dwight and Sherry to them, and he says he wants her to take Mo and go as far north as her truck will take her. He has to take care of Duane, then he’ll catch up with them and they can regroup with Madison and Daniel. Grace says, he needs to leave now, but he says he has to put his boy to rest. She says, when they met, she was sacrificing herself for people who were already dead. It’s Mo’s life. He says, Mo needs to know he won’t let her down, , and she says, they’re trapped in this house now because he brought them here. Dwight radios Morgan, and says, we’re here. He tells Morgan to look out the window, and Morgan peeks out, seeing zombies clawing at the house, as well as Dwight, Sherry, and the guards. Dwight tells him to be smart about this, and Grace says, whatever happened in this house with Duane doesn’t have to happen with them. He tells Dwight that he’s listening, and Dwight tells him not to make it any harder. Grace says, maybe they can still make that deal, and Dwight says, we’re waiting. Morgan tells him, they can keep waiting. The walkers are a bigger problem for him and Sherry than they are for them. Sherry says, maybe they can help Morgan do what he came here for. PADRE thinks he came for a reason; weapons, more soldiers, to plan an attack. But Morgan says, it’s not like that. His boy died in one of the houses close by. He came back to bury him. Sherry says, they have their son to worry about too, and a guard sends up a flare. Dwight says, every walker within ten miles will be here soon, and Mo calls to Grace and Morgan. They go upstairs into a bedroom covered in graffiti, and Grace asks if Morgan did this. He says he doesn’t remember coming here after Duane died, and picks up the rifle. He tells her, Jenny was always outside. She came there most nights, and he’d wait. He wanted to put her to rest, and didn’t want Duane to see his mother like that. A man named Rick Grimes gave him the rifle to put her to rest, but he couldn’t. He looks at the walls, and says he must have come back here after Duane died. He wasn’t right for a long time afterward. Mo asks what clear means, and he says, that was when he was killing anyone or anything that came near him. Mo picks up a photo album, flips through it, and says she likes it when he smiles. Grace says she does too, and wonders what they’ve been doing the last seven years. He says, they were doing what they thought they had to, and Mo asks if they ever saw each other. Morgan says, now and then. If PADRE knew what they meant to each other… Mo says, PADRE would have used it against them. Another flare is shot, and Dwight says, maybe this will hurry them up. Morgan looks out and sees Jenny, as well as a zombie whose arm is on fire. Dwight says, they’ll save him a bullet; this one’s a courtesy kill – a guard gives the burning zombie a whack in the head – but the next one, they’re letting go. Morgan says, they’re going to get Mo killed, but Dwight says, no. Morgan will. They’re giving him five minutes, and then sending a zombie onto the porch. Morgan says he should have taken the deal, but Mo says, he made the right choice. Grace says they have to get back to her truck, and Mo says, he just has to clear for them. He says, it’s not that simple, but she says, this is his second chance. Grace says, maybe this is what he needs to show himself that things can be different this time, but Morgan says, PADRE will hurt Sherry and Dwight’s son. Mo says, not if they can help Daniel take the island first, and Grace says, Rick gave him the gun for a reason. Use it.

Morgan says, he’ll cover them, but when he says, take a hard right, go for the truck, and don’t stop. Grace says she meant what she said; she’s sorry they wasted so much time. She kisses Morgan, and Mo makes that face you make when you’re a kid and see your parents kiss. She asks, what’s that for? and Morgan asks if she’s never seen anyone kissing before. She says, no, and she doesn’t need to again. Grace kisses Mo’s cheek, and Mo asks if they can just start killing Carrion please. Grace opens the door, and Morgan comes out shooting. He kills a bunch of zombies, but then sees Jenny and can’t shoot. Grace whacks some zombies in the head, but one breaks through the porch railing and they get close to Mo. Grace tells her to go back in the house, and Mo goes in, slamming the door shut. While Morgan is still being weird about Jenny, Grace tells him that one is on fire. He’s still faltering, when a guard shoots the blazing zombie. Dwight asks why Morgan is really here, and Morgan says he told Dwight; he’s here for his boy. Dwight says, the only way PADRE is going to believe Morgan is if he shows them.

They go into Morgan’s old house, and he says, after they find his boy, they can take him back to PADRE, but they need to get Mo out of that house. Sherry says, they’ll make sure she’s okay, and they hear a zombie growling behind a door. Morgan asks to be the one to do it, and promises not to try anything. Dwight gives him a cross peen hammer, and opens the door. Morgan kills the zombie, but says, it’s not him. Morgan calls out for Duane, insisting he has to be here. He freaks out, and Sherry says, Duane must have gotten out. Morgan says he waited too long, and Grace says, it’s okay. He says, it’s not, sinking to the floor. He should have put his boy to rest then, and he can’t now. He put her and Mo in danger for nothing. The guard tells him, on his feet, and radios Shrike that he’s lying; his kid’s not here. Shrike says, if Morgan won’t tell him why he’s there, kill him, and the guard cocks her gun. Grace says, he needs to tell them about Duane, and the guard says, last chance. Grace says, he needs to tell them what happened here, but Morgan says, it’s already over. If they’re going to do it – he grabs the gun barrel and puts it against his forehead – then do it. Grace says, no, and Morgan pushes the gun barrel away. Dwight and Sherry knock the guards out, while Grace shields Morgan. Morgan says, they shouldn’t have done that, but Dwight says he’s not going to watch Morgan get killed in cold blood. Sherry says, he’s not the only one trying to escape his past, and Dwight says, what PADRE is making them do is like living at the Sanctuary all over again. Morgan says, their boy is going to end up just like his. He can’t have that on him. Shrike radios, and Morgan says, they’re going to kill Finch, but Dwight says, not if they have something to do with it. He answers the call, and Shrike says she wants to talk to Oriole. Dwight says, she can talk to Oriole after he talks to his son. He wants to know Finch is okay. Shrike tells Finch to go ahead, and Dwight asks how he’s feeling. Finch says he thinks the treatment worked. What’s going on? Dwight asks if Finch remembers that thing he taught him in class before he got sick; the Chimney Sweep. Do it now. Finch swipes a chair across Shrike’s legs, and she hits her head on the table going down. Finch says, she’s out. Now what? They’re going to find her. Dwight tells him that there’s a supply boat leaving in 20 minutes, and to hide on it. They’ll meet him on the dock where the boat lands. Finch says, okay, and Sherry says they have to get going. Dwight tells Morgan, whatever happened here, he has a chance to make things different with Mo. Don’t forget that. They leave.

Grace radios Mo and says, they’re coming to drive the walkers away. Mo tells her to hurry, and Morgan tells Grace that she’s Mo’s best shot. She saw what happened to him outside that house. She tells him that he has to put it behind him, but he says he can’t. She says, neither can she. She didn’t want him to hear what she was listening to in the truck. The book was on double speed. The radiation’s caught up with her, and she’s sick. He has to get Mo out of that house. He asks how long she’s known, and she says, a few months. She found a hospital and did a scan. She’s paying the price for chasing the dead, and he can’t do the same. He says he’ll get Mo out, and the three of them will spend time together. He radios Mo, and she says, one of the flares hit the house, and the fire is spreading. He tells her to get to the attic; he’s coming to get her.

The house is on fire, and zombies surround it. Morgan starts shooting them, and Mo hears something in the attic. Morgan sees Jenny, and once again can’t shoot. Mo sees a zombie chained to the wall, and says, Duane? like he might answer. Morgan says, you’re not her; none of you are her. He shoots several zombies, Jenny among them. A beam falls on Mo, and she gets trapped. Morgan gets in the house, and Mo yells that she’s stuck. Help her. He realizes he brought Duane there, but hesitates to shoot him. Mo says she knows he can do it, and he remembers Duane as a child. Recognizing that Duane is no longer that child, Morgan shoots him. He asks if Mo is okay, and she says, he did it. It’s going to be okay.

Morgan buries Duane and Jenny, and says, there are a few things he has to do, but he’ll be back. And it won’t take ten years; he promises. The three of them hug. Grace says, it’s over. He didn’t let it happen again and that’s what matters. He says, they’ll help Madison and Daniel with PADRE. They’ll reunite every child with a their parents who are still out there, then they’ll do what they said and spend time together. Grace says, he once told her that they can handle anything that comes, and that’s what they’re going to do. When do they tell Mo? He says, they were just reunited, and he doesn’t want to take that away from Mo just yet. Mo holds up the photo album, saying, look what she found. She sits to look through it, when a zombie pops out of the rubble and grabs her. Morgan and Grace run over to her, pulling the zombie off and killing it. Morgan asks if she got bit, and Mo says she didn’t, but she thinks the zombie was skunked. He says, forget the photos. They need to look for cans of tomato soup for her. Grace shows Morgan that she got bit during the struggle.

Sherry and Dwight wait at the dock in a shelter, and Sherry worries that Finch hasn’t gotten off the boat yet. Finch comes up behind them. They nearly shoot him, and he runs to them. Dwight suggests he never sneak up on them, when a truck pulls up. Sherry wonders if they’ve been seen, but Morgan gets out, shooting the boat guards. He tells them that he needs their help with Grace, and asks if Finch’s treatment worked. Sherry says, it looks that way, and he says, then they’ve got to get Grace to June. It’s her only chance.

Dwight drives the boat, and Morgan tells Grace to hang on. June can fix this. She says, he doesn’t know that, but he says, no matter what’s coming, they have to live. Grace says she promises they will.

Next time, the boat is attacked; Morgan tells Grace that June has a way to treat bites Shrike asks, why do they think she put the train car on wheels; and Morgan says, they can’t stop him.

🐞 Snug As a Bug In a Rug…

Stop by tomorrow for soap, sailing, and awful Summer people. Until then, stay safe, stay sensible, and stay not sneaking up on anyone during a zombie apocalypse.

May29

May 28, 2023 – The Truth About PADRE & Dreaming

Posted on by
Standard

What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

Fear the Walking Dead

Madison opens her eyes to a zombie head wrapped in a burlap sack and cinched in a vise above her. She struggles to get up, but realizes she’s tied up and strapped down. A guard comes in and tells her, sorry about the sedative, but it was easier that way. Madison asks if they haven’t taken enough blood, but the guard says, they’ve moved beyond studying her blood. It will be easier if Blue Jay explains. June comes in, and Madison says, Naomi, but June says, that was a long time ago. So long, I forgot she was ever called that. The guard says, PADRE wants her back on the island, and to get Madison ready. Madison asks if June is one of them, but June says, not by choice. Madison wonders if June has been the one drawing her blood, but June says she didn’t even know Madison was alive. She’s done everything she can to put Shrike off. Madison asks, from what? What is Shrike going to do to her? June says, Shrike has ideas on how to cure Carrion bites based on Alicia surviving as long as she did. It’s probably why Shrike was collecting Madison’s blood. It might be something besides radiation, something hereditary. Madison asks if Shrike is right, but June thinks it’s too soon to tell. There’s a boy who’s been responding to the radiation, but it hasn’t even been a week. Madison looks at the head moving around in the bag, and wonders if she can ask June a favor. June says, anything, and Madison says, there’s a file with the names of the children she took; their real names, not the names PADRE gave them. She promised Mo that she’d track down the kids’ parents, but June says, everything she’s tried to do since being at PADRE has blown up in her face. Shrike radios, asking if Madison is ready, and June nods. The guard tells Shrike that she is, and June reminds Madison of how she saved them all when she was left at the stadium. She won’t leave Madison now. She’ll be with her until the end. Madison looks again at the zombie head.

12 years ago. A teenage girl (obviously Shrike when she was younger) and boy walk into a room, and the girl says, they shouldn’t be here. They check out a two-way mirror, when a voice on the loudspeaker asks what they’re doing in here. They’re about to run, when a man in uniform comes in. It’s their dad, and he says, they should have seen their faces. The boy says, the mirror is creepy, and the soldier says, it helps him with meetings. The girl says, he needs to get the mic fixed too, but the soldier says, Sergeant Brenner says it’s probably just a faulty wire. The girl asks if he really has to go today, and the soldier says he wants to show them something.

The girl looks through binoculars and the soldier tells her, it’s a middle-spotted woodpecker. When their mom gave him the binoculars, she said, it was so he’d always see what’s coming. When he saw that bird this morning, he felt like she was trying to tell him that they’d be okay here. These birds live in families, and cooperate to raise their young. If the birds can do it, so can they. A soldier asks if they should load up, calling the man General Kreddick. The general asks for a minute, and his daughter says she hates when he leaves the island, but he says, that’s the way they’re going to help people rebuild; the same way they did this place. Each shipping container is filled with supplies to rebuild. The boy says, it’s dangerous out there. LA and Atlanta were bombed. Kreddick says, they need to seed new communities, calling the boy Ben. The young woman asks how they even know there’s still people out there, and Kreddick asks if they remember Elias and Senator Vasquez. They made contact with Vasquez yesterday. He and his staff are beneath the Franklin Hotel in Galveston. They’re safe. Ben asks why Kreddick can’t stay on the island until it’s safer, but Kreddick says, they’ll never survive here cut off from the world. What will happen when their supplies run out if they don’t have trading partners; other communities to rely on? He promises they’ll be safe here, and tells them to use the code names he gave them if they communicate by radio; it’s for their safety. The boy says he’s Crane, right? and the girl asks why she has to be Shrike. Kreddick says, the shrike may be small, but it’s brutal when it needs to be. Doesn’t hesitate to take care of its family. He tells her to take care of her brother while he’s gone, and she salutes him. He hugs them, says he’ll see them soon, and leaves.

Shrike removes the burlap, revealing the zombie head, which is pretty disgusting, and says, after everything PADRE gave Madison, she betrayed him. This is how she’s going to make it up to him. And she won’t be alone. Nightingale is going to next to her, as soon as they can find him. Madison asks why PADRE is doing this, and Shrike says, for the same reason he does everything. To ensure what he’s built endures.

Running along some railroad tracks, Mo whacks a zombie, and Dove asks if she realizes how far they are from the rest of the group. Mo says she has to do this. They need to see what’s in the railroad car.

Shrike tells Madison, years from now, when people talk about how PADRE was able to stop infections from Carrion bites killing, they’ll remember today. Madison will be a hero.

Mo thinks Finch might be inside. He never came back from his surgery. Dove says, he’s recovering from his surgery, but Mo says, after Finch’s boat got attacked, PADRE sent guards after him. She checked the logs, and it said they went to an old railroad museum, but nothing is there. She thinks someone moved the train car here. Maybe PADRE isn’t telling them the truth. What if something bad happened in there? What if it’s still happening?

June asks to sedate Madison, but Shrike says, she brought PADRE plenty of pain. It’s time she felt a little herself. The head moves closer.

Mo bangs on the tracks with a sledgehammer, and tells Dove that they have to know what’s going on in there. A guard asks what they’re doing, and comes toward them, but they run off.

Madison yells as the head comes closer, when Mo pulls the plug. Shrike tells the guards to get her out of here. Now. As the guards come for Mo, June grabs Shrike’s gun and knocks her out with the butt. Mo yells for June to help, and June stabs the head, then cuts Madison’s bonds, saying, she owes Madison one. June shoots one of the guards, and Madison gets herself free, grabbing Mo, and ducking down with her behind a cabinet. She asks what Mo is doing here, and Mo says they have to get out of here so they can do what they said, but Madison tells her that she’ll never be able to get near the island after this. Mo says her dad can help, but Madison says, until he’s back, they’re on their own. June has a gun battle with the remaining guard, and finally shoots him in the head. Mo tells Madison that they just have to find the prefects, and get through to them the way Madison got through to her. If they do that, the other kids will follow. June gives Madison some oxygen, and Hawk radios Shrike, saying,  they’re done for the day. Shrike reaches for the radio, but Madison kicks it away. Dove comes in, aiming her gun, and tells them not to move. Shrike tells her to call the prefects and tell them to get more guards, but Mo says, don’t. She was going to kill Lark. Dove says, Lark deserves it, and Mo asks if Finch did. Shrike tells Dove not to listen to Mo, and Mo says, Shrike killed him, didn’t she? Shrike says she saved him, but June says, that is a lie. Mo asks where he is, and Shrike says, somewhere his parents can’t do him anymore harm. June says, Shrike is the reason Finch got bit, and Dove asks, what the hell is going on here? Shrike says, she’s ensuring what PADRE built, and ensuring they have a future. Madison asks if that’s what this looks like to Dove, when Hawk radios Dove, asking her location. Shrike tells her to let them know and tell them to get over here, but Madison says, don’t do it. PADRE lied to her about this. Think of what else he’s lied about. Her parents could still be out there and she can help find them. Dove says, they abandoned her because they couldn’t take care of her, but Madison says, that’s not true. Dove asks how she knows, and Madison says she’s the one who took Dove away from her parents. Dove asks their names and where Madison took her from, but Madison says she doesn’t know, but knows Dove’s face. The only one tricking her is PADRE. June says, that’s why PADRE kept this a secret, but they can change that. Madison says she just needs to get to the island. There’s a file there with the names of all the kids she took, and where she took them from. That’s how she can help Dove. That’s how she can help all the kids. Hawk radios again for Dove’s location, but she turns the radio off. She says she’ll help Madison get back to the island. She doesn’t care what’s in the file, but she cares about the truth, and wants to hear it from PADRE. Shrike asks how she’ll do that, and Dove says she can if Shrike helps her. Shrike asks why she would, and Dove holds her gun to Shrike’s head. Shrike says, if Dove kills her, he’ll do worse than she planned to do to Lark today. Dove asks, why is that? and Shrike says, because she’s PADRE’s daughter. They hear something outside.

Kreddick tells the other soldiers, let’s move out, and Shrike peaks out from her hiding place, telling Ben the coast is clear. She says, he shouldn’t be here, but he says he just wants to make sure she’s safe. He sees that their dad forgot his binoculars, and wants to take them to him; he won’t be able to see what’s coming without them. Shrike says, it’s just a superstition. He’ll be fine. Ben says, that’s what they said about mom, and tells her to get out of his way, but she says, no. He shoves her out of the way, and locks her in, using a tool to brace the door shut. He runs after their father.

As they leave the train car, Shrike says, Dove is making a big mistake. Whatever answer she’s looking for, it’s not that. A group comes out of the woods with guns, and a man tells them, hands up. A woman (Diane) says, tell them what they want and no one gets hurt, and Madison says, she knows them. They’re all parents, aren’t they? Diane looks at Dove, who asks what she’s looking at. Diane asks where their kids are. Where’s Adrian? Madison says she doesn’t know any Adrian, but June says, he was here, he’s dead. Diane says, he just wanted to find his daughter, and June says, he did, but she’s dead too. She died a long time ago. Shrike says, because of June, but June says, because of what Shrike made her do. Mo says, if they want to find their kids, Madison can help, but Diane says, she’s with PADRE. Mo says, not anymore. She’s changed. Dove says, PADRE lied to all of them. Shrike is his daughter. Maybe they can find out what else he’s lied about – together. Diane says they’ll wait for the Commander, and Dove asks who that is, when a man tells them, turn around. Madison says, Daniel? and he says, Madison… and June. June says, he’s alive. Diane says, he knows these people? and he says, give them back their weapons. It seems they all have nine lives. Madison says, they’re going to need them.

Walking through the woods, Madison takes more oxygen, Daniel says he often considered the possibility of Madison being alive, but not like this. Madison says she’s not proud of what she did. She just wants a chance to make it right. He says, you and me both. Maybe they can help each other. He’s been looking for that damn island for years. If what she’s telling them is correct, she may be the best and only shot for these folks to get their children back from PADRE. She asks how he wound up with them, and he says, seven years ago, Morgan told PADRE they were out here, and PADRE found them. They brought everyone to a ship to assess them before deciding where they were going to be sent according to their skills and usefulness. Some went to the mainland, some went to the island; others, he doesn’t know where they went. PADRE thought he was too old to be of any use, so they dumped him in the swamp. Madison says she’s sorry, and Daniel says, PADRE was right about one thing, he is old. But PADRE was wrong about everything else. Being old doesn’t mean to be useless. He could take care of himself. So could everyone in the group, except for Charlie. She asks, what happened to Charlie? and he says, Morgan didn’t tell her? She says, Morgan didn’t get to tell her much before PADRE figured out what they were up to and separated them. He says, Charlie became very sick. She was like a daughter to him by then, and he promised he’d stay with her to the end, so she didn’t have to die alone. Like Ofelia. He broke his promise. He wasn’t there for her. He wasn’t there for Luciana either. She says she’s sorry, and knows Morgan would be too, and he says he had no purpose. Then he found these folks; this angry, desperate group of people in search of their kidnapped children. It gave him a purpose. He organized and trained them, and made them into an army. They’re strong and getting stronger, because there’s more of them out there. He lost his family, but he’s going to fight to help them get back theirs. She says, maybe he hasn’t lost all of his family. The files. There’s not just the kids in there. Luciana, Charlie, maybe he can find out what happened to them.

Dove says, maybe they can use the transport boat to get back to the island, and Shrike asks if she’s sure she wants to go down this road. Daniel suggests Shrike stop asking questions and start answering some, and Madison says, like who else knows she’s PADRE’s daughter? Shrike says, not many, and Daniel asks why her father separates children from their parents, but doesn’t do the same to himself. Shrike says, they don’t get it, but Madison says, they do. He’s an a-hole, like every other a-hole who runs places like this. Shrike says, he’s not. PADRE believes in the way the place is run and how they do things; he has for a very long time. Madison says, that makes no sense, and June says, she’s right. Why are they killing people for an experiment that will never pay off? Shrike says, it will pay off. Look at Finch. Madison asks, what happened to Shrike’s father? Why’d he build a place like this? Dove says, they’ve got to go, and Diane asks where Dove came from before PADRE, but Dove doesn’t know. Why does she care? Diane asks if Dove knows her, but Dove says she’s never seen the woman before. A bunch of guys from PADRE come out with guns, and one says, move away from the boat now. Madison says, they don’t understand. Shrike is PADRE’s daughter. They’ve been lied to. Daniel says, PADRE has been ripping families apart, yet kept his daughter by his side all this time. Mo says, it’s true, calling the guy Hawk. PADRE’s been lying to them all this time. Shrike suggests they focus more on getting her out of there, and Hawk says, Mo and Dove don’t have to go along with this anymore. Dove says, they’re going to the island, and Mo says, they’re going to get some answers from PADRE. Hawk asks who they are to question PADRE, and Dove says, it’s not just her. She’s seen some sh*t today. On the train. PADRE has a lot to explain. He says, she’s not thinking straight, and Daniel tells Hawk, the same could be said for him. All these people have lost children to PADRE. Maybe they could find Hawk’s parents. Hawk says, their parents abandoned them, but Diane says, we didn’t. We’ve been fighting this whole time. Daniel suggests Hawk’s group join them; fight alongside them. Hawk tells Dove to just hand her over, but Dove says, no. He says, maybe she’ll listen to PADRE, and takes out his radio, but Madison goes behind Shrike (who I keep wanting to call Shrek) and grabs her, holding a knife to her throat. She says, they can’t wait any longer. If PADRE knows they’re coming, they’ll destroy the files. Hawk asks, what files? and Madison says, the ones that say where Dove came from; who her parents are. Who all their parents are. Hawk says, they’ll make sure she never gets it. They’re not getting on that boat. Daniel says, they’re going to have to go through them, but Hawk asks if Daniel doesn’t think he’d shoot an old man. Mo stands in front of Daniel, and says, he might, but would he shoot her? Daniel says, they’ll hold them off, and tells Madison to go, but she says she’s not leaving Mo. Mo tells her, get that file. If Madison can show Dove the truth, the rest of the kids will follow. Go. June, Dove, Shrike, and Madison get on the boat, and Madison drives it away.

Ben runs through a container yard, yelling for his dad, while Sam/Shrike frees herself from the boat. She runs after him, calling his name, but it’s like a container maze, and she hits a dead end. She sees a container with DEAD HERE spray painted on it, reminiscent of the DEAD INSIDE sign Rick saw in the first Walking Dead episode. She hears Ben yelling for help, and zombies growling. A couple of them have cornered Ben, and more come and surround him. Shrike calls his name.

Finch sits in an interrogation room, and over the intercom, PADRE says he thinks it’s time Finch told them where he’s been. Finch asks what he means, and PADRE says, he was bit, but he’s still here. Healthy. Thriving. Finch asks where Red Kite is, and Starling, and PADRE says, they’ve been reassigned. Somewhere they can’t cause him any more harm. Finch says, they saved him, but PADRE says, they saved him. Over the radio, a man says, they have a situation, and the guard asks, what kind of situation? Madison says, they have his daughter. How about telling their guards to stand aside so they can have a chat? Shrike tells Madison not to do this, but Madison says, time to stop hiding behind the mirror and tell the truth. Shrike says, he doesn’t have to answer for anything, but Madison says, yes, he does. Every kid wants to know why they were ripped away from their parents, but he wouldn’t do the same with his own daughter. Over the radio, Daniel tells Madison that they got away and asks if Dove is still with her. One of their people thinks she might be Dove’s mother. He hands the radio to Diane, who says she didn’t think it was possible, but a mother knows. Shrike says, don’t fall for this crap, and Diane says, Dove’s name is Alex, and she was taken outside Baton Rouge years ago. She thinks it was that woman, Lark. She searched for so long. She sang You Are My Sunshine as they took Alex away. She never stopped looking. Shrike says, this woman is just trying to get into Dove’s head, but Madison says, stop lying to her. Shrike says she’s not lying, and Madison says, there’s one way to find out. Dove’s file. They want it. Shrike says she’s making a mistake, but Madison says, do it, or she tells everyone here who Shrike really is. PADRE says, give her what she wants, and Madison tells Dove that she’s about to get the answers she came here for.

Inside, a guard plops a box on the table, and Shrike says, there’s something Dove needs to understand before she sees that file. Madison asks, what’s that? They already know this place is built on a lie. Shrike says, it’s not what they think. It’s the only way to protect them from what happened here before. Madison asks PADRE, what happened before? but he says he doesn’t answer to her. She tells him, he always says he never lost a kid, but she doesn’t know if that’s true. Who did they lose?

Ben is totally hemmed in, whimpering, as Sam watches. There’s gunshots, and the zombies drop. Kreddick asks what they’re doing here, and Ben throws his arms around his father. Ben gives him the binoculars, saying, he forgot these, and Kreddick says, he has to get them out of here. The shipyard’s a pool of the dead. More zombies show up, and Kreddick shoots, but runs out of ammunition. The three of them take off.

Madison asks again, what happened here?

Kreddick says, they have to get back to the boat, but zombies are coming out of everywhere, and they’re completely trapped.

Shrike says, Madison is never going to get her father to admit to anything. Madison says, why is that? and picks up a sledgehammer she conveniently found on the way in.

Kreddick shoves the closest zombie away, and gives Shrike a boost to the top of a container. He shoves more zombies, and boosts Ben up.

Madison asks why he won’t answer them.

Ben reaches down, and Kreddick takes his hand, but they slip apart. The zombies start to feed on Kreddick, and he tells Ben, don’t let this die. It’s too important.

Madison smashes the two-way mirror with the sledgehammer.

Kreddick – who, to his credit, is taking this like a champ – says he loves them both. Ben and Shrike watch as the zombies envelop him, and a single tear rolls down Shrike’s cheek.

Madison sees Ben behind the mirror.

Kreddick goes down in a sea of zombies, as Ben cries.

Shrike says, her father can’t answer Madison because her father is dead. She and her brother lost him a long time ago. Dove wanted to ask PADRE for the truth. Go ahead. Ask them. They are PADRE.

Shrike watches the zombies mill around, her father now one of them.

Madison asks how this went from what their father was doing to what they’re doing now. Shrike says, they didn’t know how to go on.

Still on top of a container, Ben brings out a gun and says he found it inside. Shrike takes it, and in a voiceover, she says, what did they even have to go on for? In the past, a guy over the radio Shrike is holding asks if PADRE 1 copies.

Shrike says, but then the universe answered, and Ben says, it was one of the kids from the island. He wanted to know what happened to his parents. They all did. Shrike says, they knew what it would do to the kids if they knew their parents died; how it would break them. Madison says, so they lied, and Shrike says, they told them that their parents abandoned them. Their parents knew they couldn’t take care of them, so they fled. Madison says, and they believed it? and Ben says, their parents left and never came back. What else were they supposed to think? Shrike says, they told the kids that they’d face this new world together without their parents; that they’d be better for it. Madison says, and the shipyard? Those containers? Shrike says, their father died protecting what was inside. They made sure it stayed that way. Madison asks, how? but Ben says, it doesn’t concern her. June asks how they recruited adults. They were just a bunch of kids. Ben says, it was easy. They made them believe he was still here, and they kept on believing it. Dove asks why they lied, and Shrike says, to protect them. Dove asks, from what? and Shrike says, open it. It’s what she wanted. Madison looks through the files until she finds the one for Dove. Shrike says, go on. Tell Dove who she is. Madison sees that her name was Odessa and her mother was Ava Sanderson. She flashes back to Ava saying, she cried when Madison pulled Odessa away from her on the beach. Madison says, no, and Dove asks, what’s wrong? Shrike says, go on. She deserves the truth. Madison says, her name is Odessa, and Dove says, her parents? Madison says she knew Dove’s mother. Her name was Ava. Shrike asks, what happened to Ava? and Madison flashes back to killing zombie Ava. Madison says, she died, and Shrike asks, how? Madison says, she was trying to take Dove back from PADRE, and Shrike asks, who made her believe that was possible? Madison flashes back to telling Ava that they can help her and her baby, and Dove says, her mother is dead because of Madison? She slams Madison up against the wall, and June tells her, no. Dove says, Madison made her believe in something more, and puts her gun to Madison’s head. Shrike says, let her go, but Dove says, she needs to pay for this. Shrike says, she will, but not this way, and Ben radios the guards, telling Dove to stand down. The guards come in, and Madison asks what Shrike is going to do now. Shrike says, they’re going to continue what they started on the train, and June says, like hell they are, but Ben says she doesn’t have a choice. She says, he’s a monster, but Shrike says, she and her brother are protecting these kids from the worst pain of all; the pain of losing a parent. Madison asks what that has to do with the train. The experiments? Ben says, as long as the world is the way it is, children will continue to experience unimaginable loss, but if there’s a cure, that would change everything. Seriously? No one has thought of that before this? Shrike says, they can go back to family, to connection. But in the meantime, they’re going to protect these kids the way they always have. She holds out the microphone to Madison and asks if she wants to tell the kids she rescued the truth. Go ahead. Let the whole island hear… That’s what she thought. The guard takes Madison and June, and Dove leaves with Shrike.

June, Madison, and Dove are on a boat with two guards, Shrike driving. Madison asks what Nick and Alicia were like, and June says she doesn’t think Madison would have recognized them. The boat stops, and Dove says, let’s go. They start to walk through the woods, when Daniel, Mo, and company come out. Daniel says, they’ve got to stop meeting like this. The guards draw their guns, but Daniel says, let their people go, and they’ll walk away. No one has to get hurt. They’ve got another 12 soldiers deep in the woods, and they’ve got their prefects. Shrike says, they wouldn’t, but Daniel asks if she wants to take that chance. Shrike signals the guards, who lower their weapons, and some of Daniel’s group disarm everyone. Diane says, Alex? but Dove says, that’s not her name, and Diane isn’t her mother. Her mother’s dead. Because of Madison. June says, Dove can still have a family, even if it’s not who she thought. She said Madison made her believe in something more. That’s still there. Come with them. Dove doesn’t say anything, and Shrike says, looks like she made her choice. And every other kid on that island is going to make the same one. Remember that. Mo says, no, they won’t, and Madison tells Daniel that she’s sorry. Diane says, this was a mistake; she can’t help them. Daniel says, yes, she can, but Madison says, she’s right. Those kids are never going to follow her; not after everything she’s done. Diane says, not just them, and Madison says she’s not the leader they need. But she thinks she knows who might be. Mo asks, who’s that? and Madison says, your father. They walk off, leaving Shrike and Dove on the path.

Zombies growl behind a metal fence, as Shrike watches them. She asks if Crane copies. He says he does, and she says, he was supposed to meet her. Ben says, after what happened, being out in the open doesn’t seem like a good idea, but she says, they’ve got a bigger problem. The parents know where the island is, which means it’s only a matter of time until they get here. Ben looks at an old photo of him, Shrike, and their father, and says, they’ll destroy everything they’ve built. She says, not if they’re not here. It doesn’t matter if they know who they are. What matters is that what they’ve built survives. He asks how they’re going to do that, and she says, by expanding. They’re going to do what dad said. Ben says, there are thousands of Carrion in that shipyard. Carrion they put there to protect what’s inside. She says, they taught the kids to fight for a reason. It’s time the kids showed them what they’ve learned.

We see tons of zombies in the shipyard.

Next time, Dwight tells Morgan that there’s nowhere to go; Morgan says, they’re trying to burn them out; Mo calls to her dad for help; and Grace says, they’ll kill him if he doesn’t tell them what happened.

🧟‍♀️ Don’t Be a Stranger…

Stop by tomorrow for what’s on Deck, and smack talk about awful people reuniting and talking smack about each other. Until then, stay safe, stay remembering those we’ve lost in service to our country on Memorial Day, and stay knowing that if you ask for the truth, it might not be what you think it is, or what you want to hear.

May22

May 21, 2023 – A Train Full Of Zombie Experiments & Space

Posted on by
Standard

What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

Fear the Walking Dead

June tacks up signs on the trees that say: Turn Back. PADRE will take your children; PADRE is a lie – turn back. She stabs a zombie in the head, and keeps walking. She sees someone wrote, They took my daughter. Please help, on one of the signs. She hears someone contact Warbler on the radio, saying they have a lead on an egg; it might be a mess. Using binoculars, she sees a boat come through the canal or whatever it is. She shoots the two people in the boat with tranquilizing darts. Using surgical tools and skills, she cuts their index fingers off and sets the boat free. Back at her cabin, she puts the fingers in a jar, and hears Warbler say, they’ve been hit. That a-hole got us. When he finds that son of a bitch., he’s going to cut off both his hands. I love how he assumes it’s a man.

Walking in the woods, June sees another message written on one of her signs: Who are you? Where can I find you? She looks at an old billboard that says Coastal Railroad Museum, and on the radio, a woman says, PADRE 3; rescue complete. A man responds, en route to you now.

June deposits more fingers in the jar, when a man comes to the cabin. He says he just wants to talk, but June draws her gun. She asks how he found this place, and he says he followed her. He’s the one whose been writing on the signs. His name is Adrian, and he needs her help. The Collectors took his daughter Hannah from him a few years ago. June says she doesn’t know Hannah, and he says, but June knows PADRE, and he knows she can help him. He tells her to ask whatever she wants, but she says she doesn’t want to get to know him; she doesn’t want to know anybody. He asks what they did to her. Did they take her kid? Did she take kids for them? She tells him, get out and don’t come back, but he shows her Hannah’s picture, and says, it was taken when she was 7; she’d be 12 now. He shows her a friendship bracelet he’s wearing, and says, Hannah made one for each of them. She says she can’t help him, but he says he’ll be back every day. There are a lot of like-minded people who could help with what she’s doing. They’re forming an army to take PADRE. She tells him that if she sees him here again, she’ll kill him, but he says he thinks she’s just trying to scare him. She says, if PADRE’s had his daughter this long, he’s not getting her back. They use the people you care about the most against you. He says he’s not going to stop looking. She can either kill him or help him, but he’s not giving up. She backs him out the door, and shuts it, but he says, they know who she is now, and he’s not giving up.

June looks at the photo of Hannah that Adrian left, and packs a bag, including the jar of fingers. She leaves the photo behind.

June tranquilizes three more people in another boat, and is about to collect more fingers, but she unmasks one of them, and it’s Dwight. She unmasks another, and sees it’s Sherry. She says, sh*t. She hears a gun cock, and a boy tells her not to move. June says she didn’t know there were kids on board, and the boy says he hid under the tarp. He tells her that he’s going to call PADRE, and picks up a radio. He says, PADRE 2; we got attacked. A man addresses the boy as Finch, and asks, where’s Whistler? Finch says, dead; she killed him. He asks about Red Kite and Starling, and Finch says, she knocked them out. He asks the location, when Dwight and Sherry start to come around. June grabs the radio, and Finch accidently shoots the boat, which deflates. Dwight asks if that’s June, and Finch says, she shot them. She was trying to steal their boat. Sherry says, June’s the one who’s been cutting people’s fingers off, and Dwight snatches her tool roll from her. Finch wonders why June is calling Red Kite Dwight, and asks if she used to be at PADRE. Dwight tells her that they think Finch has appendicitis, and needs surgery. She asks why he doesn’t take Finch to the clinic, and he asks where she thinks they were headed. The man comes on the radio again, and Finch tells Dwight to tell them where they are, but he says, no. June is a nurse, and is going to help him. Sherry says, his appendix could burst by the time they get him to the clinic on foot, but June says she doesn’t have the equipment. Dwight says, she’ll have to figure it out, and June asks, why is that? He says, if she doesn’t, he’s telling PADRE who’s been cutting off his Collector’s fingers. June says she just wanted to leave, and Sherry asks, why? June says, it wasn’t safe for her anymore, and Dwight asks Finch to step away for a bit, giving the boy an oar in case he sees Carrion, and reminding him to aim for the eyes. Sherry wonders what happened to June, and says, if she does the surgery, they’ll get her a boat, and she can go wherever the hell she wants. PADRE will never know it was her. June says, Finch is their kid, isn’t he? The one Sherry was pregnant with when they were found on the rafts. Sherry says, PADRE doesn’t know Dwight is his father. Dwight teaches all the kids combat, and she’s in the nursery. Finch doesn’t know he’s their kid. Dwight says, they’ve been following PADRE’s rules, and Sherry says, once the surgery’s done, they’ll take Finch back, and no one will be the wiser. June says she knows where they can do the surgery, but they can’t ask any questions. She’ll take them there and do the surgery, then they have to keep up their end of the bargain and get her the boat. Sherry promises they will.

They go into a railroad car that looks less than sterile, and see a zombie head in a clamp. Dwight asks if June is sure it’s safe, and she stabs the zombie head, saying, it is now. She turns on some machines, and preps Finch for surgery. Finch asks if it will hurt, but Sherry says, he won’t feel a thing, and when he wakes up, he’ll feel better. Sherry finds a binder that contains studies on people who have turned, and asks June, what is this; who are these people? June says, the deal was no questions, but Sherry says, the deal’s changed. Dwight says, she’s got to give them something, when they hear the cock of a gun. It’s Adrian, and he asks who the kid is. June says she’s trying to help him, and Adrian says, two Collectors from PADRE? June says, it’s not what he thinks, and he says, PADRE has his daughter Hannah. Sherry says, maybe they can help him, and Dwight says, this doesn’t have to end in a fight. He’s sure she’s fine. PADRE hasn’t lost a kid yet. If Adrian can tell him what she looks like, maybe they can figure out something. A man asks Adrian’s location on the radio, and while he’s distracted, Dwight reaches for the gun. It goes off, hitting a wall. Outside, zombies gather. Dwight holds a gun on Adrian, and crushes the radio under his foot. Adrian says, there’s lots of more of them, and they can’t be stopped. They won’t let them hurt any more kids. Dwight says, they brought him here to save his life, and June says, they have a problem. The bullet hit the control panel, and she can’t do surgery without power. Finch cries out in pain, and June says, there’s an emergency override in the back of the train. They can have power if it’s turned on. Dwight says he’ll go, and gives Sherry the gun. June says, he can’t walk through the train; it’s full of the dead. She used to work here. It was off the books. PADRE didn’t want anyone to know about the experiments they were doing. Sherry asks if they’re the ones in the binder, and June says, the woman in the photos is Shrike. PADRE wanted her to find a way to stop the effect of walker bites. She had an idea; a treatment. Radiation. It was slow and painful. It was worse than dying from the bites. PADRE tried to force June to administer the treatments. She couldn’t do it, so she ran. Sherry says, they have to get to the back of the train. Dwight looks up, seeing a trapdoor, and says he doesn’t think they have to.

Adrian tells June that he’s sorry, and she says she told him to stay away. He says, if he had, he wouldn’t have seen this place. It shows she knows more about PADRE than she let on. She says she can’t help him, and he says, can’t, or won’t? Her attacks aren’t stopping them. She’s barely slowing them down. If she wants to do something, help him find Hannah, or help the boy and get him out before those Collectors bring him back to PADRE. She says she can’t, and he says, she told him PADRE uses the people you care about against you. He’s sorry for what happened to her, but if she never gets close to anyone again, what’s she living for? The electricity comes back on, and Dwight radios, asking how Finch is. June says, he’s still sleeping, but the medication won’t last much longer. Dwight and Sherry climb to the top of the train, and Dwight asks Sherry, what’s wrong? She says, seeing Finch and hearing him call her honey. She can’t snap back to the way things used to be. They made a choice when they were picked up on the rafts. They’d play by PADRE’s rules because they thought it was the safest place for their son. After what she’s seen today, she can’t bring Finch back here. It doesn’t feel safe. June knows all of PADRE’s collecting grounds and all the places he would look. They’ll find a place, and once they’re settled, they’ll find a way to let everyone know the truth about PADRE. He asks if they can really be a family, and she says, they can. She saw it earlier. They can do this. He kisses her, and they fall through the roof of the train into a car. June radios, asking, what happened? The car is full of zombies, and Dwight shoots some of them, then he and Sherry climb up onto a luggage rack. He tells June that they fell into a car of walkers like he’s never seen. She tells them to stay where they are. She’s on her way, but he says, it’s too risky. He doesn’t have nearly enough ammo. June says she’ll figure it out, but he says, no. Finch needs her for the operation. If they don’t make it back, promise him that she’ll take care of Finch. She tells him, stay put; she’s coming. Adrian asks what she’s doing, and she says, they have to survive for Finch. He asks if she’s doing this because it’s what’s best for Finch, or because she’s afraid she’ll have to take care of him, and she draws her gun, telling him, don’t follow her.

June walks through a car where there are shelves containing jars of zombie heads, and chained up zombies who snap at her as she goes by. She says she’s so sorry, and keeps walking. The door to the next car is padlocked, and the zombies start to break free since the pipes they’re chained to are pretty beat. She starts to shoot them, falls, and the gun goes flying. She fends them off as best she can, but luckily, Adrian didn’t listen to her, and comes in, stabbing them in the head. She says she told him not to follow her, and picks up her gun. He says, good thing he didn’t listen, but she says, he should have. He says, they’re a lot alike. The only difference is, he still has someone to live for. She has to find hers. Like he told her, there are more people like them. Together, they can take down PADRE. She says she can’t help him, but he says he’s not doing it for himself; he’s doing it for Hannah. He’s going to find her whether June helps him or not. And when he does, he wants her to see that her father isn’t who PADRE says he is. They should keep moving. Finch appears with his oar, and says he’s coming with them. June says, it’s too dangerous, but Finch says he can handle the Carrion; Red Kite taught him how.

The zombies start reaching through the rungs on the luggage rack, when June comes in shooting. Finch gets one with an oar, and asks, how was that? Dwight says, that was good, kid, and Adrian and June stab the last of the zombies. Sherry asks what Finch is doing here, and he says he’s going to tell PADRE how he fought the Carrion, but Sherry says, they’re not going back to PADRE. Dwight says, they want what’s best for Finch, and it’s not there. Sherry nods, and Dwight says, they’re his parents. Finch says, they’re not, no, and Sherry tells him that she knows it’s a lot to take in right now, but she promises they’ll figure it out as a family. Finch doubles over in pain, and June says, they should get him back to the operating room. They start to move forward, and Adrian turns around, seeing a child zombie through the door window. He says, no. Hannah. He grabs June, and says, that’s why she wouldn’t help him; she knew. June killed her. June says she tried to save her. She treated Hannah for asthma when she first came to PADRE. She was just a scared kid. She missed her dad. She reminded June of her own daughter, and June wanted to take care of her and make her feel safe. Adrian says, she’s a liar, and June says, then she went out on a scout. She went off-island and got bit. It was on her back, and June couldn’t amputate, but she had to do something. He asks if Shrike put Hannah through treatment, but June says, it wasn’t Shrike’s treatment; it was hers. She saw someone survive a bite longer than anyone she’d ever seen. She’d been exposed to radiation, so June thought, if it worked for her, it might work for Hannah. She gave Hannah radiotherapy using equipment salvaged from the hospital. It stopped the infection, but the amount of radiation it took made things worse for her, and June wanted to end her suffering. Adrian asks why she didn’t, and June says, Shrike wouldn’t let her. Shrike wanted to let Hannah turn so she could study her. See how long it took. Adrian says, and June let her? but June says she didn’t have a choice. Shrike held a gun on her, and said, as long as her finger was on the trigger, June had to keep the experiments going or other people would pay the price. That’s how this whole place happened, because she tried to save someone she cared about. Other people suffered as a result, so she made sure Shrike couldn’t do to anyone else what she did to her, and she took Shrike’s trigger finger. June knew they couldn’t do the experiments without her, and knew as long as she stayed away from here, away from people, no one else she cared about could get hurt. Adrian lets June go, and looks at zombie Hannah, saying, she was all he had left. He understands now why June wants to be alone. He walks up to the window and puts his hand on the pane. He opens the door and goes in, and June says, no! He holds Hannah, telling her that he’s got her, and the zombies close in on him. The others look away.

June stitches up Finch, and says, he’s stable. He should be awake soon. Dwight thanks her, and she says she held up her end of the deal. They should arrange for that boat. He says, they will, but when it comes, they want to all get in it together. June says, that wasn’t the deal, but Sherry says, things changed. June says, for who? and Sherry says, when Finch wakes up, they want to take him away from this place. Dwight says, they want to try and be a family, and she asks what it has to do with her. He says, she’s family, and Sherry says, they understand why June chose to be on her own, but they can’t let her end up like Adrian. Dwight says, someone who doesn’t have anybody to live for. He told her before, he wouldn’t be here if it wasn’t for her and John. He has a family because of that, and wants her to be a part of it. That is, if she wants to. She says, okay. Adrian saved her so she could find someone to live for, but she needs to put Adrian and Hannah to rest first. They’ve suffered enough. As she’s about to walk into the next car, a couple of PADRE people come in with guns, and steampunk woman says, hello, Blue Jay. June is knocked out.

Steampunk woman says, oh good; June is coming around. June asks how she found her, and steampunk woman says, they figured it was her as soon as the Collectors started showing up without to the island without fingers. She holds up her hand, missing an index finger, and even though she doesn’t say it, we know she’s Shrike. Shrike says, no one else could be so precise. When they heard the boat that was missing had a kid who needed surgery on board, she knew June would come here. Dwight asks, what’s going on? and Shrike says she assumes Blue Jay told them what this place was; how much promise it had. Sherry asks if that’s what she calls murdering people, but Shrike says, they were about saving lives. Dwight says, she’s full of sh*t, but she says, he’s the one who lied to PADRE about what they were doing today. He says he brought Finch here to keep him safe from a-holes like her, but she says, no one wants the children safe more than PADRE. They created this place so the children would be safe from Carrion. But Blue Jay ran off before she could perfect the cure. June says, everyone she tried it on died, and Shrike says, that was then. She has faith June will get it right this time. PADRE’s got something big and expansive planned. He wants these children to be as safe as they can be. June needs to pick up where she left off. June says she won’t do it, but Shrike says, she just needs a little motivation. One of the men grabs June, pulling her to the side, and another brings in Adrian’s snapping head, putting it in the vise, and pushing it closer to a sleeping Finch. Dwight and Sherry get up, saying, hey, stop it! Sherry yells for Finch to wake up, and Shrike presses a button. The head moves closer to Finch, and June launches herself toward it, but Shrike pulls her back. Dwight and Sherry continue to yell, and the head bites Finch’s shoulder. Sherry cries, and Shrike makes the vise reverse. Dwight says he’s going to kill her, and she asks why he would do that. She’s the only one who can save his life… Well, they are. She tells the men to get them out of here, and they take Dwight and Sherry out; Sherry wailing, and Dwight threatening to kill Shrike. Shrike tells June that she’d better get to work. She’s got a lot to catch up on. They’ve got new patients on their way at this very moment. There’s just one thing they have to do first. They have to make sure that Blue Jay can never hurt them. She cuts off June’s finger, and June screams.

Morgan rides in the back of a truck with Madison, and she asks if he knows where they’re being taken. He says, her guess is as good as his, and she asks why he doesn’t think he can be the person Mo needs him to be. What the hell happened? What’s holding him back? They may not be alive long enough for her to pass judgement on him. He says he keeps thinking about a thing he did – actually, a thing he didn’t do – a long time ago. She asks, what? and he says, it doesn’t matter. She asks if he can fix it, but he says, not the worst of it, no. She says, some of it? and he says, maybe. She asks what the hell he’s doing here. Mo needs him. He needs to do whatever it takes so he can move forward. He says he’s not exactly in a position where he can call the shots, and Madison starts to cough. She falls off the bench, onto the floor, and Morgan yells for the driver to pull over. She can’t breathe. A man comes back, and pulls Madison back on the bench. Another man says, get her a tank, and as he’s reaching to get one, Madison rushes both of them, and shoves them out the back door, tumbling out with them. She yells for Morgan to go, as one of the men grabs her. Morgan takes off into the woods, and she yells, do what you need to do!

Next time, Madison gets the zombie head in her face; a fight on the train; Daniel returns; and Madison says, it’s time to tell the truth.

🐷 That’s All Folks…

See you tomorrow for the usual. Stay safe, sane, and as serene as you can.

May15

May 14, 2023 – Bringing In the Fear & Happy Mother’s Day

Posted on by
Standard

What I Watched Today

(rambling, random thoughts & annoyingly detailed recaps from real time TV watching)

Since it was the premiere, I figured I’d throw in a quickie.

Fear the Walking Dead

Morgan made it to Padre, but not the way he wanted to. More than a place, Padre is also a dude. Morgan sat in an interrogation room, Madison leaning against the wall. Speaking over an intercom, Padre said they wanted Morgan to be a collector, and a steampunkish woman put a baby monitor on the table. A baby started crying, and Morgan wondered why the parents weren’t brought in, but Padre said, the parents didn’t want to build something better, but wanted to rebuild what they’d had, but they couldn’t. Morgan said, someone should comfort her, but Padre said, she’d do what the other children did to survive; separate herself from her emotions. Morgan said she sounded scared. Knowing it must be Mo, he said, let him take his daughter and go, but Padre said, they were doing what was best for her, not Morgan. Morgan jumped up, knocking out a guard and grabbing a gun. He accused Madison of being with Padre, but Madison joined him, saying she was going to do what she said she was. He asked if she was sure, and she said there was nothing worse they could do to her than what she was already living.

In (at?) Padre, we were introduced to Dove and Wren, who were about 15 and 8 respectively. Wren put on protective clothing and went into a ring to fight a zombie. She had some flashbacks of zombies in a swamp, and froze, the zombie getting the better of her. She called to Dove for help, and after rescuing her, Dove said Wren was too young for this. Wren insisted she just needed some training, and offered to do Dove’s chores in return. In the city, some kind of troop or scout leader shouted things like, who sustains our way of life? Who is teaching us to be strong? after which, the group said, Padre! Madison was being kept in a cell in the basement, which looked pretty bleak. The door had a dirty, round window, and one of those slots they feed prisoners through. Wren brought down an oxygen tank, and Madison called her closer. When Wren opened the slot, Madison tried to grab her, and she ran. Later, while Madison was putting lines on the wall to mark the days, steampunk woman came in, saying, it was that time of the week. She gave Madison a shot in an arm scarred with previous shots, and Madison grabbed her gun. Putting it in her mouth, Madison tried to shoot herself, but the woman said there was no ammunition in it. She sedated Madison, and said, they knew what Madison wanted was to die, but in Padre, that wasn’t going to happen.

Wren told Dove that she wanted to go to the mainland to build their future, but Dove said the only thing out there was carrion with teeth. Wren asked about Madison, lying to Dove, and saying she’d come upon Madison’s cell by accident. Dove said her name was Lark and she’d been a collector. She’d saved more kids than anyone, until she helped a guy and his kid get off the island. She took out twelve guards with a sledgehammer, and twice as many carrion. She almost killed Padre.

Wren snuck down to see Madison, and asked if Madison would teach her how to kill carrion. She needed to show Padre that she wasn’t too young to wear the mantle. Madison said she wanted something in return; she wanted the oxygen valve turned off. Wren said she knew Madison wanted to die, and Madison said she’d already done what she set out to do. Madison told her to let the weight of the hammer do the work, and after Wren made an unsuccessful attempt at a swing, Madison asked her to come closer; she’d show her. Madison grabbed the hammer through the slot and got the door open, but Wren knocked Madison back into the cell and down. Madison noticed a scar on Wren, and asked where she’d gotten it. Wren said she’d had it since she was little, and Madison asked how old she was. Wren said she was 8, and Madison said Wren’s name was Mo. She’d helped Mo and her father escape. That’s why she was locked up. She took Mo and walked out, threatening to kill Mo if the guards came closer. Madison knocked out all the guards with the sledgehammer, and told Mo that she was taking her as far away from Padre as possible.

Madison drove Mo in a boat for a while, and heard they were looking for her over the radio. She told Mo that she’d made a promise to Mo’s father, and intended to keep it. They were going to find her dad. They got out, and started hiking, and Mo pretended to get stuck in some mud. When Madison went to help, Mo knocked Madison down, and grabbed the radio. Madison followed Mo, but lost her gun, and told Mo that they had to go inland. Mo said, Madison needed oxygen, but Madison said she could handle herself. Mo wouldn’t be able to handle the dead. Zombies were coming, and Mo tried to face one, but had another swamp flashback and froze. Madison killed the zombie, and Morgan came out of the brush. Madison told Mo that he was her dad, and asked Morgan why Mo was back in Padre. How did he find them? He said he’d heard the chatter on the walkies, and this was where they’d escaped 7 years ago. He was here to take Mo back. They kept walking until they got to Pip’s World of Wonders, a deserted fairground. I love a deserted fairground.

When Padre radioed, Morgan took the radio from Madison, identified himself as Nightingale, and said he had Wren. Madison was like, what just happened? and Morgan said she’d been locked away a long time. Madison asked what they were holding over him, but Morgan said Mo was better off with them than him. Mo said she wanted to go back, and Morgan said, this was about what was best for his kid. After a brief struggle, Morgan said that Madison was only doing this to make herself feel better about the other kids she took. Morgan radioed that he had Wren, and was told, Lark (Madison) was no longer needed, and was now a liability to the settlement. Morgan told Mo to go elsewhere, and was about to shoot Madison, saying, if he didn’t do it, they might not let Mo back in, and it’s what Madison wanted anyway. Madison got Morgan down and got his gun, insisting she was going to save them, but Morgan said they didn’t need saving. Zombies started to come, and Morgan said they’d go through the swamp; the swamps were like flypaper to the zombies. They come in, but they can’t get back out. I’d say that was more of a roach motel. Who still uses flypaper? As they walked, Madison asked if they had Grace, and if that was why Morgan was doing what they wanted. She told Mo, that’s what they did. They found out what mattered and threatened to take it away. Morgan said, they could provide a way of life that works. Hearing Morgan’s name, Mo asked, what kind of a name was that? and Madison said, it was Mo’s name too. They told Madison that they’d go after her kids if she didn’t do what they wanted. Her kids were already dead, but Padre made her believe they were alive. Morgan says, when he and Mo were found, they were out of food and water, and at the mercy of a posse. It was only a matter of time before things ended. A flare went up, and Morgan asked for the radio, but Madison threw it in the swamp instead.

Madison said they had to find shelter, and Morgan said he knew a place. They came to a slowly sinking houseboat, and Mo flashed back to being there before with zombies surrounding it, and asked if something had happened to her here. Morgan said, the less she knew, the better. They needed to stay ahead of them. When they got to the houseboat, Morgan said, Padre was going to come looking for them when they didn’t show up at the estuary. He saw Madison’s arm, and she said, they drew her blood once a week. Sometimes she didn’t cooperate. He told her that he was sorry; he didn’t know they’d locked her up. He’d given himself a set of rules. He only took kids who’d lost their parents or whose parents wanted them to have a better way of life. Madison asked what Padre thought of that, but he said, they didn’t know. She asked, who else was on the rafts? and he said he didn’t know where Daniel and Luciana ended up, and no one knew where Victor was now. Mo looked around the houseboat, picking various things up, but Morgan wouldn’t give her any information about what anything was. She found the Walkman and listened to Grace singing. Morgan said, it was nothing, just a song, but Mo said, it wasn’t. She remembered.

Mo said, the zombies were going to pull them under. She remembered. Madison shouldn’t have taken her off the island. As zombies closed in, Mo got Morgan’s gun, but Morgan promised Mo that Padre would find them before anything happened. Mo said Madison wanted to die; now she was going to get them killed. Morgan said they were going to wait for Padre; this is how they were found last time. He’d radioed and told them to come. Madison said they didn’t have a radio this time, and Morgan said, there were as many zombies in the back of the boat. Madison said she’d draw their attention, while he and Mo got away, and Mo said, this is what happened last time, isn’t it? and Morgan said, yes, and he was sorry. Madison banged the sledgehammer against the outside of the boat, bringing the zombies to her. Mo said they couldn’t leave her behind, but Madison told them to go. Mo’s foot got stuck for real in the swamp, and as Morgan fought off zombies, she flashed back to the first rescue there. Madison started banging the boat again and yelling, over here! Morgan said he didn’t think Padre was coming this time, and just as the zombies were about to overpower Madison, Grace sped up the swamp in a boat, shooting all the zombies.

Grace said she got here as fast as she could ,and Mo asked who she was. Grace said, her mother. Now let’s get the hell out of here. She’d heard the radio chatter when Madison escaped, then heard Nightingale’s message. She figured they’d go to the houseboat. Mo said, Grace was the one singing, and Grace said, it was a long time ago. Mo needed to put that out of her mind. Mo said they didn’t have to go back. Seven years ago, Morgan almost died saving her. They could do this. Padre’s been lying to her, saying Morgan was selfish and couldn’t make hard calls, but he did before and did just now. Madison could come with them. Madison said she’d only slow them down, and Mo asked, what about the other kids she’d rescued from Padre? but Madison said she couldn’t help them. Mo asked, why not, since Madison had helped her, and Grace said, it may not be that simple. They hear boats coming, and Grace said she’d radioed Padre, and they were coming. Morgan said, Padre could protect Mo in ways they couldn’t, and it wasn’t up for debate. Grace said. Mo had to go back, but Mo said she wouldn’t go back. She knew something had been missing, and it was her parents. Morgan said they weren’t her parents. Her parents were Isaac and Rachel, and they were dead. He’d made them a promise a long time ago to take care of her, and that’s why she was going back to Padre. Madison said they had a chance to be with their daughter, and they were throwing it away, but Morgan told her to run and not to make it harder than it was. Mo told her to save herself, so she could save others, but Madison said she wasn’t going to make it. Mo said, she had to try, but it was too late.

Some boats came, and Madison was grabbed by guards. Steampunk woman told Madison not to worry; she still had use for her. Madison told Mo to remember what she’d shown her, and the Padre people took Mo and Madison away. Morgan said, at least they got to see her, and Grace said, that’s what made it so hard. Grace started to leave, and Morgan asked steampunk woman what his next assignment was. She told Morgan that he was being retired as a collector. They’d invested too much in Mo. They were afraid she and Morgan might cross paths again, and now she knew he was her father. He knew what was best for her now, but that might not always be the case. She told the guards to take him away.

In Padre, Mo sat in the interrogation room, and over the intercom, Padre said, sometimes we have to learn a lesson the hard way. He was just glad she was okay. He felt she was going to play a crucial role in the next steps the settlement was about to take.

Mo told Dove that she shouldn’t have gone. She wanted to be a part of what Padre was building Lark showed her what was out there. Lark showed her how lucky she is to be here.

Padre’s voice said he was glad to hear that; they needed people like her. That’s why he was going to let this transgression slide, but future transgressions would bring harsh consequences.

Dove said she hoped Mo learned her lesson, and Mo said she did. Getting in the same arena where she faltered the last time, Mo creamed a zombie.

Padre asked if he’d have to worry about her again, but Mo said, no, sir. He asked if he had her word, and she said, yes, sir.  

In the arena, Mo smiled, but then kept it to herself.

Next time, Mo says, something bad happened in there; an army gathers to fight Padre; Morgan and Mo are reunited; Padre comes after Morgan; and lots of zombies.

To All the Moms biological or not, Stepmoms, Moms-To-Be, Mother Figures, and of course Pet Moms…

Happy Mother’s Day!